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wasabicube tracks

Peter Asquith

Arbitrary function generator

music

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00:02:07

DC Freighter ft Marcus Fischer (disquiet0600)

wasabicube tracks ·

2023/07/03

Entirely constructed from the stems provided by Marcus Fischer. Various sequences were created with HY-Slicer 2 and mixed into one of Marcus' stems, along with various reverb and granular effects. -- More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/ Please credit Marcus Fischer when posting your track. About the Disquiet Junto:

00:02:58

out of tine

wasabicube tracks ·

2023/07/01

Klevgränd Speldosa backed up by Softube Monoment, and Reason Objekt (making this particularly Swedish). Oh, and there's an KORG M1 bouzouki hidden in there, too.

00:03:44

interleave (disquiet0599)

wasabicube tracks ·

2023/06/26

Four sets of twin hardware oscillators mixed, and, eventually, granularly delayed in Ableton. -- More on this 599th weekly Disquiet Junto project, Minimal(ist) Blend (The Assignment: Make a piece of music that combines self-contained minimalist parts), at: https://disquiet.com/0599/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co:

00:01:46

room (disquiet0598)

wasabicube tracks ·

2023/06/19

I recorded the ambience in my office/home studio with seven different microphones. During some of the recordings there was reasonably heavy rain outside. I then loaded the recordings into HY-Plugins' HY-Slicer 2 and recorded a several tracks amounting to the noise of the room. I increased the gain slightly on these and then recorded some passages. These were then sent to my modular where they were passed through a home-made vactrol and a vactrol-based low pass gate. The vactrol was opened by an

00:02:03

score (disquiet0597)

wasabicube tracks ·

2023/06/12

Aiming to add more space in my compositions. -- More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com) Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

00:02:24

walk to crawl (disquiet0596)

wasabicube tracks ·

2023/06/05

From a blues bass walk to a subharmonicon-inspired crawl. -- More on this 596th weekly Disquiet Junto project, Phylogeny Junto (The Assignment: Depict genres’ evolution over time in music), at: https://disquiet.com/0596/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0596-phylogeny-junto/

00:02:47

descente (disquiet0595)

wasabicube tracks ·

2023/05/29

A field recording of our dehumidifier passed through several filters: FabFilter Volcano 3, AudioThing FilterJam and Felt Instruments Rysy. -- More on this 595th weekly Disquiet Junto project, Filter Progression (The Assignment: Make music by processing a static sound), at: https://disquiet.com/0595/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com) Project discussion takes place on llllllll.co:

00:04:16

never alone remix (disquiet0594) ft glitcher + sinny...

wasabicube tracks ·

2023/05/22

A remix of @user-711331258's collaboration with @noodletwister and @sinnysounds for last week's Junto. The track and the reverse of the track were sent to my modular, where the audio was chopped based on varying decay envelopes. Some of the signal was overdriven and some sent though a Wasp filter. The resulting signal was filtered using a SEM filter to remove some of the harsher frequencies. Three tracks were recorded using different settings, then merged in Ableton for the final track. These were

00:03:46

worm whole (disquiet0593) - krakenkraft +...

wasabicube tracks ·

2023/05/15

Adding to @rshaddox's addition to @winterer's original. Trying to remain within keeping of the two that preceded me. -- More on this 593rd weekly Disquiet Junto project, The Charm (The Assignment: Complete an asynchronous trio begun by two other musicians), at: https://disquiet.com/0593/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements: https://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co:

00:03:21

snake eyes (disquiet0592)—with encym

wasabicube tracks ·

2023/05/07

I added to @encym's excellent, guitar-based, track, Frugality (https://soundcloud.com/encym/the-loneliest-number-disquiet0591?si=c7a742bc48e04018b5249a736278acdb&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing). I used this as an exercise in MIDI processing in Ableton. I used a MIDI pitch tracker on a filtered version of the original track (to reduce the range of notes), then passed the MIDI to two tracks with Arturia's Augmented Strings (both with a bass pizzicato patch, with

00:02:23

electro-bongo (disquiet0591)

wasabicube tracks ·

2023/04/30

A sequenced modular patch using the 2HP Pluck as the only voice and passed through a couple of guitar pedals (Digital Delay, then Digital Reverb). There are two KORG SQ-1s providing the sequence. One of seven steps and the other of five. The two CVs are XORed and passed to the V/Oct of the Pluck. Meanwhile, the gate from one SQ-1 is combined with the output of a 2HP Euclid, then passed through a Mystic Circuits ANA to create stepped triggers that trigger the Pluck. The resulting pluck is then

00:01:35

la pluie sonne (disquiet0590)

wasabicube tracks ·

2023/04/24

Saturday morning rain fed into the return channel of a Shakti self-feedback module combined with the send pinging a ladder filter. The two outputs from the Shakti are then separately processed. The first is passed through an almost resonating LPG and mixed with the second. These two are mixed with a feedback loop of the two of them through a Wasp filter. The result is passed through a filter bank and recorded in Ableton. Within Ableton I combined the original rain recording and two recordings from

00:03:27

waving at a wasp (disquiet0589)

wasabicube tracks ·

2023/04/17

Manual filter control. Normally I would automate the filter frequency. In this track there is a Shakti feedback module generating feedback via a Moog-style ladder filter and a reverb. Then the signal is split into several paths, one of which is passed through a Doepfer Wasp filter. The frequency is modulated by a ultrasound detector and actuated by my hand moving nearer and further away. There is another ultrasonic filter adding to a patch that provides an off kilter clock driving some envelopes

00:00:38

tumble (disquiet0588)

wasabicube tracks ·

2023/04/10

A recording of a gentle surf mangled through several algorithmic effects (Infiltrator, Dedalus Delay, and Digitalis) along with a drum track and some guitar noodling. The feeling of being tumbled in the surf while a band plays in the distance. -- More on this 588th weekly Disquiet Junto project, Swell Time (The Assignment: Make some surf music), at: https://disquiet.com/0588/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements:

00:02:24

descendre (disquiet0587)

wasabicube tracks ·

2023/04/03

Two Arturia Pigments instances, one with various levels of out-of-tuneness are panned back and forth, from left to right, in opposite phase. Meanwhile, a bass pluck plays a descending arpeggio and is joined by a KORG M1 bass towards the conclusion of the track. -- More on this 587th weekly Disquiet Junto project, Sour Mash (The Assignment: Let something go out of tune), at: https://disquiet.com/0587/ About the Disquiet Junto: https://disquiet.com/junto/ Subscribe to project announcements:

00:01:38

missing (disquiet0586)

wasabicube tracks ·

2023/03/27

I recorded three tracks, two based on the same chord sequence and the third using the incomplete track from last week’s prompt. The track I’d created as the basis for last week’s prompt, that I missed, ironically, due to time pressure, used VLC, skipping sections rhythmically, then played through a three part looper I made in MaxMSP, which was then fed through my modular to put it through some resonant filters and give it distortion. Another track used the new Klevgrand instrument, Speldosa, and the

00:04:16

stepped (disquiet0584)

wasabicube tracks ·

2023/03/13

I used to listen to a lot of baroque chamber music. Now I'm partial to drones and noise. (Having said that, this prompt was quite challenging as I like a broad range of genres. But it is true I've not listened to Telemann, Bach or Vivaldi for a while.) -- More on this 584th weekly Disquiet Junto project, Generations (The Assignment: Bridge a gap in your musical taste), at: https://disquiet.com/0584/ More on the Disquiet Junto at: Disquiet Junto F.A.Q. – Disquiet Subscribe to project announcements

00:02:53

party wall (disquiet0583)

wasabicube tracks ·

2023/03/05

Sometimes, you hear a beat through the wall, then you imagine what tune accompanies it. Reality does not always match my imagination. Here, I recorded a drum track, just kick and snare, through the wall. The mic in the other room picked up cicadas and a cat, outdoors, as well as the thumping beat. The track was then used to generate a series of recordings from my modular synth. I used a variety of approaches including envelope following, quantizers, wavefolders, filter and LPG pings, and passing

00:03:04

three-quarter (disquiet0582)

wasabicube tracks ·

2023/02/26

Techno in three-four time? Three-quarter techno. I'm not sure this is really a thing. -- More on this 582nd weekly Disquiet Junto project, X Techno (The Assignment: Make a new subgenre), at: https://disquiet.com/0582/ More on the Disquiet Junto at: https://disquiet.com/junto/ Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0582-x-techno/

00:01:41

thrum (disquiet0581)

wasabicube tracks ·

2023/02/20

The original sample by Scott Fletcher (https://soundcloud.com/disquiet/helsinki-downspout - used with permission under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0) licence), had an envelope follower applied and sent as CV to my modular, which also sent clock to a BeatStep Pro controlling a Volca Sample. A Turing machine was used to drive a Pluck triggered by the original stem. Similarly the Volca Sample was triggered by the BSP which was in turn triggered by

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