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PODCAST

The Jazz Real Book

In this podcast, Jazz History professor, biographer, musician, and popular podcaster Jay Sweet will help guide you through the tunes included in the Jazz Real Book. For decades, this book (often called "The Jazz Bible") has been a resource for jazz musicians looking to learn jazz standards and repertoire. This podcast will discuss essential recordings and details associated with the songs in the Jazz Real Book, the musicians who created the material, and the recordings that inspire jazz musicians

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All Episodes

00:12:55

D Natural Blues and Wes Montgomery

The Jazz Real Book ·

2025/06/08

(77)- “D Natural Blues” and Wes Montgomery Standards Rating 7 Difficulty 6 Wes Montgomery, a self-taught jazz guitarist born in 1923, became a major influence in jazz history with his warm tone and signature thumb-picking technique. He gained national attention after joining Lionel Hampton’s band and later formed The Montgomery Brothers. Discovered by Cannonball Adderley, Montgomery recorded key albums like The Incredible Jazz Guitar of Wes Montgomery and achieved commercial success in the 1960s

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00:59:01

Marcus Miller Interview

The Jazz Real Book ·

2025/06/03

Bass legend Marcus Miller is renowned for his groundbreaking work with artists such as Miles Davis, Luther Vandross, Herbie Hancock, and David Sanborn. Miller helped redefine the electric bass with his distinctive slap technique, compositional depth, and genre-crossing sound. In this interview, Miller discusses adapting to the rise of drum machines and synthesizers in the studio, finding his voice on electric bass rather than upright bass, and drawing inspiration from both the jazz and funk

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00:18:43

Crystal Silence (The song and the album )

The Jazz Real Book ·

2025/06/01

(76) “Crystal Silence” and the album Chick Corea & Gary Burton- Crystal SilenceStandard Rating 4 and Difficulty Rating 7 Crystal Silence, the iconic 1973 duet album by Chick Corea and Gary Burton, introduced a new sonic language in jazz—intimate, spacious, and emotionally nuanced. Defined by its minimalist textures and chamber-like interplay, the album helped shape the signature ECM sound: pristine, contemplative, and harmonically rich. At its heart lies the title track, “Crystal Silence,” a

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00:47:54

Pasquale Grasso Interview

The Jazz Real Book ·

2025/05/27

Pasquale Grasso, an Italian-born jazz guitarist, is celebrated for his virtuosic technique and deep bebop roots. Grasso has captivated jazz audiences worldwide by blending intricate harmonies with a clean, classic tone. Legendary guitarist Pat Metheny praised him in Vintage Guitar magazine, stating, “The best guitar player I’ve heard in my entire life is floating around now, Pasquale Grasso.” This acclaim reflects Grasso’s artistry, showcased on his trio album Fervency (Sony Music Masterworks),

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00:16:03

Crescent and Jimmy Garrison

The Jazz Real Book ·

2025/05/25

(75) “Crescent” and Jimmy GarrisonStandard Rating 4 and Difficulty Rating 7 Bassist Jimmy Garrison was a key figure in 1960s jazz, best known for his work with John Coltrane’s classic quartet from 1962 to 1967. His firm tone, solid rhythm, and blues-inflected modal playing anchored the group, especially on landmark albums like A Love Supreme and Live at Birdland. Garrison’s innovative techniques, including extended unaccompanied solos, helped shape the quartet’s spiritual and modal sound. The 1964

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00:15:50

Countdown and Art Taylor

The Jazz Real Book ·

2025/05/18

(74) “Countdown” and Art Taylor Standards Rating 6 Difficulty Rating 8 Arthur S. Taylor Jr. (1929–1995) was a leading American jazz drummer known for shaping modern jazz drumming with a dynamic, supportive style influenced by drummers Max Roach, Art Blakey, and Kenny Clarke. Raised in Harlem, he played with legends like Miles Davis, Bud Powell, and John Coltrane. Taylor’s drumming is featured on Coltrane’s 1960 track "Countdown," a landmark in jazz harmony using Coltrane Changes—rapid,

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00:14:18

Could It Be You and Victor Silvester

The Jazz Real Book ·

2025/05/11

“Could It Be You” and Victor Silvester“Could It Be You” is a sophisticated Cole Porter composition from the 1943 Broadway musical Something for the Boys. Structured in a 32-bar AABA form in B♭ major, the tune features clever melodic phrasing and inventive harmonic progressions, including ii–V sequences and a seamless modulation to F major. Its logical structure and memorable melody make it accessible for vocalists and instrumentalists alike, while subtle harmonic twists keep it engaging.Victor

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00:17:03

Wayne Shorter-Adam's Apple

The Jazz Real Book ·

2025/05/07

(S4 EP 21) Wayne Shorter’s -Adam's Apple (Blue Note) Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter’s Adam’s Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic

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00:17:17

Cotton Tail and Ben Webster

The Jazz Real Book ·

2025/05/04

(72) “Cotton Tail” and Ben Webster Standards Ratting 8 Difficulty Rating 5Ben Webster, born in 1909 in Kansas City, Missouri, was a leading tenor saxophonist of the Swing Era, known for his rich, raspy tone and blues-infused phrasing. Bridging the styles of Lester Young and Coleman Hawkins, he became a key figure in Duke Ellington’s Orchestra during the early 1940s. This period, known as the "Blanton-Webster years," produced some of Ellington’s finest recordings. One standout is “Cotton

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00:13:35

Coral and Keith Jarrett

The Jazz Real Book ·

2025/04/27

(71) “Coral” and Keith Jarrett Standards Rating 2 Difficulty Rating 6Keith Jarrett, born in 1945, is a groundbreaking pianist celebrated for his emotionally charged improvisations and genre-blending artistry. Known for his solo performances and collaborations with jazz legends such as Miles Davis and Charles Lloyd, Jarrett’s work encompasses jazz, classical, and avant-garde traditions. His 1975 Köln Concert is one of the most iconic solo piano recordings in the history of music. Among his

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00:46:47

Sam Sadigursky Interview

The Jazz Real Book ·

2025/04/25

Sam Sadigursky is widely recognized as one of the most talented clarinetists and reed doublers of his generation. He has released eleven acclaimed albums as a leader and appears on over sixty recordings as a sideman, including numerous Grammy-nominated and Grammy Award-winning projects. A member of the Philip Glass Ensemble, he has also toured and recorded with Brad Mehldau, David Byrne, Bruce Hornsby, Darcy James Argue’s Secret Society, the Mingus Orchestra, and U.S. Poet Laureate Robert Pinsky

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00:27:35

Ron Carter Interview (2022)

The Jazz Real Book ·

2025/04/22

Enjoy this replay of a 2022 Ron Carter interview conducted for Jersey Jazz Magazine https://njjs.org/magazine/to celebrate the Maestro's 85th Birthday.View the Interview at https://youtu.be/suzcfI7VznI?si=1vRV-w6KCfuBTBGIRead the article at https://www.jaysweetmusic.com/blog

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00:13:41

Contemplation and Ron Carter

The Jazz Real Book ·

2025/04/20

(70) “Contemplation” and Ron Carter Standard Rating 6 Difficulty Rating 6 Ron Carter, born in 1937, is one of the most influential jazz bassists in history, with a career spanning over six decades and more than 2,000 recordings. Originally a cellist from Detroit, Carter switched to bass at 14 and studied at the Eastman School of Music before becoming a staple of the New York jazz scene in the 1960s. His work with Miles Davis’ “Second Great Quintet” solidified his legacy, and he has since led

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00:11:45

Confirmation and Max Roach

The Jazz Real Book ·

2025/04/13

(69) “Confirmation” and Max Roach Standards Rating 8 Difficulty Rating 8Max Roach (1924–2007) was a pioneering jazz drummer and composer who played a key role in shaping modern jazz. Raised in Brooklyn and classically trained at the Manhattan School of Music, Roach rose to prominence at 18 when he filled in for Duke Ellington’s drummer. A central figure in the bebop movement, he collaborated with icons like Charlie Parker, Dizzy Gillespie, and Miles Davis, helping redefine the drummer’s role as a

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01:25:25

The Real McCoy with guest Steve Myerson

The Jazz Real Book ·

2025/04/09

(S4 Ep18) The Real McCoy (Blue Note) October 1967, Recorded April 21, 1967 The Real McCoy (1967) is a landmark album by jazz pianist McCoy Tyner, marking his first solo release after leaving John Coltrane’s legendary quartet. With a stellar lineup featuring tenor saxophonist Joe Henderson, bassist Ron Carter, and drummer Elvin Jones, the album showcases Tyner's unique modal jazz style, blending African rhythmic influences and his signature wide interval voicings. The album’s compositions, all

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00:12:36

Conception and George Shearing

The Jazz Real Book ·

2025/04/06

(68) “Conception” and George Shearing Standards Rating 5 Difficulty Rating 9 George Shearing, a blind British jazz pianist and composer, is celebrated for his significant contributions to jazz, particularly his distinctive harmonic style. Born in 1919 in London, Shearing's musical journey began early, despite his blindness, and his exceptional talents led him to international acclaim. In the 1940s, he moved to the United States, where his work, including the creation of the George Shearing

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00:27:38

Endea Owens Interview

The Jazz Real Book ·

2025/04/04

Endea Owens is a jazz talent known for her unique bass playing, compositions, and dynamic performances. She has gained widespread recognition as a member of The Late Show with Stephen Colbert band, where her versatile bass playing has captivated a broad television audience. Her 2023 debut album, Feel Good Music, blends intricate arrangements with an accessible, feel-good vibe, appealing to casual listeners and jazz critics.Owens' roots in Detroit and her diverse musical background inform her

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00:18:59

Con Alma and Dizzy Gillespie

The Jazz Real Book ·

2025/03/30

(67) “Con Alma” and Dizzy Gillespie Standing Rating 6 Difficulty Rating 8Dizzy Gillespie, a pioneering figure in bebop, blended technical mastery with a unique style, making significant contributions to jazz, particularly through his compositions like “Con Alma.” This 1954 tune, from his Afro album, merges bebop’s harmonic complexity with Latin rhythms, showcasing Gillespie’s innovative approach to jazz. The song features frequent key changes and a rhythmic pulse that challenges even seasoned

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00:21:56

Come Sunday and Johnny Hodges

The Jazz Real Book ·

2025/03/16

(65) “Come Sunday” and Johnny HodgesStandards Rating 7 Difficulty Rating 3 Johnny "Rabbit" Hodges was a master of the alto saxophone, renowned for his expressive solos and smooth, emotive tone. A central figure in Duke Ellington's Orchestra, Hodges was instrumental in shaping the "Ellington sound," with memorable contributions to ballads and blues, such as his work on "Prelude to a Kiss" and "I Got it Bad and That Ain't Good." While often overshadowed

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00:12:46

Chitlins Con Carne and Kenny Burrell

The Jazz Real Book ·

2025/03/09

(64) "Chitlins Con Carne" and Kenny Burrell Standards Rating 7 Difficulty Rating 4Kenny Burrell's "Chitlins Con Carne," from his 1963 album Midnight Blue, is a masterful blend of blues and jazz. The track features a groovy bassline and a relaxed tempo, with Burrell and Stanley Turrentine sharing the melody. Burrell's first solo highlights his clear, bluesy phrasing and rich jazz guitar tone, while Turrentine’s soulful tenor saxophone adds depth during his solo. The song

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100 results

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