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PODCAST

Left of the Projector

Evan, Bill, Ward

On Left of the Projector we discuss from film from a leftist perspective. Episodes will feature guests who will offer their thoughts on films from a shared interest in class consciousness and personal experience. While everyone can take something different from a movie, LotP will provide discussion and analysis from an anti-capitalist and Marxist point of view. Support this podcast: https://www.patreon.com/LeftoftheProjectorPod (Patreon)

tv & film film reviews

All Episodes

01:00:48

The Hunt: It's the Capitalists you should be worried...

Left of the Projector ·

2022/09/13

This week's episode features a new movie, yes, we do those too. The Hunt came out in 2020 right before the pandemic after a delay from 2019. The movie features so-called elite liberals literally hunting conservatives at a manor...somewhere. The movie is super gory and super exaggerated, but it makes for a great discussion of class antagonism, culture wars, and much more.I am joined by Amanda Joy, who you can follow on Instagram and TikTok.Left of the Projector Ko-Fi PageTikTok PageInstagram

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00:52:57

Jaws: The beaches are open

Left of the Projector ·

2022/09/06

Jaws is a lot more than a classic blockbuster film that coined the term "Blockbuster." Emlie is back again to chat about class analysis, capitalism, and much more. Left of the Projector Ko-Fi PageTikTok PageInstagram Page --- Support this podcast: https://podcasters.spotify.com/pod/show/leftoftheprojector/support

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00:54:40

A Bug's Life: For oppressed ants everywhere!...

Left of the Projector ·

2022/08/30

Pixar's A Bug's Life is not just a kids movie -- It's a kids movie with an underlying message of a colony of ants reaching class consciousness and overthrowing their grasshopper oppressors. SmirkGently joins me again to discuss how the ants, led by Flick, are able to understand their true worth and stand up to Hopper and the grasshoppers. Left of the Projector Ko-Fi PageTikTok PageInstagram Page --- Support this podcast: https://podcasters.spotify.com/pod/show/leftoftheprojector/support

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01:04:34

They Live!: ...and I'm all out of bubblegum

Left of the Projector ·

2022/08/23

You couldn't have a podcast about film without John Carpenter and there isn't much that is more John Carpenter than They Live. Ok, well maybe Halloween, but I digress. This week I am joined by Nelson from The Dixieland of the Proletariat, an excellent podcast you'll need to check out if you haven't already. We'll discuss the class aspects of this movie as it relates to class, capitalism and of course The Pervert's Guide to Ideology by Slavoj Žižek. Žižek's analysis of

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01:01:51

Who Framed Roger Rabbit?: Capitalism is cartoonishly...

Left of the Projector ·

2022/08/16

Who Framed Roger Rabbit takes back to 1988, a golden era of Disney movies, and to one that was visually stunning with its mixture of cartoons and live action. It was one of the first of its kind. But...did you know that the film tells the true story of the destruction of rail and trolly in every American city? Cloverleaf, the evil company in the film is a stand-in for National City Lines.This week I discuss the cartoonishly evil Judge Doom with the Leftist Down Under. This was a favorite film of

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00:21:14

Bonus Episode - Black Christmas - The episode is...

Left of the Projector ·

2022/08/11

We are back again this week for the first bonus episode between regular interview discussions. This episode I will give some thoughts on one of the best horror movies ever made: Black Christmas. For those who are big horror buffs, you probably know all about it. For those who aren't or just missed this 1974 gem, I'd encourage you to find it (it's free right now on many sites) and watch it. Black Christmas was a genre-defining film that established the slasher/psychological thriller

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00:59:06

Pleasantville: Where's my dinner?!?

Left of the Projector ·

2022/08/09

This week we dive into yet another 90's film with the memorable film Pleasantville. I promise we'll do some new movies soon...Pleasantville stars Toby Maguire, Reese Witherspoon, William H Macy and Joan Allen. People probably remember it best for the stark difference from black and white movie into color. The movie evokes a lot of strong symbolism, whether director Gary Ross meant it or not. I'm joined this week by Emlee aka The Jolly Leftist on TikTok who suggested this episode for

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00:54:53

Once Upon a Time in the West: They call them "millions"

Left of the Projector ·

2022/07/26

Sergio Leone revitalized the western genre with banger after banger in the 1960s and 70s. Clint Eastwood was often his muse, though not in this film. With an incredible cast, Leone brings to the surface the dark underbelly of the "old west." As an Italian filmmaker, Leone was somewhat of an outsider in his perception of the North American western expansion. Along with that expansion was the brutal exploitation of black, brown, and indigenous people. US Government and capital interests

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00:50:53

The Truman Show: There's really nothing left to explore

Left of the Projector ·

2022/07/19

In 1998, Jim Carrey was in the midst of his peak comedic film era and yet he opted to join on The Truman Show, a film far from funny. At that time, we thought of Carrey as Ace Ventura or Lloyd Christmas and not as the sad sack that was Truman Burbank who, unbeknownst to him, was being broadcast to billions of people every second of the day. I talk to Zoo about the implications of this depressing "comedy." The Truman Show is a reminder of the commercialization that was seen to this day

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00:53:27

The Batman: All Cops includes Batman

Left of the Projector ·

2022/07/12

There have been numerous film iterations of Batman over the last 3 decades, but the new version really brings new depth to the Batman character. While there are very few superhero films that make political statements, we do get about half a movie of solid undertones. As I discuss with my guest Matt Galvatron, Batman superfan, Matt Reeves does put together a marvelous movie but does fall short when it comes to fully flesh out the political message. Left of the Projector:⁠⁠⁠ Subscribe

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00:41:34

RoboCop: "Dead or alive, you're coming with me"

Left of the Projector ·

2022/06/28

Paul Verhoeven's masterpiece RoboCop was ahead of its time. The poignant satire on police, capitalism, militarism and neoliberalism stands today as one of the GOATs. I chatted with Farhad about this true masterpiece. You may be reading these words and saying: Are we talking about that fun action movie with a half man, half robot? Yes. Yes we are.Buckle up...Notes:Film School Rejects: "The Violent Satire of 'RoboCop' by Kieran FisherTropics of Meta: "What Robocop Tells Us about

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00:41:01

The Hudsucker Proxy: Listen...or we'll dock ya

Left of the Projector ·

2022/06/21

Most Cohen Brothers movies are classics, while The Hudsucker Proxy may have flown under the radar and never reached that status. Written in 1985, finished in 1991, and released in 1994, the film was also written by Sam Raimi and turns out to be more pertinent today. The movie was written to depict ordinary men and how they too can become heroes. The film took us back to 1958 New York City and gives us a glimpse of corporate life and how a small-town college graduate can achieve big things. While

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00:35:31

Office Space: The system’s got a case of the...

Left of the Projector ·

2022/06/14

This week I am joined by SmirkGently to discuss Mike Judge's masterpiece, Office Space. While the movie was not a big hit in theaters, it gained a cult following in the years that followed on Comedy Central. The movie brought us so many classic lines that have just become part of everyday vernacular. When viewing the movie today, it's impossible not to see that technology has changed, but the commonalities of office work haven't. From Hawaiin Shirt Friday, to waiting for just one tiny

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00:40:52

The Matrix: Did you take the red pill?

Left of the Projector ·

2022/06/01

In the inaugural episode, I chat with Andy about the classic film 'The Matrix.' Released in 1999, it changed action movies forever with special effects we'd never seen before. Beyond the effects, the audience is left with the chilling knowledge that the world as we know it is not real, it is a simulation. How might we understand that in today's context of global capitalism and alternatives? Notes/Links:The Wachowskis stated that The Matrix was born out of "rage at

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234 results

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