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PODCAST

LensWork - Photography and the Creative Process

Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork

arts visual arts

All Episodes

2:43

HT2454 - Decisions vs Execution

LensWork - Photography and the Creative Process ·

2025/11/27

HT2454 - Decisions vs ExecutionArt making is the fusion of decisions and execution. It's not at all uncommon for photographers to explain that they became a photographer because they can't draw decent stick figures. That is to say, execution prevents them from being a successful pen-and-ink artist, or painter, or musician. Unlike in photography, with these media, there is a barrier that cannot be crossed with luck. With photography, however, we can both be lucky and master the execution of the

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2:43

HT2453 - From My Distant Past

LensWork - Photography and the Creative Process ·

2025/11/26

HT2453 - From My Distant Past Twice now in the last few months, I've received a kind-hearted compliment about one of my pictures — in both cases, however, from images I made more than 25 years ago. I'm always grateful when someone compliments my work, but it does leave me wondering about my more recent efforts. I suppose it makes sense for us to receive compliments about our ancient work with grace and humility. There is a part of me, however, that wants to bring out a few hundred examples recent

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2:43

HT2452 - Photographing Is Not the Same Thing As...

LensWork - Photography and the Creative Process ·

2025/11/25

HT2452 - Photographing Is Not the Same Thing As Making ArtI have 200,000 digital captures in my Lightroom catalog. Does that mean I have 200,000 pieces of artwork? Of course not. So I ask you, precisely, at what point in the process does the digital capture transmogrify into artwork? When you finish processing the image? When you make a print? When you use the image in a PDF? When you say, Quod Erat Faciendum (It is finished)? Show your appreciation for our free weekly Podcast and our free daily

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2:43

HT2451 - Knowing When to Stop

LensWork - Photography and the Creative Process ·

2025/11/24

HT2451 - Knowing When to Stop I think I'm remembering this correctly that it was Pablo Picasso who said the trick and painting is knowing when to stop. Obviously, the same sentiment applies equally well to photography. The question I'm still trying to answer is not about knowing when to stop with a given image, but knowing when to stop with a given project. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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12:54

LW1481 - Every Picture Is a Compromise

LensWork - Photography and the Creative Process ·

2025/11/24

LW1481 - Every Picture Is a Compromise I think I'm remembering this correctly that it was Pablo Picasso who said the trick and painting is knowing when to stop. Obviously, the same sentiment applies equally well to photography. The question I'm still trying to answer is not about knowing when to stop with a given image, but knowing when to stop with a given project. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10

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2:43

HT2450 - Pepper Number Twenty-Nine

LensWork - Photography and the Creative Process ·

2025/11/23

HT2450 - Pepper Number Twenty-Nine Edward Weston's famous photograph, Pepper #30, has always intrigued me. It's a beautiful image, but to be honest I'm less fascinated with the image itself than I am with the idea that there were 29 antecedents that he, for one reason or another, rejected. And is there a pepper number 31? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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2:43

HT2449 - Bonus Images

LensWork - Photography and the Creative Process ·

2025/11/22

HT2449 - Bonus ImagesI'll bet that most of you, from time to time, watch the bonus features after you've finished watching the movie. Or perhaps you watch the director's cut with commentary from behind the scenes. Is there any reason why we still photographers couldn't use this idea with our projects? After the last image in a PDF, for example, why not have bonus images for people who want more? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a

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2:43

HT2448 - Each Project Has Its Own Aesthetic

LensWork - Photography and the Creative Process ·

2025/11/21

HT2448 - Each Project Has Its Own AestheticHow many different genres of music are there? Beyond that, each song has its own mood. Beyond that, the same song can be performed in different ways. Aren't we just as creative as the musicians? Why, then, do so many photos look the same, that is have the same aesthetic? Perhaps we need to let go of what an image should look like and think more about what it could look like. Show your appreciation for our free weekly Podcast and our free daily Here's a

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2:43

HT2447 - Zines vs Chapbooks

LensWork - Photography and the Creative Process ·

2025/11/20

HT2447 - Zines vs ChapbooksA couple of days ago, I received three "zines" in the mail that came from a LensWork reader. They were lovely and I enjoyed her photography a great deal. They were very close in physical dimensions to my 6R chapbooks. This got me thinking about what's the difference between commercially printed zine and a handmade chapbook. Is it as simple as one is disposable and the other is collectible? I'm not sure about this. Show your appreciation for our free weekly Podcast and

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2:43

HT2446 - Caravaggio Ignored His Eyes

LensWork - Photography and the Creative Process ·

2025/11/19

HT2446 - Caravaggio Ignored His EyesCaravaggio, the Italian painter from the 16th century, is well known for his use of a technique called "foreshortening." Today we would call it " focus stacking." It's curious to me that this view of the world is impossible for the human eye. Essentially, Caravaggio had to ignore his eyes and what he saw in order to paint using this technique that seems so real. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a

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2:43

HT2445 - To Increase Sharpness, Move the Sun

LensWork - Photography and the Creative Process ·

2025/11/18

HT2445 - To Increase Sharpness, Move the SunYes, lens sharpness, stabilization techniques, and resolution all add to build a sharp image. As a pragmatic photographer, however, I can't help but observe and admit that the most important way to increase apparent sharpness is to use the angle of incidence between the light source and the subject that maximizes visible contrast and detail. Light that strikes the subject at an extremely low angle does more to increase detail than buying a sharper lens

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2:43

HT2437 - What I Hope to Accomplish with These Thoughts

LensWork - Photography and the Creative Process ·

2025/11/17

HT2444 - Dark Writing I've thought for years that photographers often think about tones exactly backwards. There are lots of photographic gurus who preach that we must pay special attention to the light. Early in my dark room days, it seemed obvious to me that we don't create a print by adding light to the paper, that instead we start with white paper and add shadows. Photography is supposedly "light writing" but getting the blacks right is what we actually do. Show your appreciation for our free

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12:54

LW1480 - Art and Story

LensWork - Photography and the Creative Process ·

2025/11/17

LW1480 - Art and Story Art, as an inanimate object, doesn't do anything, Art doesn't do, it tells — it tells us about some thing, some place, some person, some moment, some feeling, some idea. Art can cause something in us to take place by simply looking at the artwork and thinking about what we see. That process of looking and thinking lays bare the fact that every piece of artwork is a launching pad for a story, or perhaps a cluster of stories. There are biographic stories, production stories,

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2:43

HT2443 - Color by the Truckload

LensWork - Photography and the Creative Process ·

2025/11/16

HT2443 - Color by the TruckloadIf there is a photographic aesthetic that defines the early years of the 20th century it will undoubtedly be the fine art black and white print. We are 100 years removed from that era, and it appears to me that the photographic aesthetic that defines the early years of the 21st century is MORE COLOR. Slap it on with a trowel, and crank it up to 11. Is this trend virtuous because it's a wonderful aesthetic or simply a choice we engage now that we have the capabilities

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2:43

HT2442 - Limitations

LensWork - Photography and the Creative Process ·

2025/11/15

HT2442 - Limitations Money is limited. Time is limited. Access is limited. Equipment is limited. Techniques are limited. It's a wonder we can get anything done with all these limitations. But that's the thing about the art life, we are surrounded by limitations that conspire to interfere with our productivity. If we let these limitations inhibit our work, it's not the limitations that need to be removed, but rather our willingness to allow those limitations to intimidate us. Artmaking is always

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2:43

HT2441 - No One Will Ever See It

LensWork - Photography and the Creative Process ·

2025/11/14

HT2441 - No One Will Ever See It The often insurmountable distance from production to consumption. Rick Beato has a YouTube channel all about contemporary music. It's surprising how many times his topics pertain perfectly to our lives as fine art photographers. Here is an example that is so spot on that I thought he was talking directly to me — art without an audience. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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2:43

HT2440 - Bit Rot Might Be Destroying Your Backups

LensWork - Photography and the Creative Process ·

2025/11/13

HT2440 - Bit Rot Might Be Destroying Your Backups Have you heard of a thing called bit rot? I hadn't either, but it turns out it can be slowly leading your backups to failure. And speaking of backups, it's that time of year again when it's a good idea to back up all your computerized data, images, and those 1s and 0s that are the measure of your creative life. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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2:43

HT2439 - The Space That Supports Your Work

LensWork - Photography and the Creative Process ·

2025/11/12

HT2439 - The Space That Supports Your Work Once I had seriously committed myself to photography in the 1970s, I didn't fully realize the implications that would govern my choices of living space over the next five decades. Whenever I found myself needing to move, the first and determining question in any place I considered was where to put the darkroom and the print finishing studio. Over the years, I've slowly come to realize how the space influences what I produce. Show your appreciation for our

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2:43

HT2438 - Fall Fog Season

LensWork - Photography and the Creative Process ·

2025/11/11

HT2438 - Fall Fog Season I know so many photographers who get excited about the fall season and all those wonderful colored hillsides of orange and yellow keaves. For me, fall is less about leafy colors than it is about fog. (Isn't it odd that we photographers put so much emphasis on the sharpness of our lenses, but love the photographic effect of fog?) Fog and snow — there is no question about it — are my two most favorite atmospheric forms of weather for photography. Show your appreciation for

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2:43

HT2437 - What I Hope to Accomplish with These Thoughts

LensWork - Photography and the Creative Process ·

2025/11/10

HT2437 - What I Hope to Accomplish with These Thoughts One of the criticisms I have about a lot of workshop instructors is that their basic premise is to persuade and motivate the participants to do photography the same way the instructor does. "Here's my technique, go Thou and do likewise." That is decidedly not my purpose with Here's a Thought. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

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