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PODCAST

SoundWorks Collection

Colemanfilm Media Group

The goal for the SoundWorks Collection is simple; we are dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. We take you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

tv & film

All Episodes

00:45:53

The Sound of 10 Cloverfield Lane

SoundWorks Collection ·

2016/04/12

In this exclusive SoundWorks Collection interview we talk with the sound team of Director Dan Trachtenberg's film, 10 Cloverfield Lane including Supervising Sound Editor Robert Stambler, effects sound re-recording mixer Will Files and dialogue and music sound re-recording mixer Lindsey Alvarez. In our discussion we explore key sound scenes including the opening title sequence, alien creature vocals and ship by’s and how the sound and music team achieved a sense of confinement for the films

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00:43:28

The Sound of Batman vs Superman with Scott Hecker

SoundWorks Collection ·

2016/04/01

In this exclusive SoundWorks Collection interview we talk with Supervising Sound Editor Scott Hecker about his work on Director Zack Snyder's Batman v Superman: Dawn of Justice. Scott breaks down how the sound team created new sounds for the Batmobile, Batwing, Wonder Women, Aquaman, Flash, Doomsday, and Superman.

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01:04:35

The Sound of The Revenant with Lon Bender and Martin...

SoundWorks Collection ·

2016/02/20

Martin Hernandez and Lon Bender. In this two-part podcast, we catch up with Academy Award nominees Lon Bender and Martin Hernandez to discuss their BAFTA-winning work on The Revenant. Lon talks about recording Foley in Colorado on real snow (with horses!) and gives advice to young sound artists. Martin talks about managing directors’ anxiety, and describes getting his start doing radio shows with director Alejandro Inarritu in Mexico when they were college classmates.

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00:20:13

The Sound of Sicario with Alan Murray

SoundWorks Collection ·

2016/02/20

Alan Murray, two-time Academy Award-winner nominated this year for Sicario, discusses using sound to tell the audience that things may not be quite right, how low-end can heighten tension, and his remarkable 40 year collaboration with Clint Eastwood.

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00:39:17

The Sound of Mad Max Fury Road with Mark Mangini and...

SoundWorks Collection ·

2016/02/20

Mark Mangini and David White, nominated this year for Mad Max: Fury Road, talk about the challenges of managing such an epic production, how they used ADR to achieve emotional intimacy, the use of silence in chaos, and how director George Miller (who trained as a doctor) can cure common maladies.

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00:28:27

The Sound of The Martian with Re-recording Mixer Paul...

SoundWorks Collection ·

2015/12/28

In this exclusive SoundWorks Collection interview we talk with music and dialogue Sound Re-recording Mixer Paul Massey about his work on Director Ridley Scott's The Martian. The final mix was completed at Twickenham Studios in London and music was recorded and mixed by Peter Cobbin at Abbey Road Studios for Composer Harry Gregson-Williams. Paul also discusses working with editor Pietro Scalia and sound designer/supervising sound editor Oliver Tarney to craft the multiple futz and radio instances

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00:34:28

The Sound of Love and Mercy

SoundWorks Collection ·

2015/12/11

This week we talk with the sound team behind Director Bill Pohland’s film, “Love and Mercy” which presents an unconventional portrait of Brian Wilson, the mercurial singer, songwriter and leader of The Beach Boys. Set against the era-defining catalog of Wilson’s music, the film intimately examines the personal voyage and ultimate salvation of the icon whose success came at extraordinary personal cost. We chat with supervising sound editor Nicholas Renbeck, sound designer and sound re-recording

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00:37:06

Daniel Colman - Sound for Television

SoundWorks Collection ·

2015/09/29

In this episode we talk with Emmy award-winning sound designer Daniel Colman about his work on BATTLESTAR GALACTICA, and MARVEL’S AGENTS OF SHIELD. Daniel shares his thoughts on why musicians make the best sound designers, the challenges of living within the rules of television’s dynamic range, and how the signature sound of the space battles in GALACTICA was developed.

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00:46:46

Gwen Yates Whittle - Dialog Editing & ADR

SoundWorks Collection ·

2015/09/22

Editing dialog and working with the original recordings from the set is one of the most under-appreciated arts in cinema sound. In this episode of “Conversations with Sound Artists,” two-time Academy Award nominee Gwen Yates Whittle talks with the Dolby Institute’s Glenn Kiser about why George Lucas thinks dialog editing is one of the most important parts of the process, why she loves working on low-budget independent films (“They talk more,”), and why David Fincher and Meryl Streep love doing

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00:36:12

Composer Tom Holkenborg (Junkie XL) - The Music of...

SoundWorks Collection ·

2015/09/19

In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer Tom Holkenborg (Junkie XL) about his work on the film Black Mass. Three-time Oscar nominee Johnny Depp (“Sweeney Todd: The Demon Barber of Fleet Street,” “Finding Neverland,” the “Pirates of the Caribbean” films) stars as notorious mobster James “Whitey” Bulger in the drama “Black Mass,” directed by Scott Cooper (“Crazy Heart”). The film also stars Joel Edgerton (“The Great Gatsby,” “Zero Dark Thirty”) as FBI

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00:37:59

Anna Behlmer - The Art of Sound Mixing

SoundWorks Collection ·

2015/09/15

The final stage of any collaborative process requires a delicate balance between artistry and decisiveness. The sound mixer works closely with the director to make sure that every sound is in its right place and that the story is always front and center. In this episode, 10-time Academy Award nominee Anna Behlmer talks about being one of the first female mixers in the movie business, strategies for handling a nervous director, and why you will always find colored Sharpie pens on a mixing stage.

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00:54:09

Rob Krekel & Phillip Kovats of Naughty Dog Studios -...

SoundWorks Collection ·

2015/08/31

Game soundtracks have come a long way since their earliest 8-bit days. In this episode of “Conversations with Sound Artists,” Rob Krekel and Phillip Kovats of Naughty Dog Studios talk about the challenges of building player-controlled vehicles and physics-driven sounds for their upcoming game release UNCHARTED 4, how their award-winning game THE LAST OF US changed their approach to sound design, what it means to mix a game when each sound may have 50-60 points of metadata to describe how it can

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01:14:32

Randy Thom - Writing for Sound

SoundWorks Collection ·

2015/08/25

Skywalker Sound’s Director of Sound Design Randy Thom discusses with Dolby Institute’s Glenn Kiser how writers and directors can use sound as a tool to tell their stories, the importance of APOCALYPSE NOW to modern sound design, his work with Robert Zemeckis to maroon Tom Hanks on an island in CAST AWAY with no music or wildlife sounds, and what’s wrong with the current state of sound for animated films. About "Conversations with Sound Artists" Podcast: Sound is an art and a craft that many people

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00:23:35

Composer Bear McCreary on Outlander

SoundWorks Collection ·

2015/08/14

This week we talk with Composer Bear McCreary about his work on the first season of the Starz show Outlander, the epic new series from Ronald D. Moore based on Diana Gabaldon’s epic novels.

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00:36:23

Matt Hines - Product Manager, Post Production at iZotope

SoundWorks Collection ·

2015/08/06

This week we talk with Matt Hines who is a Product Manager for Post Production at iZotope. iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post

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00:36:05

2015 Sundance Institute Music & Sound Design Lab

SoundWorks Collection ·

2015/08/03

In this exclusive SoundWorks Collection video we talk with Tabitha Jackson, Director of the Sundance Institute's Documentary Film Program, Randy Thom, Director of Sound Design at Skywalker Sound and Composer and Sundance Creative Advisors Todd Boekelheide and Miriam Cutler. This will be the third year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. The Labs are part of 24 residential labs the Institute hosts annually to discover and foster the talent of

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00:33:50

Music Supervisor Randall Poster

SoundWorks Collection ·

2015/07/31

This week we spoke with New York based Music Supervisor Randall Poster. His career started working on the 1995 breakout film "Kids" soon followed by Director Wes Anderson indie film "Bottle Rocket". Randall has since collaborated with many talented Directors including Sam Mendes, Martin Scorsese, Richard Linklater, David Fincher and many more.

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00:56:59

The Sound of Kurt Cobain: Montage of Heck

SoundWorks Collection ·

2015/07/23

In this exclusive SoundWorks Collection sound profile we talk with Director Brett Morgen and his sound team including sound designer and re-recording mixer Cameron Frankly and sound and music editor Jon Michaels about their work on the documentary Kurt Cobain: Montage of Heck which is moderated by Michael Coleman from SoundWorks Collection. Kurt Cobain, legendary lead singer, guitarist and songwriter of Nirvana, “the flagship band of Generation X,” remains an object of reverence and fascination for

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00:48:24

Re-recording Mixer Greg Russell

SoundWorks Collection ·

2015/07/23

This week we met up with Re-recording Mixer Greg Russell who has mixed more than 195 feature films and has been nominated for 16 Academy Awards™, 11 Cinema Audio Society awards, two BAFTA and two Emmys, with one Emmy win. Greg is a long time collaborator with Director Michael Bay and has worked on movies such as Skyfall, Spider-man, Spider-man 2, and The Usual Suspects. He's worked on the entire Transformers series.

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00:53:36

Playstation Music Group

SoundWorks Collection ·

2015/07/16

This week with spoke with the Playstation Music Group including Senior Music Manager Jonathan Mayer, Music Producer Matt Levin, and Senior Music Editor Scott Hanau about their working supporting various video game titles including God of War, Uncharted, The Order, The Last of Us and InFAMOUS.

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316 results

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