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PODCAST

SoundWorks Collection

Colemanfilm Media Group

The goal for the SoundWorks Collection is simple; we are dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. We take you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

tv & film

All Episodes

00:41:23

Composer Mac Quayle - The Last of Us Part II

SoundWorks Collection ·

2020/07/20

Composer Mac Quayle discusses working on The Last of Us Part II with Composer Gustavo Santaolalla and Naughty Dog Studios. We discuss the creative process for scoring a wide range of musical textures that were implemented throughout the game including Mac's music that was used for the 2018 E3 game preview. Mac shares his approach to scoring for video games and using the Resonant Garden, an acoustic-electronic hybrid instrument. ABOUT MAC QUAYLE: Audiences worldwide have been captivated by the

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01:05:33

The Sound of Ozark

SoundWorks Collection ·

2020/07/16

In the Netflix series Ozark, Marty and Wendy appear to have a normal suburban life, but that’s all a front for their real job: laundering money for a Mexican drug cartel. As with the story, the sound in the show is working on multiple levels, and in this episode Sound Supervisor Nick Forshager and Mixer Larry Benjamin take us through constructing the sonic environments of riverboat casinos and basement dungeons, and talk about how to use sound design and music to relentlessly build tension until the

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01:06:38

The Sound of Hamilton

SoundWorks Collection ·

2020/07/09

Hamilton is a landmark Broadway production of remarkable scope, now streaming into your home on Disney+. In producing the film version, the show’s creative team sought to give the audience “the best seat in the house,” and in this podcast we talk with original Broadway team artists Alex Lacamoire and Nevin Steinberg along with the film’s sound team Tony Volante, Roberto Fernandez, and Dan Timmons about a number of Hamilton topics, including the challenges of designing a custom sound system for the

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00:47:18

The Sound of MindHunter

SoundWorks Collection ·

2020/07/02

Cinema director David Fincher created one of the first original streaming series with House of Cards, and his innovative spirit infuses the Netflix original series Mindhunter, now in its second season. In this podcast episode, the sound team discuss Fincher’s unique approach to the sound of serial killer interrogation scenes, a hallmark of this fascinating, dark series. The team discuss setting the acoustic tone of the series, including the oppression of the FBI agents’ basement office (and a very

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00:35:49

The Sound of Little Fires Everywhere

SoundWorks Collection ·

2020/07/01

In this exclusive conversation we chat with Re-recording Mixer Marc Fishman and Supervising Sound Editor Mark Relyea about Little Fires Everywhere which is based on the 2017 novel of the same name by Celeste Ng and currently streaming on Hulu. The series stars Reese Witherspoon and Kerry Washington, both of whom also executive produced, alongside Liz Tigelaar, Lauren Neustadter, and Pilar Savone. Set in the Cleveland suburb of Shaker Heights, Ohio during the late 1990s, it features Witherspoon and

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01:01:43

The Sound of Westworld - Susan Cahill, Benjamin Cook,...

SoundWorks Collection ·

2020/06/25

In season 3, the Emmy-award winning Westworld leaves the parks behind for the sounds of the “real” world, circa 2057. In this episode, the sound team behind the remarkable show discusses showrunner Jonah Nolan’s design concept that noise-reduction technology has progressed to the point that the world seems quiet and peaceful...until the climactic end when all technology fails and the world devolves into chaos. The conversation also includes a discussion of mixing the show natively in Dolby Atmos,

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00:43:47

The Sound of The Mandalorian - Bonnie Wild, Sound...

SoundWorks Collection ·

2020/06/18

Bonnie Wild, the sound effects editor and re-recording mixer of Disney+’s hit show The Mandalorian, takes us behind the scenes for a conversation about achieving cinematic scale and production value on a television budget, balancing the palette of new sound creation with classic Star Wars sounds we all know and love, why mixing in a home theater environment was important for the show, and how to do a Jawa loop group session. It is the first live action series in the Star Wars franchise. Set five

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00:31:56

Composer Kris Bowers - (Mrs. America, Green Book,...

SoundWorks Collection ·

2020/06/04

This week we chat with Composer Kris Bowers about his recent work on the Hulu show, Mrs. America and the challenges of completing his score during the COVID-19 pandemic. ABOUT KRIS BOWERS Emmy Award-winning composer and pianist, Kris Bowers, creates genre-defying music that pays homage to his jazz roots with inflections of alternative and R&B influences. The result is a sound rife with contradictions, a work of nuanced alchemy situated at the summit of his influences. A confluence of jazz greats,

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00:34:54

The Sound of Strange Negotiations

SoundWorks Collection ·

2020/04/29

In this exclusive roundtable conversation we talk with documentary Director Brandon Vedder and re-recording mixer Tony Villaflor about their work on the biographical music documentary, Strange Negotiations. After abandoning his long-held Christian beliefs and walking away from his critically-acclaimed band, Pedro the Lion, musician David Bazan retreated into a solitary life as a solo musician — modest house shows, weeks away from family, and lingering questions about his faith, music, and America

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00:46:39

Coachella: 20 Years in The Desert Documentary with...

SoundWorks Collection ·

2020/04/20

In this episode we chat with re-recording mixer Eric Fischer from Autumn Audio who worked on the new music documentary, Coachella: 20 Years in The Desert‎. A documentary feature two decades in the making, “Coachella: 20 Years in the Desert” opens up the vault for the very first time to present the legendary performances and behind-the-scenes stories that shaped the seminal music festival. The film provides a rare look at Coachella’s colorful beginning, presents exclusive, never-before-seen

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00:44:58

James Mockoski - Film Archivist and Restoration...

SoundWorks Collection ·

2020/04/02

James Mockoski, head of production and archives at American Zoetrope joins us this week to discuss his work supervising the restoration department for Director Francis Ford Coppola’s production company. We discuss his recent work on the 4K Dolby Atmos release of Apocalypse Now: Final Cut and other titles including The Conversation, The Godfather and Lost in Translation. ABOUT AMERICAN ZOETROPE: American Zoetrope (also known as Zoetrope Studios from 1979 until 1990) is a privately run American film

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00:56:11

Crip Camp with Directors James Lebrecht & Nicole Newnham

SoundWorks Collection ·

2020/03/30

In this episode we chat with Crip Camp Directors James Lebrecht & Nicole Newnham about how the project developed, structuring their complex storyline and the deeper issues the film addresses. Crip Camp won the Audience Award for U.S. Documentary at the 2020 Sundance Film Festival and is now streaming on Netflix worldwide. About Crip Camp Just down the road from Woodstock, in the late 1960s and early 1970s, a parallel revolution blossomed in a ramshackle summer camp for disabled teenagers. Steeped

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00:58:47

Composer Gareth Coker - Ori and the Will of the Wisps

SoundWorks Collection ·

2020/03/24

From the creators of Ori and the Blind Forest - the acclaimed adventure game with more than 50 awards and nominations - comes the highly-anticipated sequel, Ori and the Will of the Wisps. Embark on an all-new adventure in a vast and exotic world where you’ll encounter towering enemies and challenging puzzles on your quest to unravel Ori’s true destiny. Gareth Coker is a British composer for film, games, and commercials. Since moving from Japan to Los Angeles in 2009, Gareth has developed a

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00:48:42

Meyer Sound Cinema Speaker Chat with Miles Rogers

SoundWorks Collection ·

2020/02/27

We chat with Miles Rogers from Meyer Sound about a wide range of cinema focused speakers including the Bluehorn System, Amie Precision Studio Monitor, HMS Cinema Surround Loudspeakers and the VLFC (Very Low Frequency Control Element) recently used by Director Francis Ford Coppola for Apocalypse Now: Final Cut. Find out more information: Amie - http://www.meyersound.com/product/amie/ Amie Sub - http://www.meyersound.com/product/amie-sub/ VLFC - http://www.meyersound.com/product/vlfc/

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00:48:07

The Sound of Ford v Ferrari - Oscar Podcast 2020

SoundWorks Collection ·

2020/01/30

Ford v Ferrari is so much more than a race car movie. At its core, it’s a movie about a friendship, and about two men fighting for what they believe. In this episode the sound team talks about the carving out moments for internal character sounds to come through, the process of tracking down the original cars to keep the film sounding real, and the challenges of building a 45-minute racing sequence and keeping it acoustically interesting. Paul Massey - Re-recording Mixer Don Sylvester - Supervising

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01:05:30

The Sound of 1917 - Oscar Podcast 2020

SoundWorks Collection ·

2020/01/29

As a large-scale historical film, 1917 creates an intense and realistic soundscape of World War I. In this episode, we talk with the sound team, nominated for Best Sound Editing and Best Sound Mixing, about the challenges and fun experiences that arose from this film. In part 1, we talk with ADR and dialogue supervisor Rachael Tate about blending the unique amount of sound coverage into the film, trying to work with minimum ADR, and making sure that even background chatter is historically realistic

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00:47:36

The Sound of Star Wars: The Rise of Skywalker - Oscar...

SoundWorks Collection ·

2020/01/28

Supervising sound editors Matthew Wood and David Acord delve into the conceptual and sonic intricacies of evolving “force lightning,” and about working in stages from temp mixes to the final mix in a film with a legacy. They share experiences working playfully and dynamically with director J.J. Abrams, recording lines in actor Adam Driver’s closet, and working on previous Star Wars films.

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00:51:11

The Sound of Once Upon a Time in Hollywood - Oscar...

SoundWorks Collection ·

2020/01/27

Three time Academy Award-winning re-recording mixer Mike Minkler, multiple Oscar-nominated supervising sound editor Wylie Stateman, and effects mixer Christian Minkler discuss how they recreated 1969 Los Angeles for director Quentin Tarantino, including their approach to building the distinctive sound of the vintage television shows within the movie. They deconstruct the sound of the extraordinary Spahn Movie Ranch sequence, and discuss why Tarantino chooses to use songs rather than traditional

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00:27:59

The Sound of Ad Astra with Gary Rydstrom - Oscar...

SoundWorks Collection ·

2020/01/24

In this episode, seven-time Academy Award-winner Gary Rydstrom delves into using sound to create an increasingly unsettling journey for the audience through the use of subliminal ambiences, manipulated vocal loops, and strategically used distortion. We also deconstruct the film’s signature lunar rover chase sequence and discuss the film’s rules of sound, an important topic to director James Gray.

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00:28:48

Ford v Ferrari Production Sound Mixer Steve Morrow -...

SoundWorks Collection ·

2020/01/23

Ford v Ferrari is so much more than a race car movie. At its core, it’s a movie about a friendship, and about two men fighting for what they believe. In this episode production sound mixer Steven Morrow shares some insight to recording cars for Ford v Ferrari, his humble roots as an unpaid boom operator and the challenges of recording a variety of race cars on set.

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314 results

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