Pull To Open

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Beam us up, Doctor! From T-Mat to the Kerblam Man, Doctor Who has a rich history of playing with teleportation. We lock onto the show’s best and most notorious materializations, examining how instantaneous travel between two points in space can be amazing or infuriating storytelling. Does teleportation make for lazy plotting or does it open up a universe of narrative possibilities? Grab your vortex manipulator and join us as we also tackle the ultimate question about transmats: Aren’t they killing

Ho-ho-holy hidden depths, Santa! Last Christmas is the Who holiday special where Steven Moffat bakes an impossible tangerine cake: light and Christmassy on the surface, frosty chills and an arctic expanse of meaning underneath. Plus it changes Capaldi’s Doctor forever. But why has the randomizer, famed for its seasonal programming, served it up to us now? One word: Easter. Give your own rating for Last Christmas on

May the Source be with you! Tom Baker’s regeneration eve story The Keeper of Traken starts strong with a Shakespearean wedding on a utopian world of niceness — but soon devolves into a slap fight between drama nerds and science nerds over a strangely buff statue. Even its surprise reveal is far from the most masterful. So can the Doctor and Adric’s double act, plus manic pixie dream Nyssa and too-good-to-be-true Tremas, deliver this nostalgia fest from evil? Grab an eggplant and claim consular

The Toymaker may have made a "jigsaw” of the Doctor’s history, but truthfully it was well jigsawed when he got there. As any fan who has tried to make sense of Doctor Who canon knows (and there have been many), the show’s 60-year run is full of contradictions, retcons, and flat-out nonsense that paying attention to it seems like a waste of… er, time.However, it’s equally true that continuity, when done well, bestows greater weight to stories. Ongoing storylines give us a reason to tune week

Time for the yarn on Karn that unravels the Doctor’s entire history — while cramming in more cranial puns than you can shake an oversized amygdala at. The Brain of Morbius is like a New Who embryo in a jar: a self-aware homage (to Frankenstein), a feminist fable (sort of) with a serious theme (immortality) that’s laced with laugh-out-loud lines, and bold changes that go beyond even the Timeless Child. Grab an elixir, don’t touch the wine, and let’s all stare at the magnificent headcanon. Give your

A clock that ticks down in real time. A fiendishly difficult pub quiz. And a creature that lives in a sun. Chris Chibnall’s first Doctor Who story, 42, has many intriguing elements — but also a lack of focus that foreshadows his time as showrunner. Does 42 add up to more than the sum of its parts? Phone your friends at Pull To Open and find out! Give your own rating for 42 on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Subscribe to our