PODCAST

wasabicube tracks

Peter Asquith

Arbitrary function generator

music

All Episodes

00:06:44

phonosynthetic (disquiet0669)

wasabicube tracks ·

2024/10/28

Synthesized basis for plant life?-- More on the 669th weekly Disquiet Junto project, Phonosynthesis — The Assignment: Make music to help a forest regenerate — at https://disquiet.com/0669/

00:02:14

you ain't seen me, right? (disquiet0668)

wasabicube tracks ·

2024/10/21

Ever feel you've been manipulated? Thirty seconds of field recording subjected to much mangling and modulation. Don't ask. It didn't happen. -- More on the 668th weekly Disquiet Junto project, All Right Then, Keep Your Secrets — The Assignment: Bury a secret sound until it is no longer identifiable — at https://disquiet.com/0668/ This project was proposed by Mahlen Morris.

00:01:45

always said hello (disquiet0667)

wasabicube tracks ·

2024/10/14

Imagining the devil across the road loves to bounce a basketball and erratically play his Hammond B3… -- More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/ Basketball sample used to create Synplant 2 patch: Basketball.m4a by JoaoAranha -- https://freesound.org/s/509552/ -- License: Creative Commons 0

00:01:54

diabolique (disquiet0666)

wasabicube tracks ·

2024/10/07

Diabolical experiments with modulation. -- More on the 666th weekly Disquiet Junto project, Beauty and the Beast — The Assignment: We’ve hit a devilish numerical milestone. Do your thing. — at https://disquiet.com/0666/

00:04:00

click set (disquiet0655)

wasabicube tracks ·

2024/09/30

My take on a track inspired by the first Clicks + Cuts compilation.-- More on the 665th weekly Disquiet Junto project, Clicks + Cuts Music Factory — The Assignment: Record a track in honor of the late Achim Szepanski — at Disquiet Junto Project 0665: Clicks + Cuts Music Factory – Disquiet

00:03:27

prime time (disquiet0664)

wasabicube tracks ·

2024/09/23

Playing with a 29/16 time signature. -- More on the 664th weekly Disquiet Junto project, Mother Beat — The Assignment: Record a piece of music in 29/16 time — at https://disquiet.com/0664/

00:02:46

platter chatter (disquiet0663)

wasabicube tracks ·

2024/09/16

From (and including) a recording of a backup drive. Expert Sleepers' Spectral Conquest is used on three tracks to isolate several pulsing frequencies. These tracks are used to sidechain a gate on three tracks containing a XILS 4 from XILS Labs, with the result being processed by various plugins, including Devious Machines' Infiltrator, and Baby Audio's Humanoid. The original recording is blended in at the start and end of the track. -- More on the 663rd weekly Disquiet Junto project, Drive Way — The

00:02:11

maillot jaune (disquiet0662)

wasabicube tracks ·

2024/09/09

Two fairly evenly matched cyclists vying for the lead of the race. Ableton's 909 through AudioThing's Lines providing the beat for each rider. Sonic Charge's Synplant 2 providing the guiro-sourced sound of the free-wheeling hubs. Qui va gagner? -- More on the 662nd weekly Disquiet Junto project, Spin Cycle — The Assignment: Record a piece of music that pits one bicyclist against another — at https://disquiet.com/0662/

00:02:07

boiled extractions (disquiet0661)

wasabicube tracks ·

2024/09/02

Two bathroom fans recorded directly and using EMF pickups, and a kettle boiling. The fans and kettle are passed through wave folders and Chebyshev filters and are combined to modulate each other before being passed through a modulated filter banks and modulated high and low resonant filters, and a modulated delay.

00:03:11

grainy day st louis blues (disquiet0660)

wasabicube tracks ·

2024/08/26

Reimagining of W C Hardy's St Louis Blues using various granular and sampling VSTs to sample a recording by Ted Lewis and His Band, from 1922. -- More on the 660th weekly Disquiet Junto project, Louis Blues St. — The Assignment: Break a public domain song into parts and reorganize them — at https://disquiet.com/0660/ Background: More on the source track here: https://archive.org/details/78_st-louis-blues_ted-lewis-and-his-band-handy_gbia0268157b

00:04:00

bursts (disquiet0657)

wasabicube tracks ·

2024/08/05

Bursts from Sumu, Tomofon, Atoms, Generate, and XILS4, in Cm.-- More on the 657th weekly Disquiet Junto project, Straight Edged — The Assignment: Held tones, sharp edges — at https://disquiet.com/0657/

00:01:53

bienvenue (disquiet0655)

wasabicube tracks ·

2024/07/22

Welcome to the world. May you find peace and happiness.-- More on the 655th weekly Disquiet Junto project, Soothing Sounds II — The Assignment: Make music for babies — at https://disquiet.com/0655/

00:01:54

6 fifths (disquiet0654)

wasabicube tracks ·

2024/07/16

I took Franziska Baumann's score and chose to read it left-to-right, top-to-bottom. However, I restricted myself to the first row of seven ideograms, mostly due to time constraints. I took each and transcribed the notes into Ableton and considered each to represent a bar. I then repeated the sequence six times with various instruments. I interpreted the smudges as harmonic distortion.

00:02:00

broken (disquiet0653)

wasabicube tracks ·

2024/07/09

I pretty much broke the rules by not making a list, then braking more than one rule: I made a piece that I felt broke a lot of my usual patching "rules" on the modular; made then broke a rule about not adding effects in the DAW; then added reverb; then uploaded late…-- More on the 653rd weekly Disquiet Junto project, Break a Rule — The Assignment: Stop doing something you always do — at https://disquiet.com/0653/

00:01:09

indeterminant (disquiet0651)

wasabicube tracks ·

2024/06/24

Experimentation with Bitwig's FX Grid, processing a Harmony Bloom generated sequence with various randomisers, such as dice, sample and hold, and logical arithmetic based on several channels of source. The result was then further modified with Infiltrator 2, and Sampleson's Haptic Perc, and Xils-Lab La Palme.

00:02:12

punch drunk (disquiet0648)

wasabicube tracks ·

2024/06/04

Harmony Bloom generating a sequence into Baby Audio Atoms, with a delayed fuzz send.-- More on the 648th weekly Disquiet Junto project, Shadow Boxing — The Assignment: Employ shadow boxing as a musical metaphor — at https://disquiet.com/0648/

00:03:00

drone (disquiet0647)

wasabicube tracks ·

2024/05/27

Two drones combined. One created with Sampleson Scaper, and the other from FullBlotter's processing of the first drone.-- More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

00:01:36

never mind the lyrics (disquiet0646)

wasabicube tracks ·

2024/05/20

When all there's left is the bouncing ball. I wondered what would happen if the bouncing ball was all that was left, and what it might get up to when left to its own devices.-- More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

00:04:16

v over 2 (disquiet0645)

wasabicube tracks ·

2024/05/13

Experimenting with Harmony-Bloom. First track halved in speed, then added to again with Harmony-Bloom and some heavily processed percussion. -- More on the 645th weekly Disquiet Junto project, Speed Trap — The Assignment: Record something, slow it down, and then record over it — at https://disquiet.com/0645/

00:09:14

y garreg (disquiet0643)

wasabicube tracks ·

2024/04/29

The stone (y garreg), aging.-- More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/ This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit 60 years ago, back in 1964.

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