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PODCAST

The Projectors

Bob Sham and Angela are film fans discussing a wide variety of films from throughout history and the world. Box office hits to historically significant deep cuts as well as monthly themes of creators, concepts and genres that help us expand understanding of film & find movies they may not otherwise come across. They are not experts but enthusiasts. Not too dumb. Not too smart. Just right. Let’s watch some movies. We love you.

tv & film performing arts

All Episodes

08:28

Preview for February's Theme: BODY & SOUL

The Projectors ·

2025/01/29

NOTE: this was published previously with most of it missing for some reason. Here is the full preview.This February we discuss films made by Black Directors with Black Actors as leads. The theme is called "BODY & SOUL" (bed music for this recording by Robert Glasper for the film "THE PHOTOGRAPH") Here's a link to a much more visual and entertaining version of this preview: https://youtu.be/DpM2KXOl4hY the schedule: 2/3 - Buck and the Preacher (1972) 2/5 - Do the Right Thing (1989) 2/7 - The

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23:49

House of Gucci (2021)

The Projectors ·

2025/01/28

We’re closing down January’s 5th week of it’s directors event with “SIR RIDLEY SCOTT’S LAST FOUR” and it’s a lot of historical but we go more into the more recent fashion history / true crime territory. The kids love their fashion. Gucci is practically an institution with how successfully it has sold its version of class and wealth to the middle classes and under. Maybe some over the top character cartoonery can be expected. It both hinders and boosts it depending on the scene but Ridley Scott’s

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32:50

The Last Duel (2021)

The Projectors ·

2025/01/27

What a fun month it’s been exploring some directors so for the final week we’re hitting up someone who is easily our most prolific, is very well known and has some beloved works under his belt. We’re talking about Tony Scott’s brother, Sir Ridley for week 5’s sub-theme “SIR RIDLEY SCOTT’S LAST FOUR”. The first of Ridley’s last four did not light up the box office and he was pretty sore about it. He blamed an entire generation and, yeah, it would be nice if millennials would move away from the

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02:24

Preview of February's film theme: BODY & SOUL

The Projectors ·

2025/01/26

This February we discuss films made by Black Directors with Black Actors as leads. The theme is called "BODY & SOUL" (bed music for this recording by Robert Glasper for the film "THE PHOTOGRAPH")Here's a link to a much more visual and entertaining version of this preview: https://youtu.be/DpM2KXOl4hY the schedule: 2/3 - Buck and the Preacher (1972) 2/5 - Do the Right Thing (1989) 2/7 - The Harder They Come (1972) 2/10 - Hollywood Shuffle (1987) 2/11 - Losing Ground (1982) 2/12 - A Wrinkle in

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36:52

Household Saints (1993)

The Projectors ·

2025/01/24

We’re at the end of week four this January and that means the last discussion in what we’ve dubbed “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY”. We’re discussing a film that got a 4K re-release in independent theaters last year and is available on DVD over at Kino-Lorber if you’re interested in such things. Nancy Savoca’s first three films didn’t incinerate the box office but it’s with great pleasure that we watch a reflect on some pretty detailed character pieces after all these years and they deserve

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35:59

Dogfight (1991)

The Projectors ·

2025/01/22

Week four of January’s theme of “5 DIRECTORS” is very heartfelt because we’re analyzing Nancy Savoca’s first three feature films in this week’s sub-theme that we’ve dubbed “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY”. Criminally underrated in their time but film fans are re-evaluating Savoca’s movies today thanks to re-releases by Criterion and Kino-Lorber and are finding that their vibrant tenderness is holding up very nicely. Today we discuss the second of her films that, once again, showcases what a

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33:36

True Love (1989)

The Projectors ·

2025/01/20

We’re onto week four of January’s theme of “5 DIRECTORS” and we hit up another underrated filmmaker who has been getting more of her flowers in hindsight with some key film re-releases in the last few years but her first film we’re discussing did manage to beat our “Sex, Lies and Videotape” that year at Sundance. Today we’re discussing the first film of what we’re dubbing “NANCY SAVOCA’S ITALIAN HEARTS TRILOGY” (we’re really wanting that to take off) with her 1989 film “TRUE LOVE” starring Annabella

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07:09

Remembering David Lynch

The Projectors ·

2025/01/19

Thanks for everything, David.(Note: This discussion is also a part of our upcoming "True Love" episode that drops January 20th)

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24:52

Bigger Than Life (1956)

The Projectors ·

2025/01/17

January’s theme is “5 DIRECTORS” in which we analyze films by a different director each week and we end Nicholas Ray week with a technical marvel that deals with something that isn’t often focused upon during the Hayes code. Addiction. James Mason produced and starred in this story based off of a true to life article from the New York Times in which a man is diagnosed with a fatal condition. Fortunately there’s a new miracle drug called Cortisone that can keep him alive so long as he doesn’t abuse

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26:59

Hot Blood (1956)

The Projectors ·

2025/01/16

It’s a loaded week of Nicholas Ray spanning the years 1952 to 1956. He actually made 6 films total at this time so we had to narrow out the fourth one between this deep cut film and a James Cagney western. We already discussed two genre bending Nicholas Ray Westerns this week so we turn our attention to what is easily the deepest cut film we will discuss all month. We couldn’t even find a trailer for it but this Gypsy romance goes its own way. We’re discussing Ray’s 1956 quasi-musical “HOT BLOOD”

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36:57

Rebel Without a Cause (1955)

The Projectors ·

2025/01/15

The third week of January is devoted to Nicholas Ray movies from 1952 to 1956 and we’ve arrived at what is easily his most iconic and infamous movie and it might have been like other Nicholas Ray movies, acclaimed and retroactively appreciated on a cult film level, but in less than a month of it’s release it’s lead perished in a fatal car crash. Fates collide to make Nicholas Ray’s 1955 film “REBEL WITHOUT A CAUSE” a cornerstone in 50s cinema and would rocket the image of James Dean into the greater

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44:18

Johnny Guitar (1954)

The Projectors ·

2025/01/14

For January’s weekly director examinations we’re on week three with a loaded line up of Nicholas Ray Films spanning five years. Today it’s another standout western that stood out for being baffling to audiences when it initially released but history has grown kind to Ray’s 1954 film “JOHNNY GUITAR” for how unique it feels in any era. Joan Crawford owns the screen as Vienna, a hard nosed woman who just opened a casino saloon to nobody, but very soon the train tracks will be laid and she will live her

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43:11

The Lusty Men (1952)

The Projectors ·

2025/01/13

We’re examining 5 DIRECTORS for January and for the third week we’re loaded up with our theme “NICHOLAS RAY 1952 to 1956”. Ray released 6 movies in that time period and we’re covering five of them. We start it off with a unique contemporary western starring Robert Mitchum ( a 100% Certified Official DAWG© ) and Susan Hayward who has us going like that wolf in the old cartoons. We’re discussing “THE LUSTY MEN” from 1952, Nicholas Ray’s very informative rodeo film that is rather spicy by classic Hayes

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52:32

Mikey & Nicky (1976)

The Projectors ·

2025/01/10

Each week in January is devoted to a different director at certain stages in their career but this discussion marks the end of Elaine May week as we have now discussed every film that Elaine May directed. This movie represents a much more dramatic direction but in typical Elaine May fashion, the humor is often in the tragic details. We have a very unique mob movie here starring two fellows that were prime in this era, Peter Falk and John Cassettes. They are the titular characters “MIKEY AND NICKY”,

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41:12

The Heartbreak Kid (1972)

The Projectors ·

2025/01/08

We’re examining the rest of Elaine May’s directed films this week and we’re into some deep cut quality comedies. Today’s discussion is darkly humorous in the sense that much of the humor Is centered around the self absorbed and deceitful nature of Lenny Cantor who sees greener grass everywhere he goes, especially after he’s gotten what he thinks he wants. Charles Grodin’s “Lenny” wants sex and he will get married to get it but when the dog catches the car it tends to not want much more to do with

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44:34

A New Leaf (1971)

The Projectors ·

2025/01/06

It’s the start of week 2 for January’s theme of “5 DIRECTORS” and we encountered this week’s director when we discussed “Ishtar” last April. An interesting story on film and behind the scenes. The director of that film would not direct another movie again. But before this, comedy writer, performer and producer Elaine May had three previous films under her belt so for week two we talk up the rest of Elaine May’s directorial filmography. Today we hit up a pretty delightful film debut written for the

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33:26

Dune (1984)

The Projectors ·

2025/01/03

Week one of January’s theme of 5 DIRECTORS ends with our last of David Lynch’s first three films and it’s one that he sometimes disavows but also one that led to a long standing relationship with actor Kyle MacLachlan. It seemed like it was nothing less than a miracle to adapt Frank Herbert’s “DUNE” to film considering the brick wall that many directors encountered upon attempt. Denis Villeneuve finally pulled something off but for the longest time the lone attempt at adapting this imaginative

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34:31

The Elephant Man (1980)

The Projectors ·

2025/01/02

For January’s theme of 5 DIRECTORS, each week is pretty much its own subcategory. We’re halfway through “David Lynch’s First Three” with today’s discussion of one of his most accessible feature films that features and iconic performance by John Hurt as the infamously disfigured historical figure “John/Joseph Merrick”. It seems that Lynch’s follow up to his debut is also amongst his most universally acclaimed with the Academy creating an effects category after it seemed baffling to not have one

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30:07

Eraserhead (1977)

The Projectors ·

2025/01/01

HAPPY NEW YEAR! Maybe we could use a break after the busy holiday months but we’re just so damned anxious to show off our new makeover that we gotta hit the ground running for January’s theme of 5 DIRECTORS and for week one’s director we got a fellow we are fairly familiar with on this show. Week one is DAVID LYNCH’S FIRST THREE and if you know a little bit then you know that David Lynch’s first film is the notorious ERASERHEAD from 1977 and it stands as a seminal work to this very day of an artists

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26:27

200 Cigarettes (1999)

The Projectors ·

2024/12/31

This is it! The final episode of 2024. Happy New Years! Goodbye to the title of MOVIEHUMPERS. For 2025 GOING forward we are THE PROJECTORS. We jump into next month’s theme as early as tomorrow but we close out a most wonderful time of the year with a New Year’s themed flick that we probably liked a little better in our youth. We were certainly the target age range in terms of “pitching coolness” with this ensemble featuring young stars who got their starts in the eighties and nineties. Ensembles can

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