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PODCAST

LensWork - Photography and the Creative Process

Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork

arts visual arts

All Episodes

2:43

HT2599 - Consuming With Repetition

LensWork - Photography and the Creative Process ·

2026/04/21

HT2599 - Consuming With RepetitionWhen I view artwork (music, a novel, a painting, a photograph) for the first time, it almost never sticks. That is, I don't find I can remember its details, I don't own it in my mind/memory. That almost always needs repetition. I have no idea if this is something about me, or if it says something about art, or if it says something a bit more universal. With music it's usually necessary to hear it a dozen or so times. With a novel at least twice, sometimes three

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2:43

HT2598 - Predictability

LensWork - Photography and the Creative Process ·

2026/04/20

HT2598 - Predictability In a chess game, what happens when both players see the inevitability of the outcome? They throw in the towel and quit the game. I feel that way about certain television shows and movies. Once the plot becomes predictable, I lose interest. Doesn't it make sense that this same idea pertains to photography as well? The minute I see a portfolio from, say, Yosemite and the first few images are perfectly predictable, I find my motivation for viewing the rest of the portfolio

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12:54

LW1502 - Being Immersed in the World of a Photograph

LensWork - Photography and the Creative Process ·

2026/04/20

LW1502 - Being Immersed in the World of a Photograph The photography I tend to love best is when I find myself immersed in the world of the photograph rather than just shown an instant in time. Think of that photograph by Joseph Sudek looking out his rainy kitchen window. That image immerses me in his life, his surroundings, his mood. Think of Jerry Uelsmann's fanciful worlds that are nonetheless believable. Do you remember the Griffin and Sabine series of books by Nick Bantock? I could probably go

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2:43

HT2597 - Duane Michals and the Question

LensWork - Photography and the Creative Process ·

2026/04/19

HT2597 - Duane Michals and the Question One of the reasons I love Duane Michals' work is because it's so different than so much of photography. Most photographers use the medium to make a statement, to show us something, to tell. Duane Michals, on the other hand, uses image and text to ask us questions, to encourage us to ask questions of ourselves, to use wonderment rather than certitude as the basis for so many of his images. This RSS feed includes only the most recentseven Here's a Thought

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2:43

HT2596 - Deepening Over Time

LensWork - Photography and the Creative Process ·

2026/04/18

HT2596 - Deepening Over Time Yesterday we announced the LensWork Complete Digital Back Issue Collection and that has us looking back at all the portfolios we've published since LensWork issue #1. It's been an interesting project which has led me to an unexpected observation. Looking at the over 800+ portfolios we've published, I was surprised that each has deepened over time, or perhaps I should say my appreciation of them as deepened as I've matured. I felt strong enough about each one that we

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2:43

HT2595 - Memorable Images

LensWork - Photography and the Creative Process ·

2026/04/17

HT2595 - Memorable Images I've probably seen tens of thousands of photographs in my life, maybe more. I suspect there's a hundred or two that I can remember and bring forth in my mind's eye. Why is that? Do I have a poor memory? What are the characteristics of an image I remember? Is it different with my own work compared to those I remember by other photographers? Is it enough to experience a photograph or is remembering it the most important aspect of an image? Show your appreciation for our

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2:43

HT2594 - You Will Likely Never Know

LensWork - Photography and the Creative Process ·

2026/04/16

HT2594 - You Will Likely Never KnowWynn Bullock will never know the impact his artwork has made in my life, but I can unhesitatingly say that his artwork set me on a 50-year trajectory that continues to this day. We will rarely know — perhaps never know — how our work will affect others. The one thing we can know with certainty is that doing our work will include ripple effects that will change our life in unexpected ways. Show your appreciation for our free weekly Podcast and our free daily

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2:43

HT2593 - Mindlessness

LensWork - Photography and the Creative Process ·

2026/04/15

HT2593 - MindlessnessIt may seem silly to insist that images of a mind of their own, but just pretend with me for a few minutes of experimentation. Pull up an image in Lightroom or Photoshop that you have not previously processed. Now, just sit back and look. Try not to think. Let go of photography, of art making, of analysis, of memory. Just look with an empty mind, at least as mindless as you can. Try to be open to the image and its will. The measure of your success as an artist is how

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2:43

HT2592 - That Which Is Not Media

LensWork - Photography and the Creative Process ·

2026/04/14

HT2592 - That Which Is Not MediaWe cannot have art without some medium of expression. That said, what makes art important, meaningful, valuable, and memorable are the elements which are independent of the medium. Think of Billie Holiday's singing independent of the record, the tape, the CD, or the digital stream. The same can be said for photography. What really counts is not the medium of the print, but rather that content that touches our heart. Show your appreciation for our free weekly

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2:43

HT2591 - The Thrill of Discovery

LensWork - Photography and the Creative Process ·

2026/04/13

HT2591 - The Thrill of Discovery We've all experienced the thrill of discovering a new subject, location, or artist previously unknown to us. I distinctly remember, after having been involved in photography for 20 years, the first time I saw the work of Josef Sudek. Last month I "discovered" the piano compositions of Isaac Albéniz. I believe that finding and treasuring such fellow artists is one of the most powerful reasons to be involved in the art life. This is especially so if their work

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12:54

LW1501 - If Not Now, When?

LensWork - Photography and the Creative Process ·

2026/04/13

LW1501 - If Not Now, When? I've been involved with photography long enough to watch a number of my friends and LensWork-published photographers pass on to that eternal darkroom above the clouds. Life is fleeting, and the march of days relentless. It's amazing, as I look back, the number of times a photographer has told me about a project they are looking forward to doing only to run out of time. If we don't produce our work now, who knows if we will be able to do so in the future? All previous

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2:43

HT2590 - Searching For the Thread That Binds

LensWork - Photography and the Creative Process ·

2026/04/12

HT2590 - Searching For the Thread That BindsThere is a considerable difference between making a single, standalone, spectacular image as compared to working a project. For me, a large part of project oriented photography is searching for the thread that binds. This often starts with a single photograph which can potentially spawn many threads that bind. The part that involves artistic discretion and decisions is choosing which thread to pursue. This RSS feed includes only the most recentseven

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2:43

HT2589 - The Value of Limits

LensWork - Photography and the Creative Process ·

2026/04/11

HT2589 - The Value of Limits Perhaps you've heard that great Orson Welles quote that "The absence of limitations is the enemy of art." I think he's right, and I say this because of experiences I've had in making art. Limits become defining parameters, motivating deadlines, and achievable endpoints. There are numerous ways we can define limits. Each has its own value and purpose. We can limit the equipment we use, the number of raw captures we'll collect, the number of finished images, the time we

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2:43

HT2588 - A Problem with Big

LensWork - Photography and the Creative Process ·

2026/04/10

HT2588 - A Problem with Big What do the following have in common? War and Peace by Leo Tolstoy, The Ring by Richard Wagner, running a marathon, and a 60-inch photographic print? They're all possible, but intimidating. It is human nature to hesitate before engaging a big thing. It's natural for us to measure our commitment and dedication before we begin. Big things require a sort of risk versus reward analysis Show your appreciation for our free weekly Podcast and our free daily Here's a Thought…

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2:43

HT2587 - In Gear We Trust

LensWork - Photography and the Creative Process ·

2026/04/09

HT2587 - In Gear We TrustDuring my 50 years in photography, I've owned 24 different cameras. I can assure you that with each new camera my hopes and aspirations rose as I was sequentially convinced each new piece of gear would provide the answer to making better photographs. You would think my faith in gear would subside with each disappointment, but it never does. That's how strong faith in gear is in photography. Show your appreciation for our free weekly Podcast and our free daily Here's a

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2:43

HT2586 - The Data Hidden in the Noise

LensWork - Photography and the Creative Process ·

2026/04/08

HT2586 - The Data Hidden in the NoiseWe click the shutter because there's something there. We feel it, we sense it, we may not be able to describe it, but there is data hidden in the noise. Our job is artists is to brush away the noise, the obscuring dust, sometimes the verbosity in our mind. Photography is not so much about taking as it is about revealing. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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2:43

HT2585 - New Is Not Necessarily a Virtue

LensWork - Photography and the Creative Process ·

2026/04/07

HT2585 - New Is Not Necessarily a VirtuePhotographers tend to get very excited about everything new. New gear, new techniques, new locations, new venues. The problem with new is that it can be a false promise. It's far too easy to equate new with better. My experience is that better pictures most often come from repeated visits and pushing past the new, past our first impressions. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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12:54

LW1500 - My Heartfelt Thanks, Again

LensWork - Photography and the Creative Process ·

2026/04/06

LW1500 - My Heartfelt Thanks, Again On this day as we post a milestone with LensWork Podcast #1500, let me quote one of my favorite novelists, W. Sommerset Maugham. "I think few serious writers can be entirely indifferent to the fate that will befall their works after their death. It is pleasant to think, not that one may achieve immortality but that one may be read with interest by a few generations and find a place, however small, in the history of one's country's literature." All I can add to

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2:43

HT2584 - Everyday Life Interrupted

LensWork - Photography and the Creative Process ·

2026/04/06

HT2584 - Everyday Life Interrupted It's interesting to look back at the artists' statement included with many portfolios in LensWork. It's amazing how many times the photographer begins by saying they were doing something completely disconnected from photography when all of a sudden they saw something that created a sympathetic vibration with their creative soul. They grabbed their camera and interrupted daily life to make art. Show your appreciation for our free weekly Podcast and our free daily

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2:43

HT2583 - During One Sitting

LensWork - Photography and the Creative Process ·

2026/04/05

HT2583 - During One SittingIf I really want to spend some time with an image to understand it, think about it, consider its implications and deeper message, I know going in that there is a limit to how many images I can connect with in a given sitting. Of course I can only speak with authority about my own experience. I know, from my Sunday morning book time, that I reach a limit at about a hundred images. More than that and my brain just locks up. Sometimes far fewer. I can scan quickly through

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