New Books in Photography

Imagine a world wherein the people who wrote history books were artists, the books occasionally read like poetry, and the stories in them ranged from Monty Python skits to the natural history of chameleons to the making of classic sniper films. Pick up Hanna Rose Shell‘s new book, and you can imagine (for a few hours, at least) that you’ve stepped into such a world. Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance is a history of the visual and material practices of strategic

In Chapter 3 of Erin Haney’s excellent book Photography and Africa (Reaktion Books, 2010) there are seven photos taken in central Africa at the turn of the 19th and 20th centuries. Six advertise progress – from the smartly dressed and armed native troops (though still barefoot) to a posed photograph of a caravan of ivory and a depiction of rubber tapping. These images were taken to show the success, the organization, and the wealth of the Congo to the people of Brussels, Antwerp and beyond. The

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist