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PODCAST

There"s Sometimes a Buggy

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other"s movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially

tv & film philosophy

All Episodes

01:08:57

Hollywood Studios Year-by-Year – RKO – 1932: What...

There"s Sometimes a Buggy ·

2025/10/17

In this RKO 1932 Studios Year by Year episode we discuss a couple of trademark Selznick productions: What Price Hollywood?, the first iteration of the A Star Is Born story, starring Constance Bennett as the rising star Mary Evans, "America's pal," and Lowell Sherman as her tormented director mentor; and The Animal Kingdom, based on the Philip Barry play, with Leslie Howard, Ann Harding, and Myrna Loy in a highbrow Pre-Code love triangle. Marriage takes a real beating in these rare movies exploring

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45:54

Acteurist Oeuvre-view – Gloria Grahame – Part 9:...

There"s Sometimes a Buggy ·

2025/10/10

This week's Gloria Grahame episode sees our acteur making some questionable career decisions: a rare headlining role in Columbia's Orientalist stinker Prisoners of the Casbah (1953), displaying a phenomenal lack of chemistry with Turhan Bey; and a micro-role in intriguing British heist noir The Good Die Young (1954) as a pragmatic actress tormenting husband John Ireland with her indifference. We find what there is to like in this quality dip, or, failing that, what there is to mock. Time Codes:

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01:03:24

Hollywood Studios Year-by-Year – Fox Film Corporation...

There"s Sometimes a Buggy ·

2025/10/03

For this 1932 Fox Studios Year by Year episode we watched Frank Borzage's unloved Young America, an idiosyncratic, primitive melodrama starring Spencer Tracy as a wealthy drugstore owner at odds with a disadvantaged delinquent, and Passport to Hell, Fox's surprisingly good take on the Sternberg-Dietrich formula, starring Elissa Landi as a woman of ill repute at odds with the colonial authorities in German West Africa. No rural themes in sight in this episode, just the tribulations and heroism of

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46:23

Acteurist Oeuvre-view – Gloria Grahame – Part 8: MAN...

There"s Sometimes a Buggy ·

2025/09/26

In this week's episode of the Gloria Grahame Acteurist Oeuvre-view series, our heroine battles an organized crime ring in Fritz Lang's classic noir The Big Heat and the Soviets, or in any case her beleaguered circus capitalist husband, Fredric March, in Elia Kazan's Man on a Tightrope (both 1953). Dave and Elise are somewhat at odds about the effectiveness of Tightrope's anti-censorship message, but united on the effectiveness of Lang's use of the noir genre, and Grahame, to depict heroism in a

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01:09:19

Special Subject - Accents on Olivier – THE 49th...

There"s Sometimes a Buggy ·

2025/09/19

Our Special Subject for September 2025 led us to watch a couple of wartime British films starring Laurence Olivier and his amazing accents: Québécois in Powell and Pressburger's The 49th Parallel (1941), which opposes a Platonic Idea of Canada to Nazi ideology, and Russian in Anthony Asquith's The Demi-Paradise (1943), an alarmingly Soviet-friendly use of the romantic comedy genre to promote cross-cultural understanding. The accents may lack technical accuracy (much like the films' depictions of

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53:27

Hollywood Studios Year-by-Year – Warner Brothers –...

There"s Sometimes a Buggy ·

2025/09/12

This Warner Bros. 1932 episode is a double feature of Glasmon-Bright scripts directed by Pre-Code wizards: Mervyn LeRoy's Three on a Match, a tight little melodrama about the cryptic and arbitrary nature of self-destruction with Ann Dvorak as a wealthy housewife beset by ennui; and Roy Del Ruth's Taxi!, in which Loretta Young has to stand up to James Cagney's hot-headed cab driver, although neither his violence nor her self-control is going to help them fight those who have more power under

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01:00:10

Acteurist Oeuvre-view – Gloria Grahame – Part 7: THE...

There"s Sometimes a Buggy ·

2025/09/05

Our Gloria Grahame Acteurist Oeuvreview recovers from last week's rough spot with two excellent roles in two excellent films that display her range as a character actress. In Vicente Minnelli's The Bad and the Beautiful (1952), for which Gloria won an Oscar for Best Supporting Actress, she's a sweet but silly Southern belle curiously sacrificed by Kirk Douglas' relentlessly driven movie producer; and in Maxwell Shane's The Glass Wall (1953), she's a fed-up proletarian who rediscovers her humanity

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01:09:41

Hollywood Studios Year-by-Year – MGM – 1932: BLONDIE...

There"s Sometimes a Buggy ·

2025/08/29

This 1932 MGM Studios Year by Year episode is a Robert Montgomery double feature, although the spotlight is on his leading ladies: an incandescent Marion Davies in Blondie of the Follies (directed by Edmund Goulding), and a distraught Tallulah Bankhead in Faithless (directed by Harry Beaumont). We discuss the strengths and incoherencies of Anita Loos' and Frances Marion's screenplay for Blondie of the Follies (spoilers: it may have been tampered with by some guy named Hearst) and then turn to our

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01:10:54

Special Subject - Orson Welles and Jeanne Moreau –...

There"s Sometimes a Buggy ·

2025/08/22

Our August Special Subject is Literature vs. Welles vs. Moreau: we discuss the three finished films that Orson Welles made with Jeanne Moreau, whom he considered "the greatest actress in the world." The Trial (1962) stars Anthony Perkins in an adaptation of the Kafka novel; Chimes at Midnight (1965) stars Welles as Falstaff in an adaptation of Shakespeare's Henriad focused on the Prince Hal/Falstaff relationship; and The Immortal Story (1968) stars Welles and Moreau in an adaptation of a Karen

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01:02:46

Acteurist Oeuvre-view – Gloria Grahame – Part 6:...

There"s Sometimes a Buggy ·

2025/08/15

In this episode of our Gloria Grahame Acteurist Oeuvre-view episode, our protagonist is rudely shoved into the background of the movies, barely appearing in Josef von Sternberg's Macao (1950) (she would have liked to have appeared in it even less) and playing a rote schemer in David Miller's Sudden Fear (1952). The movies themselves don't make up for her under-use, despite the amiable pairing of Robert Mitchum and Jane Russell in the former and the great Joan Crawford sobbing her way to an Oscar

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01:00:04

Hollywood Studios Year-by-Year – Paramount – 1932:...

There"s Sometimes a Buggy ·

2025/08/08

For this round of Paramount 1932, we watched our first Marx Brothers movie for the podcast (hard as that is to believe), Horse Feathers (directed by Norman Z. MacLeod), alongside Ernst Lubitsch's only sound-era drama, Broken Lullaby. Lubitsch's batshit WWI melodrama, bursting with intensity and unease, claims our attention first, and then we turn to the detached anarchy of the Marx Brothers. Elise probes Dave's obsession with their antics and offers her outsider's take on the poetics of their

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01:13:21

Acteurist Oeuvre-view – Gloria Grahame – Part 5: IN A...

There"s Sometimes a Buggy ·

2025/08/01

This week in our Gloria Grahame Acteurist Oeuvre-view we watched one of her best-known films, In a Lonely Place (1950), directed by Nicholas Ray and co-starring Humphrey Bogart, alongside the unpromising Cecil B. DeMille circus drama The Greatest Show on Earth (1952). This may be the only time you find these two movies discussed together with roughly equal enthusiasm. Ray's portrait of a romance doomed by male violence may have psychological perception and stylish writing, but DeMille's

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58:57

Hollywood Studios Year-by-Year – Universal – 1931:...

There"s Sometimes a Buggy ·

2025/07/25

For our Universal 1931 Studios Year by Year episode we took in a Sidney Fox double feature, Bad Sister (adapted from a Booth Tarkington novel, with an early role for Bette Davis as the good sister) and Strictly Dishonorable (adapted from Preston Sturges' only successful play and directed by John Stahl). Laemmle Jr.'s protegée uses her ingenue quality to good effect whether she's playing an unsympathetic Alice Adams or a complex early Sturges heroine, and in fact we argue that the latter performance

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01:03:34

Special Subject - Supported By Oscar Levant – the...

There"s Sometimes a Buggy ·

2025/07/18

Our final Oscar Levant Special Subject episode covers his contribution to two of the greatest MGM musicals, Vincente Minnelli's An American in Paris (1951) and The Band Wagon (1953), plus a 20th Century Fox curiosity, The I Don't Care Girl (1953) in which Mitzi Gaynor supposedly plays early 20th century vaudeville wild woman Eva Tanguay. Levant reaches new heights as a cinematic presence in An American in Paris, a film that, we argue, forms part of an "art life" Levant trilogy with Rhapsody in

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01:02:39

Hollywood Studios Year-by-Year – RKO – 1931: CIMARRON...

There"s Sometimes a Buggy ·

2025/07/11

The movies we viewed for this RKO 1931 Studios Year by Year episode couldn't be more different: the sprawling Cimarron (starring Richard Dix as America's psychotic inner conflict) prompts us to speculate about Edna Ferber as a source auteur and the intertwining of her vision of America with Hollywood across three decades; while the tight, play-like Traveling Husbands (starring Evelyn Brent as a bitter sex worker with noble impulses), demonstrates the pressures capitalism exerts on men and therefore

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53:50

Acteurist Oeuvre-view – Gloria Grahame – Part 4: A...

There"s Sometimes a Buggy ·

2025/07/04

Our Gloria Grahame Acteurist Oeuvre-view continues with A Woman's Secret (1949), an oddball psychological drama with a screenplay by Citizen Kane writer Herman J. Mankiewicz and directed by Grahame's new husband Nicholas Ray; and Roughshod (1949), a consciously feminist Western written by a bunch of leftists. Proving her versatility-within-typecasting yet again, Grahame moves easily from the unlikely comic centre of a noirish vortex to a sympathetic sex worker in a fallen woman melodrama that uses

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59:01

Hollywood Studios Year-by-Year – Fox Film Corporation...

There"s Sometimes a Buggy ·

2025/06/27

A curious pairing for this Fox 1931 Studios Year by Year episode: an unsung WWI drama, but as good as any, William K. Howard's Surrender, starring Warner Baxter, Leila Hyams, and an almost unrecognizable (both his appearance and his performance) Ralph Bellamy; and the Will Rogers version of A Connecticut Yankee in King Arthur's Court, which mainly seems to exist so that Rogers can lasso a lance from a knight in a joust. Spoiler: modernity proves to be more than either King Arthur's Court or Ralph

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01:08:11

Special Subject - Farrow vs. Allen – Part 4: ALICE...

There"s Sometimes a Buggy ·

2025/06/20

We say farewell to Farrow and Allen (for now, although we'll probably encounter them individually on the podcast again) with this final episode on their cinematic collaboration, covering Alice (1990), Shadows and Fog (1991), and one of their very best, the ill-fated Husbands and Wives (1992). In the first two, two more Allen characters struggle to live the good life in what couldn't be more different settings, and then we join Allen in meditating on all of the different ways that romantic

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42:59

Acteurist Oeuvre-view – Gloria Grahame – Part 3: SONG...

There"s Sometimes a Buggy ·

2025/06/13

In this Gloria Grahame Acteurist Oeuvre-view episode we get to see more of what MGM was (not) doing with our acteur's career. Underused in Song of the Thin Man (1947), in which she brings the only real noir energy to the final Thin Man film, she gets a similarly brief but memorable role in the Red Skelton vehicle Merton of the Movies (1947), playing the most innocent nymphomaniac in cinematic history. We uncover the legacy of Harry Leon Wilson's 1922 Merton of the Movies novel and surprise

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53:49

Hollywood Studios Year-by-Year – Warner Brothers -...

There"s Sometimes a Buggy ·

2025/06/06

This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another

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