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PODCAST

There"s Sometimes a Buggy

Elise Moore and Dave

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other"s movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially

tv & film philosophy

All Episodes

54:08

Hollywood Studios Year-by-Year – Paramount – 1945:...

There"s Sometimes a Buggy ·

2023/12/01

For this Paramount 1945 episode, we look at a couple of male melodramas: The Man in Half Moon Street, a Gothic B-movie starring Nils Asther, "the most beautiful man who ever lived," according to Elise, as a scientist who becomes unscrupulous in his pursuit of eternal youth, and Salty O'Rourke, a Raoul Walsh-directed hit starring Alan Ladd as a racetrack gambler who manipulates an unruly young jockey. The movies also boast fairly substantial love interest parts for Helen Walker as a socialite who

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01:11:11

Special Subject - Silent Proto-Noirvember with Ozu –...

There"s Sometimes a Buggy ·

2023/11/24

For our Ozu Noir-vember Special Subject, we look at three silent films by Yasujirō Ozu, Walk Cheerfully (1930), That Night's Wife (1930), and Dragnet Girl (1933), that not only bear a fascinating relationship to each other but also seemingly inaugurate the gangster film in Japan and anticipate (we argue) American film noir more closely even than French poetic realism, as well as the Nouvelle Vague. Join us as we marvel at Ozu's rapid evolution as a stylist and storyteller in the space of three

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01:21:46

Acteurist Oeuvre-view – Lilli Palmer – Part 4:...

There"s Sometimes a Buggy ·

2023/11/17

We dig into some substantial British cinema offerings in a Lilli Palmer Acteurist Oeuvre-view episode that's heavy on wartime themes: Thunder Rock (1942), a philosophical examination of the disillusionment of a leftist; dramatically illustrated in a surprising way; The Gentle Sex (1943), Leslie Howard's eccentric and affecting semi-documentary about women in the British Army; and English Without Tears (1944), Terence Rattigan and Anatole de Grunwald's examination of the transformations taking

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01:03:11

Hollywood Studios Year-by-Year – Universal – 1944:...

There"s Sometimes a Buggy ·

2023/11/10

We weren't sure what to expect with our Universal 1944 "scary woman"-themed episode, but Cobra Woman, starring the riveting Maria Montez, delivered, and the completely unknown Weird Woman, starring the less-than-riveting Lon Chaney Jr., was a surprise gem that seems to be nodding to Val Lewton's work at RKO. This episode causes us to ask such questions as: what is acting? Can anyone in these movies "act"? Does it matter? When are B-movies inherently sophisticated, and when are they deliberately

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44:42

Acteurist Oeuvre-view – Lilli Palmer – Part 3: A GIRL...

There"s Sometimes a Buggy ·

2023/11/03

This week's Acteurist-Oeuvre-view shows us two sides of Lilli Palmer: Bad Lilli in a comic supporting role, brawling with fellow chorus girl Renée Houston and competing with a demure Margaret Lockwood over wealthy patrons in Carol Reed's A Girl Must Live (1939); and Good Lilli assuming the lead in B-mystery The Door with Seven Locks (1940), seeking adventure with comic sidekick Gina Malo. It ain't Noël Coward, but we had fun. Time Codes: 0h 00m 45s: A GIRL MUST LIVE (1939) [dir. Carol Reed]

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01:20:21

Special Subject – Heavy Metalious Hallowe’en – Peyton...

There"s Sometimes a Buggy ·

2023/10/27

For our Halloween 2023 episode, we take you on a tour of Peyton Place—the 1956 novel by Grace Metalious, 1957 Fox movie starring Lana Turner, and the mid-late-60s TV series starring Dorothy Malone and Mia Farrow (among many others) that reinvented television. We discuss the strange journey of Metalious's scabrous and scathing vision from satire to soap opera, in the course of which the story of shack-dweller Selena Cross's violation by her stepfather becomes the story of lower-middle-class Betty

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45:49

Hollywood Studios Year-by-Year – RKO – 1944: PASSPORT...

There"s Sometimes a Buggy ·

2023/10/20

This week's RKO 1944 episode brings a Hollywood slant to an English working-class perspective on the war. In her only first-billed feature film role, in Passport to Destiny, Elsa Lanchester plays an indomitable charwoman who embarks upon a self-appointed mission to assassinate Hitler after coming to believe that she's magically protected, while in None But the Lonely Heart, American playwright Clifford Odets' directorial debut, Cary Grant plays a Cockney dreamer who struggles with the reality of

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46:23

Acteurist Oeuvre-view – Lilli Palmer – Part 2:...

There"s Sometimes a Buggy ·

2023/10/13

Our second Lilli Palmer Acteurist Oeuvre-view episode sees the rising young star second-billed as the love interest in a couple of strange enterprises: Command Performance (1937), a vehicle for popular American tenor Arthur Tracy, and Crackerjack (1938), an unhinged crime comedy starring Aldwych farces alumnus Tom Walls as a criminal superhero. As Lilli tries to orient herself in film acting, Dave and Elise try to orient themselves in this unfamiliar territory of 30s British cinema and its popular

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01:00:07

Hollywood Studios Year-by-Year – 20th Century Fox –...

There"s Sometimes a Buggy ·

2023/10/06

Our Fox 1944 episode features a prestige production, The Eve of St. Mark, based on a Maxwell Anderson play and directed by John Stahl, and a modest marital drama, In the Meantime, Darling, directed by Otto Preminger just before he makes a name for himself in noir with Laura. Between the two, the problems facing the men at the front and the women who love them are covered, as well as the kinds of moral dilemmas each might face. We discuss Preminger's handling of Jeanne Craine's character, and Bosley

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55:09

Acteurist Oeuvre-view – Lilli Palmer – Part 1: CRIME...

There"s Sometimes a Buggy ·

2023/09/29

In our first Lilli Palmer Acteurist Oeuvre-view episode, we spend some time with Lilli in England and take in her screen debut, in the "Quota Quickie" Crime Unlimited (1935); her small role in Hitchcock's eccentric Secret Agent (1936), in which she gets to play with an unhinged Peter Lorre; and a thankless role in a lyrical ode to Canadian nation-building a.k.a. labour exploitation, The Great Barrier (1937). Then, in Fear and Moviegoing in Toronto, we grapple with Angela Schanelec's Music, the one

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01:43:21

Special Subject - Stanley Cavell’s Pursuits of...

There"s Sometimes a Buggy ·

2023/09/22

This Special Subject is something extra-special: we discuss philosopher Stanley Cavell's idiosyncratic classic of film criticism, Pursuits of Happiness: The Hollywood Comedy of Remarriage and three classic comedies that are the subjects of essays in that book, Leo McCarey's The Awful Truth, Howard Hawks' His Girl Friday, and George Cukor's Adam's RIb. What is Cavell's "comedy of remarriage," and is it really a genre? What does "marriage" mean to Cavell, and what does it have to do with America and

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55:08

Hollywood Studios Year-by-Year – Warner Brothers –...

There"s Sometimes a Buggy ·

2023/09/15

This Warner Bros. 1944 episode makes good use of Warner Bros.' A-list stars, A-list character actors, B-list stars, and B-list character actors. Casablanca and Maltese Falcon alumni converge in both Michael Curtiz's Passage to Marseille, starring Humphrey Bogart as a morally compromised hero, with Claude Rains and Sydney Greenstreet as the patriotic and pro-fascist alternatives for occupied France; while in Jean Negulesco's The Mask of Dimitrios, a Citizen Kane-like story of a self-made criminal

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54:28

Acteurist Oeuvre-view – Dorothy McGuire – Part 13:...

There"s Sometimes a Buggy ·

2023/09/08

Warning: our final Dorothy McGuire episode contains very little Dorothy McGuire in our discussion of the films, although we also compare our Top 10 performances and give a final analysis of how her career was shaped by its cultural moment. However, we still find lots to talk about in the oddball final feature films in which she appeared, particularly George Stevens' The Greatest Story Ever Told (1965), a Diatessaron or harmonizing of the Christian New Testament Gospels. We discuss what Stevens

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01:04:42

Hollywood Studios Year-by-Year – MGM – 1944: SONG OF...

There"s Sometimes a Buggy ·

2023/09/01

MGM, 1944 is an odd one. First, MGM's effort to help the war, Song of Russia (directed by Gregory Ratoff), prompts us to ask the question, "What were all of these Communist writers doing working for Louis B. Mayer?" And then, William Dieterle's Kismet, starring Ronald Colman as an amoral magician with misguided plans for his daughter's future, proves to have more to recommend it than just the campy set-piece for which Marlene Dietrich painted her legs gold. Despite the box office failure of

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01:17:03

Acteurist Oeuvre-view – Dorothy McGuire – Part 12:...

There"s Sometimes a Buggy ·

2023/08/25

In our penultimate Dorothy McGuire Acteurist Oeuvre-view episode, another pair of films in which only one of McGuire's "mother roles" affords her a dramatic opportunity. Find out which is which, between Delmer Daves' Susan Slade (1961) and Disney's Summer Magic (1963). We also discuss stealth soap opera radicalism, compare Disney and Vincente Minnelli's approaches to femininity as a construct, and argue for the surprising distinctiveness of early 60s kewpie doll blonde heroines. As a bonus, Dave

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01:14:56

Special Subject – Silent Naruse – FLUNKY! WORK HARD...

There"s Sometimes a Buggy ·

2023/08/18

Our special subject this month is The Silent Naruse: four of the five extant silent films of Mikio Naruse, Flunky, Word Hard!, from 1931, No Blood Relation, from 1932, and Apart from You and Every-Night Dreams, from 1933. We discuss these juvenilia as early examples of Naruse's materialist melodrama, and how much "transcendence" that perspective permits. Then, switching moods drastically: two tickets for Barbie! In Fear and Moviegoing in Toronto, we let you know whether or not we regret returning

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55:01

Hollywood Studios Year-by-Year – Paramount – 1944:...

There"s Sometimes a Buggy ·

2023/08/11

This week's Paramount 1944 films take the studio's talent of this period in unexpected directions: Mitchell Leisen's Lady in the Dark makes a Technicolor extravaganza of the fantasy sequences in this psychoanalytical tale of a woman's (Ginger Rogers') ambivalence about glamour, based on a hit Broadway musical; and Alan Ladd and Raymond Chandler (as star and screenwriter) bring a hardboiled note to a soapy plot about a socialite (Loretta Young) seeking a cure for her deafness in And Now Tomorrow, a

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53:03

Acteurist Oeuvre-view – Dorothy McGuire – Part 11:...

There"s Sometimes a Buggy ·

2023/08/04

In this Acteurist Oeuvre-view episode, Dorothy McGuire's string of interesting wife roles gets tangled up by two of the most sexist films Elise has ever seen in her life, Delbert Mann's The Dark at the Top of the Stairs (based on the play by William Inge) and Disney's The Swiss Family Robinson. The Dark at the Top of the Stairs nevertheless gives us a lot to discuss in terms of psychiatric concepts and ideas about gender roles in 1950s America, as well as providing McGuire with one of the better

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46:19

Hollywood Studios Year-by-Year – Universal – 1943:...

There"s Sometimes a Buggy ·

2023/07/28

Universal 1943 is a strange one, starting with The Strange Death of Adolf Hitler, starring Ludwig Donath as a reluctant Nazi collaborator who's forced to impersonate Hitler, and continuing with Robert Siodmak's Son of Dracula, with Lon Chaney Jr. as a hapless Dracula who falls victim to femme fatale Louise Allbritton. We discuss WWII AU scenarios, the Twilight Zone scenario of being a soul trapped in Hitler's body, and the comedy team of Frank Craven and J. Edward Bromberg as a down-to-earth doctor

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01:43:08

Special Subject: Film Noirlsons by Phil Karlson –...

There"s Sometimes a Buggy ·

2023/07/21

July's special subject is a sampler of noirs by 1950s noir auteur Phil Karlson: Kansas City Confidential (1952), 99 River Street (1953), 5 Against the House (1955), and The Phenix City Story (1955). We discuss one-time Fox musicals leading man John Payne's transformation into the ideal shlubby, haunted noir protagonist, Karlson's take on the hysterical male trope, his use of violence, his delineation of the ideal woman, the progressive and reactionary tendencies in his movies, and the lies and

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