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PODCAST

Cities and Memory - remixing the world

Cities and Memory

Cities and Memory remixes the world, one sound at a time - a global collaboration between artists and sound recordists all over the world. The project presents an amazingly-diverse array of field recordings from all over the world, but also reimagined, recomposed versions of those recordings as we go on a mission to remix the world. What you"ll hear in the podcast are our latest sounds - either a field recording from somewhere in the world, or a remixed new composition based solely on those

arts places & travel

All Episodes

5:05

To see and remember

Cities and Memory - remixing the world ·

2026/02/22

"To See and Remember" is a composition incorporating elements from a 1965 expedition field recording from the Chocó Department, in Colombia, by Jonathan Ambache and Richard Saumarez Smith, who were then fellow students at the University of Cambridge. The recording that I selected, made on 5-inch reel tape, captures the sounds of the local Emberá people playing music with flute, drums and other percussive instruments. During my research, I discovered a 100-page diary kept by the field recordists,

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1:39

Drumming at Wor Tamat dancing ground

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers

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5:10

Bhoot

Cities and Memory - remixing the world ·

2026/02/22

I originally chose the field recording simply because I enjoyed the melody. The women sang the same melodic phrase over and over with slight changes. I felt like they were telling a story but, as I don’t speak the language, I had to look elsewhere for inspiration. I researched the mythology and folklore of Himachal Pradesh’s remote valleys and discovered a common ghostly tale. If you are out walking in the pine forest and you hear your name being whispered it could be wandering soul or "Bhoot"

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10:06

Women singing with flute

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of music and spoken language (principally Thulung Rai) made by anthropologist Nicholas Allen in Nepal and India between 1970 and 1981.Recorded by Nicholas Justin Allen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of

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4:54

The weave of a song

Cities and Memory - remixing the world ·

2026/02/22

The field recording I chose is of a gentleman named Thomas Penniman performing an early 20th-century work song about weaving from the Gower Peninsula. It's a strange, compelling and mysterious recording, made in the winter of 1974. There's a repeated refrain, "Mrs Tanner has six sons/And they all sang like thrushes as they worked at the loom", which I loved. But then the song becomes quite angry because the sons have only been given half a herring for breakfast. It's not enough! Mr Penniman beats

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4:55

Chocó flute and drum music with rattle

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Chocó music and soundscapes made by students Jonathan Ambache and Richard Saumarez Smith in Colombia in 1965.Recorded by Jonathan Ambache and Richard Saumarez Smith.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University

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7:08

Stone sound

Cities and Memory - remixing the world ·

2026/02/22

The original field recording was fed into a granular sculpting sampler to create bell like arpeggiated lines. Next, I chopped the field recording to extract key parts, intimate vocal moments, a solid stone hit rhythm and laughter. Isolated stone “hits” became drum parts, replayed and resampled then slowed. They began to sound like ghost drums, closing doors or belated fireworks. I recreated the rhythms, striking flints collected from Norfolk beaches and in a simple act connected across time for a

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1:07

Women and grinding stones

Cities and Memory - remixing the world ·

2026/02/22

Women singing and using grinding stones for musical accompaniment.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.Recorded by Patti Langton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of

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6:27

Weaving song from the Gower Peninsula

Cities and Memory - remixing the world ·

2026/02/22

Weaving song from the Gower Peninsula of South Wales, recited by Thomas Penniman, former Curator of the Pitt Rivers Museum, who was preparing a manuscript on 'Work and Song in the North-west Gower' in his retirement ("Mrs. Tanner had six sons, and they all sang like thrushes while they worked at the loom").From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a number of miscellaneous individual recordings (rediscovered during a recent research project).Recorded

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3:14

Silenced soil

Cities and Memory - remixing the world ·

2026/02/22

Silenced Soil begins with a fragile artefact: a recording of Claude Debussy’s Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt’s, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not

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5:47

Piano being played

Cities and Memory - remixing the world ·

2026/02/22

"Piano being played": recording of the second movement ('Sarabande') of solo piano suite 'Pour le piano' (L.95) by French composer Claude Debussy, performed by an unnamed pianist.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly in Vanuatu (and South Africa) between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers

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2:18

Igbo wind instrument

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of songs and spoken language made by anthropologist Northcote Thomas in Nigeria and Sierra Leone between 1909 and 1915.Recorded by Northcote Whitridge Thomas.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford

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3:01

Distant

Cities and Memory - remixing the world ·

2026/02/22

This piece is built around a short fragment of an Igbo wind instrument recording taken from the Pitt Rivers Museum sound collections. The original recording was made on wax cylinder by anthropologist Northcote Thomas in Nigeria between 1909 and 1915. Knowing the material fragility of the recording, and the historical distance it represents, strongly shaped how I approached the composition.Rather than treating the field recording as documentary material, I focused on its breath, tone, and

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7:44

My rubber dinghy

Cities and Memory - remixing the world ·

2026/02/22

The inspiration for this piece was the current climate and attitudes from a section of the population towards immigration. It is unsettling to see the resurgence en masse of sentiments I thought were well behind us. I used a fragment of a field recording from the Bamam tribe of Cameroon, and used it as an intro for my piece, which I divided into three movements.a) Mar GermanicusIt uses an Arabic mode (maqam) called Kurd. It represents longing, mirroring the thoughts of the dinghy's occupants,

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6:11

Bamum zither player

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of songs and musical instruments made by journalist Lois Mitchison in Cameroon during 1958.Recorded by Sonja Lois Mitchison.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at

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5:38

Men singing, with percussion and violin

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.Recorded by David Mowat.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at

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2:15

Market sounds, Morocco

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel tape recordings of Berber (Ait Haddidu) music and soundscapes made by members of the Oxford University Expedition to the Atlas Mountains of Southern Morocco in 1961.Recorded by Audrey Butt, Michael R. Emerson or Ralph Hudson Johnson.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the

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4:35

Airwaves unfolded

Cities and Memory - remixing the world ·

2026/02/22

Airwaves Unfolded is a piece based on a radio recording produced in the 1960s in Tarija, southern Bolivia, by Radio Universidad de Tarija. The program introduces Indigenous instruments and discusses how they have been intertwined with labour, daily life, and ritual, as well as how new instruments and musical forms developed after Spanish influence.What drew me to this recording were the instruments’ unstable yet resonant tones alongside the narrator’s voice. The voice carries a sense of

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16:16

Bolivian radio programme on folk music

Cities and Memory - remixing the world ·

2026/02/22

"Bolivian radio programme on folk music": a recording of folk music from southern Bolivia issued by Radio Universidad de Tarija, with commentary (in Spanish).From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcasting corporations or radio associations.Recorded by Radio Universidad de Tarija.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining

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5:58

YAZ

Cities and Memory - remixing the world ·

2026/02/22

YAZ is a vocal and electroacoustic composition built from a field recording of an Aït Haddidou market in Rabat, captured in 1961. What struck me immediately was the presence of a young boy’s voice, cutting through the density of the market: a call. Not directed at anyone in particular, yet lingering. That voice became the starting point of the piece, an echo moving through time and memory.Research into Aït Haddidou and Amazigh musical culture revealed a relationship to voice that is inseparable

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