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PODCAST

SoundWorks Collection

Colemanfilm Media Group

The goal for the SoundWorks Collection is simple; we are dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. We take you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

tv & film

All Episodes

00:54:08

Production Sound Mixer Mark Ulano - Ad Astra & Once...

SoundWorks Collection ·

2020/01/22

Academy Award winning production sound mixer Mark Ulano talks double nominations for Ad Astra and Once Upon a Time... in Hollywood, Quentin Tarantino's nicknames for his crew, and about how his passion for sound takes him from McDonald's meetings to FaceTime space interviews to his thoughts on the next generation of filmmakers.

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01:12:57

The Sound of Joker - 2020 Oscar Series

SoundWorks Collection ·

2020/01/22

Academy Award winning supervising sound editor Alan Murray, re-recording mixer and sound designer Tom Ozanich and re-recording mixer Dean Zupancic discuss their continued debates over Joker theories, the layered artistic approach of sound, and how sound is used to explore a character's headspace. In the second part of this conversation, we chat with production sound mixer Tod Maitland.

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01:35:47

10 Years of SoundWorks Collection

SoundWorks Collection ·

2020/01/01

SoundWorks Collection was started in 2009 with the simple goal to profile the greatest and upcoming sound minds from around the world and highlight their contributions. Over the past decade we have had the incredible honor to meet hundreds of sound artists and help share their incredible stories. We are excited for the future and thank the worldwide sound community for the ongoing support! In this special 90-minute conversation, SoundWorks Collection founder Michael Coleman chats with friend and

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00:34:20

The Sound of The Irishman

SoundWorks Collection ·

2019/12/24

Martin Scorsese’s longtime sound collaborators Eugene Gearty and Tom Fleischman (Oscar-winners for Hugo) have joined the acclaimed filmmaker once again for the epic film The Irishman. Much has been written about the visual effects used to de-age the actors playing the main characters, and in this episode we talk about the attempts made to de-age the sound of the actors voices, the challenges of building the film’s minimalist sound track, and the working collaboration Eugene and Tom have crafted over

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00:47:18

The Sound of Rick and Morty

SoundWorks Collection ·

2019/12/23

Supervising Sound Editor Hunter Curra describes his work over the past four seasons of Rick and Morty and collaborating with co-creators Justin Roiland and Dan Harmon. We discuss the various interdimensional adventures, unique animation workflow and Rick's burping sound library. After having been missing for nearly 20 years, Rick Sanchez suddenly arrives at daughter Beth's doorstep to move in with her and her family. Although Beth welcomes Rick into her home, her husband, Jerry, isn't as happy

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00:37:06

The Sound of Star Wars with Matthew Wood and David Acord

SoundWorks Collection ·

2019/12/16

Matthew Wood and David Acord, co-sound supervisors on Star Wars: The Rise of Skywalker, have been working on the sound of the SW films for nearly two decades. Join us for a wide-ranging conversation on the audio restorations of the original films, the voice of Baby Yoda from the new streaming series The Mandalorian, the importance of sound to George Lucas...and even the controversy about whether Han or Greedo shot first and the notorious “Maclunkey.”

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00:38:54

The Sound of The Aeronauts

SoundWorks Collection ·

2019/12/13

We chat with re-recording mixer and supervising sound editor Lee Walpole about his recent work on Director Tom Harper's film, The Aeronauts. The film is in theaters now and will be streaming on Amazon Prime Video starting December 20th! In 1862, daredevil balloon pilot Amelia Wren (Felicity Jones) teams up with pioneering meteorologist James Glaisher (Eddie Redmayne) to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and advancing scientific

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00:50:17

The Sound of Uncut Gems

SoundWorks Collection ·

2019/12/10

Join filmmakers Josh & Benny Safdie for a behind-the-scenes conversation about their new film Uncut Gems. The brothers discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character, Howard Ratner. They are joined by composer Daniel Lopatin, who talks about using the classic 1970s Moog synthesizer to create the movie’s emotional score, and re-recording mixer Skip Lievsay, who talks about how he used Dolby Atmos to give the audience the experience

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00:43:09

In Conversation with Composer Tom Salta

SoundWorks Collection ·

2019/12/03

ASCAP winning and MTV VMA nominated composer Tom Salta is one of the most versatile and prolific music artists/producers working in film, television, advertising and video games. Renowned for crafting emotionally engaging soundtracks for multimedia, Salta has received widespread industry acclaim for his world-class produced hybrid scores featured in film, television and video games such as Machine Games’ WOLFENSTEIN : Youngblood & Cyberpilot, Microsoft’s iconic HALO series (G.A.N.G. Best Original

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00:48:08

The Sound of Rocketman

SoundWorks Collection ·

2019/11/26

In this episode we catch up with the picture editor and sound team behind the Elton John biopic Rocketman to discuss the film’s unique blend of pre-recorded music, live singing on set, and post-recorded songs. The team unpacks numerous musical sequences in the film, including the famous Troubadour concert featuring the song “Crocodile Rock,” and the collaboration with music producer Giles Martin to create the film’s signature sound. Danny Sheehan, Supervising sound editor Matthew Collinge,

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01:13:03

Robby Stambler and Lindsey Alvarez Masterclass

SoundWorks Collection ·

2019/11/25

Join Lindsey Alvarez and Robert Stambler as they share their creative process behind some of today’s most interesting-sounding creatures, superheroes, and villains. This masterclass presentation will illuminate the important role of creative sound work and the close collaboration of the sound team and director. Moderated by Michael Coleman, SoundWorks Collection Recorded on October 28th, 2019 at the Savannah Film Festival

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01:06:38

The Sound of The Outer Worlds

SoundWorks Collection ·

2019/11/14

We chat with the Obsidian Entertainment sound team to discuss their recent video game release, The Outer Worlds! Justin E. Bell, Studio Audio Director – Audio Director, Composer Scott Gilmore, Senior Audio Designer – Creatures and Gameplay Zachary Simon, Senior Audio Designer – Weapons and Foley Dylan Hairston, Audio Designer – Ambiences and Emitters Jerrick Flores, Technical Designer – Chatter, Spatialization, and Optimization Lost in transit while on a colonist ship bound for the furthest edge

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00:56:36

The Sound of Carnival Row

SoundWorks Collection ·

2019/11/05

Carnival Row is an expansive, visually and aurally opulent murder mystery series from Amazon. Join re-recording mixers Marc Fishman and Robert Carr as they talk about how one goes about creating the sound of flying faeries’ wings, why Dolby Atmos was part of the concept of the sound of the series right from the beginning, and how one of the major plot points of the series was communicated to the audience through Foley, with no dialog. Marc Fishman - Re-recording Mixer Robert Carr - Re-recording

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00:50:52

The Sound of Stranger Things 3

SoundWorks Collection ·

2019/10/29

Join the team behind the sound and music of Stranger Things 3 for a discussion about how the sound of the show has evolved and grown over three seasons, delivering cinema quality sound on an episodic schedule and budget, how to preserve that experience across all home platforms, the challenges of keeping creature sounds fresh and new, and finally, how the famous Neverending Story sequence came together. Craig Henighan - Sound Supervisor Mark Patterson - Dx and Music Mixer David Klotz - Music

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00:38:50

The Sound of The Lighthouse with Damian Volpe

SoundWorks Collection ·

2019/10/25

We chat with Supervising Sound Editor, Sound Designer and Re-recording Mixer Damian Volpe to discuss his recent collaboration with visionary Director Robert Eggers and explore his new film, The Lighthouse. Shot in black-and-white, the film follows two lighthouse keepers (portrayed by Willem Dafoe and Robert Pattinson) as they are faced with solitude, but start to lose their sanity and become threatened by their worst nightmares. Damian Volpe is a Brooklyn based sound designer, supervisor, and

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00:52:57

Making Waves: The Art of Cinematic Sound w/Walter...

SoundWorks Collection ·

2019/10/22

Film sound legends Walter Murch (The Godfather, Apocalypse Now), Ben Burtt (Star Wars, Wall•E), Gary Rydstrom (Jurassic Park, Saving Private Ryan) and Making Waves director Midge Costin join Dolby Institute director Glenn Kiser in conversation before a live audience after the film’s premiere at the Tribeca Film Festival. The wide-ranging discussion touches on the role of subjective sound in creative storytelling, why the sound of Wall•E’s voice made some people cry, and how famed director Francis

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00:47:00

Documentary Sound Design & Atmos Mixing with Cheryl...

SoundWorks Collection ·

2019/10/05

Re-recording mixer Cheryl Ottenritter discusses documentary sound design & Dolby Atmos mixing at the Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019. Hidden Pacific's Sound Team: Rick Rush, Sound Design Cheryl Ottenritter, Sound Design and Re-Recording Mixer Adam Parrish King, Sound Design and Re-Recording Mixer Moderated by Michael Coleman, SoundWorks Collection Ott House Audio, or OHA as it’s often called, is a boutique studio based in Silver Spring,

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00:13:11

George Massenburg Mixing in Dolby Atmos

SoundWorks Collection ·

2019/10/04

George Massenburg discusses mixing an Alicia Keys track in Dolby Atmos at the Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019.

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00:44:54

2019 Mix Magazine Sound for Film & TV - Follow the...

SoundWorks Collection ·

2019/10/04

"Follow the Tracks" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019 A panel of experts discusses where our dialog tracks come from, where they go, and what happens to them along the way, from set to screen. Panelists: Gary Bourgeois - CAS Re-recording Mixer Adam Carl - Recordist Matt "Smokey" Cloud - Assistant Editor Chris Jacobson - CAS Re-recording Mixer Anna Mackenzie - Dialog Editor Ben Patrick - CAS Production Mixer Tod A

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00:54:30

2019 Mix Magazine Sound for Film & TV - The Networked...

SoundWorks Collection ·

2019/10/04

"The Networked Studio: Building a Near-Field Immersive Room With Audio-Over-IP" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019 Chief engineers, designers and integrators discuss the ins and outs of building a near-field immersive audio studio using advanced Audio-Over-IP networking technologies and tools. Panelists: Brian Armstrong, Streamline System Design Lane Burch - Sony Pictures Studio Ron Romano - Belmont University Phil

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314 results

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