PODCAST

Writing Excuses

Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler

Fifteen minutes long, because you're in a hurry, and we're not that smart.

fiction careers

All Episodes

32:17

19.47.5: Interview with Andrew Buckley of the...

Writing Excuses ·

2024/11/27

What does it mean to be building a career as an author in this day and age? We talk with author and speaker Andrew Buckley about everything from author brands to conferences while we ask Andrew to give us advice on how to get comfortable talking about yourself. In addition to hosting the StoryCentric podcast and speaking at conferences, Andrew is a speculative fiction author, with a focus on paranormal fantasy for young adult readers. He also has a background in marketing and business. Thing of the

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25:37

19.47: Final Thoughts on Our Close Reading Series

Writing Excuses ·

2024/11/24

We reminisce on when we were on a writing retreat on a cruise in 2023, planning this close reading series. We have loved how this series grounded our conversations, allowing us to dive into works that were complex in specific ways. We have loved wading into the waters of voice, world-building, character, tension, and structure while talking about these phenomenal works of science fiction and fantasy. Thank you, listeners, for reading along with us. It has been powerful to read the same books, and to

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51:00

19.46: An Interview on Structure with N.K. Jemisin

Writing Excuses ·

2024/11/17

We had the pleasure of sitting down with N.K. Jemisin to talk about the structures and processes that helped create The Fifth Season. We talk about outlines, multiple plotlines, and planets as characters. Jemisin lets us into her writing process—ranging from the influence of poetry in her work to her process of writing “test chapters.” She also gives us advice on writing multiple POVs, the power of parallelism, and the intersection of mental health and storytelling. Thing of the Week: Alan Wake II

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22:21

19.45: A Close Reading on Structure: Tying It All...

Writing Excuses ·

2024/11/10

We’ve loved doing our close reading series throughout 2024, and The Fifth Season has been no different. Today, we’re reflecting on what we learned in our episodes focusing on N.K. Jemisin’s incredible work. We reflect on POV as structure, parallelism, and finding the beating heart of your manuscript. Thing of the Week: I Saw the TV Glow Homework: Reverse engineer an outline for your work in progress. Then, try to add one parallel.Do you want a signed special edition copy of The Broken Earth

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26:12

19.44: A Close Reading on Structure: Tradition and...

Writing Excuses ·

2024/11/03

Today we’re zooming out to see where N.K. Jemisin’s The Fifth Season fits into the canon of fantasy literature. How does Jemisin interact with magic, words, and the expectations of the genre? And what expectations do the readers bring themselves? How does Jemisin repurpose parts of the hero’s journey while creating something fundamentally different? Does this work start a new lineage for epic fantasy? We think so! We talk about what other works this book is in conversation with, and what it even

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23:27

19.43: A Close Reading on Structure: Parallelism and...

Writing Excuses ·

2024/10/27

The structure of The Fifth Season features both mirroring and inversion. How do these structural shifts interact with the three POVs? On today’s episode, we talk about the parallelism of the perspectives and the linguistic references to seasons. This leads us to the question, how many things need to work in sync in order for readers to feel the cyclical nature of the plot (and life)? How does N.K. Jemisin use structural arcs, beats, and elements to create upheaval? And finally, how can you create

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21:56

19.42: A Close Reading on Structure: Whose...

Writing Excuses ·

2024/10/20

Structure and POV (point of view) are often intertwined. In N.K. Jemisin’s The Fifth Season, we see this in the myriad perspective shifts. In this episode, we talk about the importance of these shifts on the structure of the book. How does the narrator talk directly to us, and what purpose does this second-person perspective serve? DongWon shares one of their theories with us on the relationship between author, reader, and POV. P.S. Do you want a signed special edition copy of The Broken Earth

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21:32

19.41: A Close Reading on Structure: An Overview and...

Writing Excuses ·

2024/10/13

Just a reminder that we will be talking about a lot of spoilers, so if you haven’t read The Fifth Season, go and do so now! As we dive into N.K. Jemisin’s The Fifth Season, we wanted to tell you why we chose this work to examine the importance of structure. The structure of the book is the device through which we are understanding this world, in a way that feels radical in relation to what we normally see in fiction. We chose this novel because the structure is visible and active in a way that many

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46:25

19.40: An Interview on Tension with P. Djèlí Clark

Writing Excuses ·

2024/10/06

We sat down with the author of Ring Shout, P. Djèlí Clark, in order to wrap up our close reading of tension. We talked with Clark about his influences, which ranged from Birth of a Nation to Beyonce’s “Formation.” We dive into contextual vs. narrative tension, why food is the unsung hero of worldbuilding, and Clark’s unconscious desires that helped this novella come to fruition. Thing of the Week: The Terror (on Netflix) Homework: Watch Midnight Mass on Netflix. Notice how it builds various areas of

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22:54

19.39: A Close Reading on Tension: Tying It All Together

Writing Excuses ·

2024/09/29

This episode, we’re talking about how important tension is in creating a world where your readers feel fully immersed. We talk about the importance of using tropes and techniques while also using variation in order to make your story less predictable. We dive into the difference between tension and conflict, and talk about how you can use the former to help the ladder. Tension can be found in movement, but also in inaction. We touch on tension's effect on try-fail cycles, inverted pyramids, and

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19:35

19.38: A Close Reading on Tension: Anticipation and...

Writing Excuses ·

2024/09/22

When you’re subverting your readers’ expectations, do you need to do the exact opposite of what they’re anticipating? Today, we dive into this question, using various examples of books and movies. We then examine how P. Djèlí Clark does this throughout Ring Shout– does he subvert our expectations completely? Not always. In fact, sometimes he does the opposite. Thing of the Week: White Cat, Black Dog by Kelly Link Homework: Write a scene listening to three different piece of music that move you in

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21:27

19.37: A Close Reading on Tension: Movement and...

Writing Excuses ·

2024/09/15

Today, we’re using music as an entry-point for tension. Howard introduces us to the power of the half-step, and other musical metaphors that can help you to incorporate tension in a new way to your writing. And then DongWon updates the metaphor with an electronic dance music analogy. We also dive into questions you can ask as you weave tension into your work in progress, such as, “what does your character have to gain by withholding their secret?” Thing of the Week: Clueless (the movie!) Homework:

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26:41

19.36: A Close Reading on Tension: Narrative vs....

Writing Excuses ·

2024/09/08

Today, we’re talking about the tension that is actually happening on the page, and the contextual tension is what the reader is bringing to the table. Ring Shout lives in a place of contextual tension and we are excited to dive into how you can use both types of tension in your own writing. Your readers will always bring their own context to your work; and if you think about this, you can use tension in both big and small ways in your work. Thing of the Week: Random Friday - Solar Fields

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18:53

19.35: A Close Reading on Tension: An Overview and...

Writing Excuses ·

2024/09/01

Compared to This is How You Lose The Time War, which we read earlier this year, Ring Shout deals with a very real world. This discordance, where authors make their audience uncomfortable by creating things that shouldn’t go together, is part of the power of this novella, and part of the reason we chose to dive into tension! Our favorite metaphor about tension from this episode comes from Howard: potential movement (imagine a rock at the top of a hill). Note: this novella uses tools from the horror

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28:52

19.34: Grants and Fellowships

Writing Excuses ·

2024/08/25

Today we have a wildcard episode for you! We are talking about all the different ways you can sustain your writing career. Our host, Erin Roberts, has done an incredible job of applying for grants, fellowships, and residencies. So, we put her on the spot and got her to dole out advice and insights to help you sustain and develop your writing. Thing of the Week: “Extreme Economies: What Life at the World's Margins Can Teach Us about Our Own Future” by Richard Davies Homework: Write a

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29:55

19.33: Workshops and Retreats

Writing Excuses ·

2024/08/18

Today we’re taking a break from our Close Reading Series to discuss writing workshops and retreats! We dive into how to find and prepare to attend a workshop or a retreat and what to think about for organizing your own. Thing of the Week: Solo RPGs! (Strider Mode, Star Trek Adventures, Mythic Game Master) Homework: Go find 3 writing retreats you are interested in attending. 1 retreat-focused, 1 workshop-focused and 1 combination. Then think about what your expectations would be for each one.Close

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33:08

19.32: An Interview on Character with CL Clark

Writing Excuses ·

2024/08/11

We sat down with CL Clark to talk about character—specifically, how they build different POV characters in the compressed space of a short story. We dive into plot processing (a tool CL Clark has learned from Mary Robinette!), how to specify the stakes of your world, and how to build distinct characters. Thing of the Week: Reasons Not To Worry: How to be Stoic in Chaotic Times by Brigid DelaneyHomework: “4 Scenes About Power” — Write four scenes: (1) a scene in which your protagonist does something

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24:04

19.31: A Close Reading on Character: Tying it All...

Writing Excuses ·

2024/08/04

Today, we’re taking a higher view on the techniques we’ve been talking about over the last four episodes and focusing on how you can use our takeaways in your own writing. We’ll go over our final thoughts on C.L. Clark’s short stories (until next week’s episode, when we interview them!). We’ll also try to summarize the lessons we've learned from Clark and our favorite bits of their writing. Thing of the Week: Rude Tales of Magic (podcast) Homework: Write a character study in which two characters

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23:03

19.30: A Close Reading on Character: Agency vs. Choices

Writing Excuses ·

2024/07/28

We have a theory that we want to work through on today’s episode: agency is the ability to take action, whereas choices are more about the interior life of the character. We use Mary Robinette’s talking cat, try-fail cycles, and C.L. Clark’s Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home in order to examine this theory and its underpinnings. Thing of the Week: Marginalia by Mary Robinette Kowal (Uncanny Magazine) Homework: Create a scene in which your

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22:55

19.29: A Close Reading on Character: Barriers vs. Stakes

Writing Excuses ·

2024/07/21

Our episode today focuses on C.L. Clark’s short story “You Perfect Broken Thing” for how the character's stakes shape the barriers facing her. We use this story to examine how to tell the difference between barriers versus stakes. We also examine how to do this in a compressed space– whether that’s a short story, a single scene, or a compressed timeline. Thing of the Week: We Have Always Lived in the Castle by Shirley JacksonHomework: Write a short scene in which your character has to deal with

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