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PODCAST

The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Exploring the fascinating minds of creative people. Conversations with writers, artists and creative thinkers across the Arts and STEM. We discuss their life, work and artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, Nobel Prize, leaders and public figures share real experiences and offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts and Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso,

arts performing arts

All Episodes

9:23

What would it be like to live 100 milion years? Life...

The Creative Process · Arts, Culture & Society:... ·

2025/05/11

“I want to draw the similarities with alien life, and we have these questions. They're the same questions that we would be asking if we could get a sample from Europa or if we could get a sample from Mars. I think the parallels are partly in how we study them. They're teaching us how to look for strange life, but then they're also teaching us about what’s possible with life, and they're so close to the edge of what is and isn't life that it really helps us to sort of — I don’t know. I don’t know

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41:55

INTRATERRESTRIALS: Discovering the Strangest Life on...

The Creative Process · Arts, Culture & Society:... ·

2025/05/08

“It's really changed my view of what life is. So many of the things that we attribute to the trappings of life look like requirements, like oxygen and sunlight. All the things that humans would absolutely die without — they’re not really necessary for life. Studying these things sort of breaks down what is necessary; what are the things that life has to have?”Karen G. Lloyd is the Wrigley Chair in Environmental Studies and Professor of Earth Sciences at the University of Southern California. Her

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12:13

Exploring Trauma, Healing & the Creative Process with...

The Creative Process · Arts, Culture & Society:... ·

2025/05/01

“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods.I think there's a certain thread in American history of,

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49:08

Family, Addiction & Overcoming Trauma - LIZ MOORE on...

The Creative Process · Arts, Culture & Society:... ·

2025/04/30

“ I've lived in Philadelphia for about 16 years. The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient, a lot of people struggling with addiction and a lot of women doing sex work to fund their physical addiction to opioids. You find out about their past, their road into addiction, their aspirations, their fears. I began to lead

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18:19

PAUL LYNCH discusses Prophet Song, Beyond the Sea &...

The Creative Process · Arts, Culture & Society:... ·

2025/04/24

"The country spoke Irish largely before it spoke English. Grammatically, the structure of Irish is different from English. As Ireland adopted the English language, this sort of hybridization started to occur, where the English language was placed on top of Irish grammatical constructions. You get this slipperiness, this ability to move sentences, to place words in interesting places, and to use constructions that you just wouldn't find in England, for example. The thing about being an Irish writer

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48:39

On Storytelling & The Human Condition with Booker...

The Creative Process · Arts, Culture & Society:... ·

2025/04/23

“We narrate the story of our lives to ourselves. We narrate it in linear fashion. And I know many writers have played with time in all sorts of amazing ways, but we're storytellers. This is what we do. And if you give the brain a story, a prepackaged story, you're giving a cheesecake. That's what it wants. That's why it loves stories. That's why our society is just built on stories. Politics is nothing but stories. Everything you do in the evenings – we sit down, we're watching Netflix – just

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18:34

OUR PLANET, OUR FUTURE - Environmentalists, Artists,...

The Creative Process · Arts, Culture & Society:... ·

2025/04/22

We are privileged to present the voices of individuals dedicated to effecting change and mitigating the harm inflicted upon our precious planet. These are individuals deeply committed to the core values that drive positive transformation. Thank you for tuning in to our episodes and for your ongoing dedication to stewarding our planet, not just on Earth Day but throughout the year. We can’t save the planet overnight, but by acting mindfully, we can create a better future. Let’s make Every Day, Earth

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12:43

Performance, Politics, Art & Society w/ Sociologist...

The Creative Process · Arts, Culture & Society:... ·

2025/04/18

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of

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31:57

The Performer: Art, Life, Politics with RICHARD...

The Creative Process · Arts, Culture & Society:... ·

2025/04/17

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard

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14:14

Exploring the Extremes of the Human Experience with...

The Creative Process · Arts, Culture & Society:... ·

2025/04/16

“One of the things that hopefully my books illustrate is that everybody's mind is different. And one of the amazing things about the human experience–and indeed that manifests in terms of art and creativity–is that when we have such different minds, that is why all this creativity, all this art is possible.”Dr. Guy Leschziner is the author of The Nocturnal Brain, The Man Who Tasted Words, and other books. He is a consultant neurologist and a Professor of Neurology and Sleep Medicine at the Institute

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50:39

Sleep, The Nocturnal Brain & The Biology of Being...

The Creative Process · Arts, Culture & Society:... ·

2025/04/16

“ I'm fascinated by the extremes of the human experience, partly because it is so far removed from our own experience of life. In another way, when you look at people who have neurological disorders or diseases, these are really nature's experiments. They are ways of trying to understand how the brain works for all of us. By extrapolation from looking at these extremes, we can learn about the workings of our own brains. That's very much the case across all the areas of my work, whether it be sleep

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14:23

ADAM MOSS - Fmr. Editor of New York Magazine, Author,...

The Creative Process · Arts, Culture & Society:... ·

2025/04/14

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and

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52:52

The Work of Art: How Something Comes from Nothing w/...

The Creative Process · Arts, Culture & Society:... ·

2025/04/12

“ I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We all have subconsciousness; we all dream and daydream. We all have disassociated thoughts that float through our head, but we don't generally know what to

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10:13

On Postactivism, Justice & Decolonization with BAYO...

The Creative Process · Arts, Culture & Society:... ·

2025/04/11

“So, post-activism is not ‘post-activism’ in the sense of being after activism. It is not supposed to be a through line to results or resolutions or solutions.”Dr. Bayo Akomolafe is a philosopher, psychologist, writer, public intellectual, and the founder of the Emergence Network. His work, which he names post-activism, marks an earth-wide effort to sensitize bodies towards new response-abilities and other places of power – a project framed within a material feminist/post-humanist/post-activist

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41:29

The Future of Activism: When Solutions Become...

The Creative Process · Arts, Culture & Society:... ·

2025/04/11

“I learn more than anything else from my children. My son, he's seven, he's autistic, and I call him my prophet for a reason. He teaches me to meet myself in ways that are usually very stunning. I can get information from other people; I can read a book here and there, but it's very rare to come across such an embodiment of grace, possibility, and futurity, all wrapped up in a tiny seven-year-old boy's body. My son has given me lots of gifts.”Dr. Bayo Akomolafe is a philosopher, psychologist,

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10:04

KATIE KITAMURA on Language, Identity & the Search for...

The Creative Process · Arts, Culture & Society:... ·

2025/04/08

“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize. She

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32:30

Art, Performance & the Illusion of Agency - KATIE...

The Creative Process · Arts, Culture & Society:... ·

2025/04/08

“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.”Katie Kitamura is the author five novels, most recently Audition and Intimacies, which was named one of the New York Times 10 Best Books of

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13:29

JARON LANIER on Tech, Music, Creativity & Who Owns...

The Creative Process · Arts, Culture & Society:... ·

2025/04/05

“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the computer has gotten more human-like or the human has gotten more computer-like. People are very prone to becoming more computer-like. When we're on social

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49:13

AI & VR & the Dawn of the New Everything w/ JARON...

The Creative Process · Arts, Culture & Society:... ·

2025/04/04

“AI is obviously the dominant topic in tech lately, and I think occasionally there's AI that's nonsense, and occasionally there's AI that's great. I love finding new proteins for medicine and so on. I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we're really getting a little too full of ourselves to think that. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the

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11:37

Why is there so much conflict over people, land and...

The Creative Process · Arts, Culture & Society:... ·

2025/03/29

“When I first started writing this book, it really foregrounded the problems within our land ownership system, which treats land as a commodity. The way we talk about land and issues like racial and food justice reflects this. We tend to focus on the problems, attaching big concepts to them, such as racial justice or environmental justice. I realized that my job primarily consists of going around and talking to activists and community groups about their work. I’m interested not just in the very big

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1,306 results

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