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PODCAST

Research

This section explores the confluence of art, music, and mass culture from various angles, in the form of thematic series produced by artists. An ensemble, critical and partial historiography of contemporary culture sieved through sound, which highlights contemporary music practices and related projects from different disciplines. It also includes à la carte music, with accompanying essays, under the umbrella of the Interruptions series.

arts

All Episodes

90:34

INTERRUPTIONS #15. Cumulative Tails

Research ·

2013/12/29

Cumulative Tails is a pun upon the 'cumulative tale', where each part of a story relates to that which just preceded and followed it. This radio mix, curated by Vicki Bennett, has been created using that process – a succession of audio tracks picked in conceptual relation only to that which was previously played.

en

29:57

PROBES #6.2. Auxiliaries

Research ·

2013/12/18

This music selection investigates further preparations of stringed and brass instruments, in the quest for novel sounds.

en

54:04

MEMORABILIA. COLLECTING SOUNDS WITH... Andy Votel Part I

Research ·

2013/12/11

Over the past twenty years, Andy Votel has travelled far and wide in a quest to buy as many records as he could. His main motivation is to listen to music, and the only way to get the music he likes is generally to buy and collect it.

en

57:22

PROBES #6.

Research ·

2013/11/20

There's no end of things that have been laid on, tied to, screwed into or otherwise attached to alter the sound of conventional instruments. This sixth programme draws a map and explores some of the outer reaches of string and wind preparations.

en

64:46

MEMORABILIA. COLLECTING SOUNDS WITH... Brian...

Research ·

2013/10/22

Islamic, Christian and traditional praise music, all have a place in the market stalls across Africa, and are widely represented in Brian Shimkovitz's tape collection.

en

30:11

PROBES #5.2. Auxiliaries

Research ·

2013/09/29

This music selection investigates further ways of piano preparations: will the torture never end?

en

54:35

MEMORABILIA. COLLECTING SOUNDS WITH... Brian...

Research ·

2013/09/11

The tale of how a student of ethnomusicology from Brooklyn spent a year in West Africa buying tapes off street markets... and how he managed to turn that bizarre collection into one of the most revered record labels in recent years.

en

56:01

PROBES #5.

Research ·

2013/08/26

This fifth programme sets the scene for a wide range of very different approaches to the exploration of timbre and looks at ways of modifying or preparing the traditional piano.

en

67:34

INTERRUPTIONS #14. Mattergy

Research ·

2013/08/12

Carl Michael von Hausswolf opens our ears to the most obscure side of the radiowaves: a very strange place in the electromagnetic spectrum, where energy turns into sounding matter.

en

35:38

PROBES #4.2. Auxiliaries

Research ·

2013/07/21

In this music selection we look further into sliding pitches, concentrating this time on their use in popular music, before moving on to wholly unpitched probes that begin to map the many aspects of differentiated noise.

en

51:43

INTERRUPTIONS #13. The inhuman voice

Research ·

2013/07/07

Since the late eighteenth century, speech therapists, linguists, entrepreneurs, artists and musicians have nurtured the dream of emulating human speech. In this mix, Genís Segarra offers a personal overview of a subject that fascinates him, with the story of voice synthesis as a narrative thread.

en

57:50

PROBES #4.

Research ·

2013/06/24

This fourth programme looks at another dimension of portamenti, and moves on into early twentieth century ideas of colour, timbre and the contested territory of noise.

en

119:00

COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE...

Research ·

2013/06/05

Mark Fell and Joe Gilmore wrap up this series on generative and process music with a piece created specifically for the occasion: 'Two Discrete Generative Systems'.

en

114:00

INTERRUPTIONS #12. Lost Techno-Pop Weekend in Rural...

Research ·

2013/05/28

This show takes a listen to techno-pop of the seventies and early eighties as a brief yet deliberate interruption into the realms of pop, rock, soul and R&B.

en

32:22

PROBES #3.2. Auxiliaries

Research ·

2013/05/08

In this music selection we look further at probes into pitch, this time through its effective obliteration through ceaseless movement, sliding tones, and radical portamenti which defy all quantisation.

en

140:31

MEMORABILIA. COLLECTING SOUNDS WITH... Kees Tazelaar....

Research ·

2013/04/24

This mix, clocking in at over two hours, is a retrospective snapshot of the musical legacy of the Institute of Sonology. It alternates classic pieces, recent works and unreleased gems from the Sonology archive.

en

45:32

INTERRUPTIONS #11. Playing phenomena as a...

Research ·

2013/04/08

This mix explores how the use of aural phenomena can manifest in its many forms to become the key element in a compositional practice. By engaging in the use of such expanded sonic techniques the composer can act to create a recalibration of the listeners sense of hearing and by so doing, allow for a reconsideration of what constitutes sonic composition.

en

107:10

COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE...

Research ·

2013/03/24

Exclusive music by Keith Fullerton Whitman and Carl Michael von Hausswolff.

en

47:29

MEMORABILIA. COLLECTING SOUNDS WITH... Kees Tazelaar....

Research ·

2013/03/10

Straddling art and documentation, the restoration work that Kees Tazelaar carries out is a crucial but largely unknown stage in the recovery of historical sound material. Tazelaar describes his experiences as head of the magnetic tape archive at the Institute of Sonology in The Hague, in which nostalgia coexists with academic rigor.

en

54:03

PROBES #3.

Research ·

2013/02/24

This is where pitch becomes weightless and all that is solid melts into air: futurism, noise, electricity, ecstasy and uncertainty. We look at the lure and power of sliding tones.

en

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