The Streaming Show

One of the most exciting things about the streaming age is the sheer amount of acting talent we're inundated with week after week. From exciting new actors that have exploded onto the scene to renowned actors finally getting their due in shows like Jamtara, Panchayat, Scam 1992, Paatal Lok, The Family Man, Delhi Crime, and Mirzapur to name but a few. To examine just how much streaming has done for casting and vice versa, I sat down with two leading casting directors. Kavish Sinha has worked on

There is no player within the Indian streaming landscape quite as prolific and distinctive as TVF (The Viral Fever). What started as a YouTube channel back in 2010 known for its skits and sketches, the company ventured into making shows on YouTube in 2016 with titles like Pitchers and Permanent Roommates. But, despite being the first movers in the digital space, they certainly didn't get left behind. By 2019 they'd quickly snowballed into a storytelling machine with winning shows across

There’s arguably no better way to examine just how much the streaming era has disrupted the film industry than by talking to writers. So, Suchin spoke to two of the busiest ones around. Sumit Purohit was the lead writer on the the smash hit Scam 1992 on SonyLIV. He’s also worked on Netflix murdery mystery series Aranyak and Amazon Prime Video’s Inside Edge - the first original series from an international streamer. Nandini Gupta is one of the writers on Disney+Hotstar’s fever dream Saas Bahu Aur

What’s it like running an Indian streaming platform? SonyLIV’s Head Of Content Saugata Mukherjee knows a thing or two about that. The platform was relaunched back in 2020, and in the three years since, has made a name for itself as the home of some of the finest storytelling on streaming with shows like Scam 1992, Tabbar, and Gullak. Even their originals that don’t entirely land, like Dr. Arora, Good Bad Girl, and Faadu, show a sense of promise, originality, and specificity. Saugata sat down to

It feels like actor Shriya Pilgaonkar is everywhere. A streaming star if ever there was one, she's ideally placed to discuss what it's like navigating the OTT arena today, as an actor. Shriya's made a name for herself in multiple projects across platforms including Mirzapur on Amazon Prime Video, Taaza Khabar on Disney+Hotstar, The Broken News on ZEE5, and her finest work yet - as unshakeably righteous lawyer Kashaf Qazi in one of last year's best shows - Guilty Minds on Amazon Prime

How do streaming shows and the producers behind them, make money? What does the streaming business model look like? If there are writers or cinematographers working in the streaming age, are they earning more today than they were 5 or 7 years ago? Here to demystify the numbers and shed light on the business of streaming is the producer, director, showrunner, and co-founder of Emmay Entertainment Nikkhil Advani. Aside from making beloved films such as Kal Ho Naa Ho and D-Day, Nikkhil has gone on to

What exactly is a showrunner? What is a writer's room and how do you set one up? Why are there so many power struggles and clashes on the sets of streaming shows between series creators and directors? Are series really a writer's medium? Filmmaker and the OG showrunner Vikramaditya Motwane is in many ways ideally placed to answer these questions. Back in 2018, his Sacred Games really kicked off this age of streamers, series and seasons with a bang as one of the first massive originals for a