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PODCAST

Story Nerd

Melanie Hill, Valerie Francis

For novelists, memoirists and screenwriters who want to write stories their readers will love. Each week literary editors, Valerie Francis and Melanie Hill, use films to explain how to craft a story that hooks the reader on page one and holds their attention all the way to the end. The goal is simple: to learn from writers who have come before us...what worked well and what didn"t work so well. If you"re a writer who loves to write, this podcast is for you! "The only thing that matters, and that

arts books

All Episodes

00:39:30

Fatal Attraction: who's the villain? (archive)

Story Nerd ·

2025/01/01

In this archive episode, we revisit our study of FATAL ATTRACTION which first aired as episode 5 of season 7. I was studying character revelation and Melanie was studying worldbuilding, but what I find most fascinating about this movie is that, viewed through a modern lens, it's unclear who the antagonist really is. We'll be back next week with a brand new episode, until then, Happy New Year! -V.For access to writing templates and worksheets, and more than 70 hours of training (all for free),

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00:33:58

10 Things I Hate About You: what not to do (archive)

Story Nerd ·

2024/12/25

While I'm teaching my kids to surf during our summer beach holiday, and Valerie is shovelling out from a winter storm, we're bringing you a throwback episode from season 6 where we studied stakes and empathy. Based on Shakespeare's "The Taming of the Shrew", "10 Things I Hate About You" is packed with lessons about what not to do. We'll be back with a brand new episode on January 8. Until then, Merry Christmas and Happy Holidays story nerds! - M."Stakes equals object of desire plus consequences."

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00:32:28

The Nightmare Before Christmas: razzle dazzle

Story Nerd ·

2024/12/18

The Nightmare Before Christmas is a favourite with both our families, and given that this is a Tim Burton film we expected that the storytelling would be rock solid. This is a great example of writers using the storytelling tools at their disposal to maximum effect. Ah, but since filmmakers have access to different tools than novelists, when you strip away the "spectacle" of stop-motion and musical numbers, how strong is the story itself? The answer may surprise you.This is our last new episode

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00:25:28

The Banshees of Inisherin: when the mc breaks bad

Story Nerd ·

2024/12/11

The tension starts with the title of this week’s movie - The Banshees of Inisherin. Banshees cry right before someone dies. That’s tension right there - who will it be? The anticipation about who is going to die is high because the outcome is unknown. Tension thrives with uncertainty. I also explore the idea of high and low tension in a story. Valerie is powering on with her study of the 4 Story Questions and showing why they are so important. If you don’t want to waste years writing in circles,

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00:33:51

Calendar Girls: wait...it's over?

Story Nerd ·

2024/12/04

Welcome to a brand new season! This time around I'm studying the 4 Story Questions and Melanie is focused on tension. This week we're looking at CALENDAR GIRLS. We love these actresses (I mean, honestly, what's not to love?) but the storyline threw us for a loop because when it felt like it was coming to a natural conclusion, we realized there was still another hour to go. What happened? And was that a good thing or not? Tune in to find out! -V."Making a sale or getting an agent hinges on your

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00:02:28

BLACK FRIDAY - SAVE 89%

Story Nerd ·

2024/11/29

You want to get published, right? You want to see your book in bookstores, you want to hit a bestseller list, and maybe you want Reese Witherspoon to pick your book for her bookclub. Well, before any of that can happen you need an agent and an outstanding query letter is the key to getting one. That's why I developed my brand new course, THE ART OF THE QUERY. It includes everything you need to know and I even show you a super simple way to tackle the hardest part of the pitch. Grab the course now

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00:39:22

What Went Wrong: the cold light of day

Story Nerd ·

2024/11/27

We're trying something new this week! Writers are constantly asking me and Melanie to explain why a story seems weird to them. So to help you understand why some stories flop, at the end of each season we'll pick a film that doesn't work and we'll try to figure out why. In this inaugural episode, Melanie chose IN THE COLD LIGHT OF DAY because it got a whopping 4% on Rotten Tomatoes. It's an eye-opener, that's for sure! I'd love to hear if you agree, or disagree, with our assessment. -V."This movie

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00:27:47

Our Best Advice: writing exposition and creating...

Story Nerd ·

2024/11/20

It's that time again! We've reached the end of the season and that means Melanie and I are wrapping up all our a-ha moments and lessons learned about writing exposition and creating character arcs. Plus we've got a special surprise coming for you and we talk about it in this episode to be sure to listen all the way to the end! - V."The closer a scene and its exposition are to real life, the easier it is to make it invisible." - Melanie HillRelated Story Nerd EpisodesSeason 12: Exposition + Character

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00:19:09

Up in the Air: thiiiiin

Story Nerd ·

2024/11/13

Up In The Air, boring or not, is this week’s question. Why do I find this movie interesting, and why does Valerie find it boring? Could the answer lie in Ryan Bingam’s character arc (and does he have one)? Could it lie in the small amount of exposition? Or could it be that George Clooney movies are boring? One thing is certain: this episode is the opposite of boring. -M"Is this story interesting, entertaining and worthwhile if the protagonist doesn't have an internal worldview shift?" -Melanie

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00:43:06

All the President's Men: masterful exposition

Story Nerd ·

2024/11/06

This movie is almost entirely exposition, and while this isn't an approach I'd recommend for novelists, I can't imagine telling this particular story any other way. You might say that ALL THE PRESIDENT'S MEN is the exception that proves the rule. Master storyteller, William Goldman, pulls it off and that means there's a whole lot we can learn about how and when to use exposition when writing a story. When it comes to character arcs (Melanie's topic this season), neither of the protagonists change in

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00:37:02

Gone Baby Gone: writing a static protagonist

Story Nerd ·

2024/10/30

Most stories are about change. However, there is also a place for stories when the protagonist doesn’t change. The outcomes can still be positive - just watch James Bond and Erin Brockovich! There are also stories where the protagonist doesn’t change, and the outcome is ambiguous. This movie combines an ethical dilemma with a constant character to create a haunting outcome. The movie also has buckets of exposition. Is this a case of too much is way too much? Never fear, Valerie groups and

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00:29:54

Little Miss Sunshine: who's the protagonist?

Story Nerd ·

2024/10/23

As Melanie and I prepared for this episode one question kept coming up ... Who is the protagonist? Melanie argues that the entire family is the protagonist, but I think that Olive (who is the Little Miss Sunshine contestant) is the protagonist. It's an interesting question and our discussion about it is even more interesting. If you're writing a multi-POV story, be sure to check out this episode! -V."Exposition is all about the facts that we need to convey to the reader so that they can follow a

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00:27:45

Far From Heaven: what your character doesn't want

Story Nerd ·

2024/10/16

This season, I am focused on stories with negative or neutral character arcs. Sometimes, finding out what a character doesn’t want is the first step to discovery. On the surface, Cathy Whitaker has a perfect life. However, it’s a shallow life. Cathy’s choices are symbolically represented by her husband, Frank, and her gardener, Raymond. The two male characters are interesting external representations of Cathy’s internal choices. There’s a small amount of exposition in Far From Heaven, but when it

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00:30:55

I, Tonya: don't try this at home

Story Nerd ·

2024/10/09

Wowzers! I, TONYA is absolutely chock-full of exposition. It's a documentary-style film so at first blush it doesn't seem to offer up many story lessons for novelists. However, DAISY JONES & THE SIX is a documentary-style novel so this is an episode you might want to pay attention to — not just for their handling of exposition, but also for their portrayal of the character of Tonya Harding. -V."Introducing characters can only be done via exposition." -Valerie FrancisRelated Story Nerd Episodes:The

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00:29:43

Dorian Gray: what mick jagger said

Story Nerd ·

2024/10/02

The Rolling Stone’s song ‘You Can’t Always Get What You Want,’ is my earworm this season. This week, I started to pick apart how wants, needs and arcs are connected. Dorian Gray is a classic cautionary tale about selling your soul. Dorian arrives in London as a beautiful but naive young man and dies with a rotten and decrepit soul - he is unredeemable. Dorian gets what he wants, but he doesn’t get what he needs because there are no consequences for his actions. Understanding how wants, needs and

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00:29:06

The Social Network: pacing, pacing, pacing

Story Nerd ·

2024/09/25

It's a brand new season and this time Melanie is studying character arcs through 5 key questions: Where do the characters start, where do they finish, what do they want, what decisions do they make along the way that get them to the end, and do they get what they want or need?Meanwhile, I do a deep dive into exposition. You've heard about "show, don't tell" right? Well, that's not always true. Sometimes telling your reader information through exposition is exactly the thing you need to do. -V."When

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00:25:39

Best Advice: Narrative Drive + Conflict Triangles

Story Nerd ·

2024/09/18

Whoa. This season has been a heavy season. Narrative Drive and Conflict Triangles are two major concepts that can - and will - transform your writing. In this episode, Melanie and I summarize everything we learned this season. -VFor access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X,

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00:33:43

Eye in the Sky: wonderfully nuanced storytelling

Story Nerd ·

2024/09/11

Eye in the Sky reminds me of the ‘greater good’ questions I discussed in class during high school - there’s no right or wrong answer but there are always consequences. This movie is an excellent example of how tension and escalating stakes combine with conflict triangles and narrative drive to create a compelling story. This isn’t an action movie but I couldn’t take my eyes off the screen for fear of missing something. Join us this week to discover how to craft stories that linger after the cover is

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00:32:15

NYAD: writing unlikeable characters

Story Nerd ·

2024/09/04

Your reader doesn't have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you're writing an unlikeable character, or if you're writing a quiet, character-driven story, this episode is for you. -V"The protagonist does not have to be likable, but you've got to be careful

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00:25:24

The Wife: best movie ever

Story Nerd ·

2024/08/28

Holy moly, this is a good movie! It's an especially good movie to study for anyone writing a quiet, character-driven story. THE WIFE originally aired as Episode 4 of Season 6 when Melanie was studying stakes and I was studying empathy. But honestly, this is one of those rare films that novelists (and memoirists!) can study to learn just about any storytelling principle. -V.*Programming Note: In next week's episode we review the movie NYAD, not GONE BABY GONE as indicated in the intro.For access to

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