x

75% of people globally want unbiased news (Pew Research) but are concerned they're not getting that.

Get balanced coverage with Symby. See how stories are covered across diverse outlets and spot when one side covers a story the other skips.

PODCAST

SoundWorks Collection

Colemanfilm Media Group

The goal for the SoundWorks Collection is simple; we are dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. We take you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

tv & film

All Episodes

00:44:54

2019 Mix Magazine Sound for Film & TV - Follow the...

SoundWorks Collection ·

2019/10/04

"Follow the Tracks" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019 A panel of experts discusses where our dialog tracks come from, where they go, and what happens to them along the way, from set to screen. Panelists: Gary Bourgeois - CAS Re-recording Mixer Adam Carl - Recordist Matt "Smokey" Cloud - Assistant Editor Chris Jacobson - CAS Re-recording Mixer Anna Mackenzie - Dialog Editor Ben Patrick - CAS Production Mixer Tod A

en

00:54:30

2019 Mix Magazine Sound for Film & TV - The Networked...

SoundWorks Collection ·

2019/10/04

"The Networked Studio: Building a Near-Field Immersive Room With Audio-Over-IP" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019 Chief engineers, designers and integrators discuss the ins and outs of building a near-field immersive audio studio using advanced Audio-Over-IP networking technologies and tools. Panelists: Brian Armstrong, Streamline System Design Lane Burch - Sony Pictures Studio Ron Romano - Belmont University Phil

en

00:57:33

2019 Mix Magazine Sound for Film & TV - Immersive...

SoundWorks Collection ·

2019/10/04

Immersive Audio Workflow: Concept, Editorial, Design and Mix panel Recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019. Our panel of experts will discuss a how-to plan for creating and delivering audio through the post-production process for the best use of immersive sound technology. Moderated by: Carolyn Giardina - The Hollywood Reporter Panelists: Steve Ticknor - Supervising and Sound Design Editor Sony Pictures Studios Tony Lamberti -

en

00:12:46

2019 Mix Magazine Sound for Film & TV - Keynote Wylie...

SoundWorks Collection ·

2019/10/03

Wylie Stateman, a legendary sound designer and post-production media entrepreneur, delivered the Keynote Address at the sixth annual Mix Presents Sound for Film & Television, held Saturday, September 28, at Sony Pictures Studios in Culver City, Calif. Wylie has supervised more than 150 sound projects, and his work has been recognized in the industry with over 40 nominations spanning every decade of his 40-year career. His industry recognitions include 8 Oscar nominations, 6 BAFTA nominations, 2

en

00:57:19

The Sound of The Dark Crystal: Age of Resistance

SoundWorks Collection ·

2019/09/26

We chat with the sound team of The Dark Crystal: Age of Resistance which was recently released as a 10-episode series on Netflix. In this conversation we chat with Re-Recording Mixer / sound designer / supervising sound editor Tim Nielsen, foley artist Shelley Roden and supervising adr editor Tim Hands. The Dark Crystal: Age of Resistance returns to the world of Thra, with an all new adventure. When three young Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an

en

00:57:48

The Sound of Apocalypse Now: Final Cut with Pete Horner

SoundWorks Collection ·

2019/08/22

Re-recording mixer Pete Horner discusses the incredible process of restoring and remixing the 40th anniversary edition of Apocalypse Now: Final Cut that was recently released in Dolby Atmos and 4K Ultra HD. Pete shares how he created a new master track, enhanced the LFE with the help of a new Meyer Sound speaker and collaborated with Director Francis Ford Coppola and Walter Murch.

en

00:44:36

The Sound of Once Upon a Time in Hollywood

SoundWorks Collection ·

2019/08/05

In this exclusive SoundWorks Collection conversation, we chat with the sound team behind Director Quentin Tarantino's film, Once Upon a Time in Hollywood. Featuring Production Sound Mixer Mark Ulano, Supervising Sound Editor Wylie Stateman and Re-Recording Mixer Michael Minkler!

en

00:30:02

Russell Emanuel - Extreme Music & Bleeding Fingers Music

SoundWorks Collection ·

2019/07/11

As president and CEO of Bleeding Fingers Music and Extreme Music, Russell Emanuel is a trailblazing leader, innovator, and producer in the music industry. Bleeding Fingers is one of the leading producers of quality-crafted film and television scores in the world, bolstered by a unique creative association and business partnership with industry legend, Hans Zimmer, and his long-term business partner, Steve Kofsky. Russell’s vision for Bleeding Fingers led to a thriving collaboration with David

en

00:51:00

The Sound of Rocketman - Mike Prestwood Smith

SoundWorks Collection ·

2019/06/08

We chat with re-recording mixer Mike Prestwood Smith about his recent work on Rocketman and explore his creative process recreating the iconic songs that defined Elton John’s career and personal journey. Rocketman is a 2019 biographical musical film based on the life of musician Elton John. Directed by Dexter Fletcher and written by Lee Hall, it stars Taron Egerton as John, with Jamie Bell, Richard Madden, and Bryce Dallas Howard. The film follows John's early days as a prodigy at the Royal Academy

en

01:05:27

The Sound of Game of Thrones - Season 8

SoundWorks Collection ·

2019/05/22

The eighth and final season of Game of Thrones has concluded and in this conversation we chat with Supervising Sound Editor Tim Kimmel and Sound Designer Paula Fairfield about the Great War against the Army of the Dead, dragon battles and the war for the throne at King’s Landing. The final season depicts the culmination of the series' two primary conflicts: the Great War against the Army of the Dead, and the Last War for control of the Iron Throne. The first half of the season involves many of the

en

00:46:03

Composer Nathan Whitehead - Days Gone

SoundWorks Collection ·

2019/05/03

We chat with Composer Nathan Whitehead (The Purge, Keanu) about his recent work on the PS4 exclusive video game, DAYS GONE from Sony Bend Studio. We discuss his move from East Tennessee to Los Angeles, early mentors including Supervising Sound Editor Dane Davis and Composer Steve Jablonsky and creating the sound of a post-apocalyptic wilderness setting.

en

00:53:50

Re-recording Mixer & Sound Designer Derek Vanderhorst

SoundWorks Collection ·

2019/04/15

Summit Post is for the crazy ones – for the directors and producers who see things differently and want to challenge the status quo of the post production experience. We are for clients seeking collaboration, passion, and flexibility to explore the boundaries of sound with the industry’s top sound designers, editors and mixers. We are committed to speed and high quality without compromising creativity or fun. From independent films to major features, episodic television and emerging media we

en

00:38:22

The Sound of A Star is Born

SoundWorks Collection ·

2019/02/14

Production sound mixer Steve Morrow, Grammy-winning music mixer Nick Baxter, and re-recording mixer Dean Zupancic talk about grabbing crowd scenes between sets at the Stagecoach and Glastonbury music festivals, how doing impulse responses in each of the venues allowed them to recreate the sound of the arenas in post-production, and how Bradley Cooper was not your typical first-time director. Steve Morrow, Production sound mixer Nick Baxter, Music mixer Dean Zupancic, Re-recording mixer

en

01:17:53

The Sound of Roma - Two-part Episode

SoundWorks Collection ·

2019/02/14

In this two-part episode, Writer/Director Alfonso Cuarónjoins his sound, picture, and music editorial artists to discuss the extraordinarily detailed work that went into re-creating the Mexico City of his 1970s childhood, including how not having a musical score keeps the audience guessing what will happen next, why it was important to have the dialog emanate not just from the screen channels but all around the audience, and how shooting the movie in sequence allowed for more spontaneous

en

01:20:27

The Sound of First Man - Two-Part Episode

SoundWorks Collection ·

2019/02/14

In this two-part episode, First Man’s sound editing nominees Ai-Ling Lee and Mildred Iatrou Morgan and sound mixing nominees Frank Montaño and Jon Taylor join composer Justin Hurwitz and picture editor Tom Cross to discuss how the film’s documentary look (it was filmed in Super-16mm) affected the approach to sound and music, and how the sound elements contributed to the understanding of how dangerous the early space flights were. In part two, we join Production sound mixer Mary Ellis as she talks

en

00:16:40

In Conversation with Composer Nicholas Britell - If...

SoundWorks Collection ·

2019/02/13

In this exclusive video Veteran music writer Jon Burlingame chats with Oscar nominated Composer Nicholas Britell about his recent work on, “If Beale Street Could Talk” and the organic process of collaborating with the director Barry Jenkins on the film’s lush and evocative score. In early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the

en

00:46:41

The Sound of Black Panther with Steve Boeddeker and...

SoundWorks Collection ·

2019/02/11

Supervising sound editor and re-recording mixer Steve Boeddeker and re-recording mixer Brandon Proctor talk about how the sound design of futuristic Wakanda technology and weaponry is influenced by West African sounds, how they used signature sounds to differentiate the action in Wakanda, Oakland, and Korea, and the intricacies of constructing the ritual fight scenes in a waterfall.

en

00:55:10

The Sound of Bohemian Rhapsody

SoundWorks Collection ·

2019/02/11

Sound Editing nominees John Warhurst and Nina Hartstone join Sound Mixing nominees Paul Massey, Tim Cavagin, and John Casali to discuss the intricate work of building the sounds of the rock band Queen for Bohemian Rhapsody. In this episode the team discusses the process of recreating the band’s famous 1985 Live-Aid concert performance, how sound design helped to get inside the head of an agitated Freddie Mercury during an infamous London press conference, and how having access to the band’s original

en

00:51:22

The Sound of A Quiet Place with Erik Aadahl and Ethan...

SoundWorks Collection ·

2019/02/11

Co-supervising sound editors Erik Aadahl and Ethan Van der Ryn talk about the challenges of building the sound scape for what many people think is a “silent” movie, how sound design was used to give the audience the experience of the hearing impairment of one of the main characters, and the fun of creating an alien monster who hunts and navigates using only its hearing.

en

00:45:04

The Sound of Incredibles 2 with Director Brad Bird...

SoundWorks Collection ·

2019/02/11

Writer/Director Brad Bird and Producer Nicole Paradis Grindle join us from the studios at Pixar to discuss returning fourteen years later for the sequel to a beloved film as they describe the technical challenges of the new movie, how their approach to visual design, color, and sound have evolved, and the inspiration behind the notorious fight scene between baby Jack-Jack and the raccoon.

en

316 results

Similar Podcasts

BEHIND THE VELVET ROPE

David Yontef

Nerd Culture - A Gamekings Podcast

Blammo Media

UPodcast

UPodcast

The Writers Hangout

Sandy Adomaitis

The Sarah Fraser Show

Sarah Fraser