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PODCAST

The Projection Booth

Weirding Way Media

The Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems. The podcast has been recognized as a premier film podcast by The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine. Visit http://www.projectionboothpodcast.comThe Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at weirdingwaymedia.com.Become a

tv & film film history

All Episodes

28:32

Special Report: Mary Oliver: Saved by the Beauty of...

The Projection Booth ·

2026/07/06

Pulitzer Prize-winning poet Mary Oliver inspired millions with her celebrations of nature, attention, and the examined life — yet she remained one of American literature's most intensely private figures. Filmmaker Sasha Waters spent years building an intimate portrait of Oliver from the inside out: sifting through thirty to forty boxes of correspondence, notebooks, and personal photographs before they entered the Library of Congress, and tracking down a long-lost video recording that captures Oliver

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30:38

Special Report: Strange Journey: The Story of Rocky...

The Projection Booth ·

2026/07/03

Fifty years on, The Rocky Horror Picture Show remains the longest-running theatrical release in cinema history — and it shows no signs of stopping. Linus O'Brien, son of creator Richard O'Brien, joins Mike to discuss Strange Journey: The Story of Rocky Horror, his feature documentary tracing Rocky's unlikely journey from a Royal Court Theatre upstairs production to a global midnight-screening phenomenon.Linus talks about growing up in the house Rocky built — guitar songs in the kitchen, shadow casts

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107:15

Episode 806: The Postman (1997)

The Projection Booth ·

2026/07/01

Sci-fi month concludes with one of the great cinematic boondoggles of the '90s. Kevin Costner directs and stars in The Postman (1997), playing a wandering drifter who stumbles into a postal uniform and accidentally becomes the savior of a shattered America, restoring hope and democracy one undelivered letter at a time. Standing in his way: General Bethlehem (Will Patton), a Shakespeare-quoting warlord leading a militia of survivalist zealots called the Holnists. Mike talks with Emily Intravia and

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17:15

Special Report: Boy George and Culture Club (2025)

The Projection Booth ·

2026/06/25

Few bands burned brighter—or more colorfully—than Culture Club, and director Alison Ellwood joins Mike to unpack the making of her acclaimed documentary Boy George & Culture Club. From the group's improbable formation and meteoric rise to the personal relationships, creative tensions, and heartbreak that shaped their music, Ellwood reveals how she crafted an intimate portrait using the voices of Boy George, Jon Moss, Mikey Craig, and Roy Hay.The conversation explores the joy and challenge of

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153:58

Episode 805: I Married a Monster from Outer Space (1958)

The Projection Booth ·

2026/06/24

What kind of man doesn't drink, avoids women, and prefers the company of other strange men in the park? Gene Fowler Jr.'s I Married a Monster from Outer Space (1958) plays the alien-infiltration premise with surprising melancholy and remarkable restraint for a film with such a lurid title. Mike, Bill Ackerman, and Ben Buckingham dig into the film's overlapping readings — Cold War paranoia, the Lavender Scare, queer coding, and a feminist critique the film simultaneously makes and undermines. They

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19:45

Special Report: Dear Upstairs Neighbors (2026)

The Projection Booth ·

2026/06/23

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium.The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half

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30:33

Special Report: Gregg Allman: The Music of My Soul...

The Projection Booth ·

2026/06/19

Gregg Allman lived inside the central contradiction of American music — a white Southern kid who built his art on the blues, fled his demons while pouring them into song, and emerged as one of rock's most essential voices. Gregg Allman: The Music of My Soul traces that journey from a childhood shattered by his father's murder to the soulful authority the Allman Brothers Band carved out through relentless touring and hard-won survival.Mike talks with director James Keach — whose previous documentary

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106:29

Episode 804: Dark City (1998)

The Projection Booth ·

2026/06/17

Rob St. Mary and Rob Spencer join Mike to dig into Proyas's tale of John Murdoch (Rufus Sewell), who wakes in a cheap hotel room with no memory, a dead body nearby, and a city that refuses to add up. Detective Bumstead (William Hurt) closes in while the pale, bald Strangers rearrange reality every time the clocks stop — building a world that is simultaneously a locked-room mystery, a Philip K. Dick nightmare, a Kafka story with a superhero ending, and a filmmaker's self-portrait: the Strangers as

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96:27

Episode 803: Timerider - The Adventure of Lyle Swann...

The Projection Booth ·

2026/06/15

Mike and Aaron Carruthers kick off Sci-Fi June with William Dear's time-travel oddity Timerider: The Adventure of Lyle Swann, in which motocross racer Lyle Swann (Fred Ward) accidentally blasts a century into the past and spends the entire film completely unaware that he's done it. That central gag — a fish out of water who doesn't know he's a fish — drives most of the conversation, along with the film's quietly clever paradox, its improbably stacked character cast, and the eclectic score produced

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11:47

Kenji Tanigaki on The Furious (2025)

The Projection Booth ·

2026/06/04

Kenji Tanigaki is anything but furious when he discusses his latest film, The Furious (2025). The film stars Xie Miao and Joe Taslim as two men united by a common enemy - child trafficking. The movie combines pathos with some breath-taking fight scenes in a film reminiscent of The Raid, Taken, and John Wick. Check local listings for where The Furious is playing near you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of

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92:02

Episode 802: Dark of the Sun (1968)

The Projection Booth ·

2026/06/03

Mike welcomes Andrew Nette and Jedidiah Ayres back to dissect Dark of the Sun (1968), a brutal, kinetic men‑on‑a‑mission film whose pulp thrills sit atop a surprisingly rich political and historical foundation. The trio digs into the movie’s Cold War backdrop, its depiction of the Congo Crisis, and the real mercenaries who inspired characters like Curry and the sadistic Henlein — from “Mad” Mike Hoare to Siegfried “Congo” Müller, whose Iron Cross‑wearing exploits echo through the film. They explore

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42:02

Special Report: They Will Kill You (2026)

The Projection Booth ·

2026/05/28

Mike talks with re-recording mixer Duncan McRae and sound designer/supervising sound editor Jeffrey A. Pitts about their work on They Will Kill You (2026), the action-comedy horror film directed by Russian filmmaker Kirill Sokolov. Co-written by Sokolov and Alex Litvak, the film stars Zazie Beetz as an ex-convict who answers an ad for a housekeeping job at a mysterious New York City high-rise, only to discover the building has a long history of disappearances. Sokolov stages brutal combat sequences

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128:08

Episode 801: Reconstituirea (1968)

The Projection Booth ·

2026/05/27

In 1968, Romanian filmmaker Lucian Pintilie completed his second film, Reconstituirea — known in English as Reconstruction or The Reenactment — and, within a month of its 1970 release, it vanished. Not banned outright, but buried: withdrawn, never televised, never revived for nearly two decades. By the time Romanian audiences could see it freely in 1990, it had acquired near-mythological status. A 2008 critics' poll ranked it the greatest Romanian film ever made.The premise is deceptively simple:

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40:23

Special Report: Kimi Takesue: Crossings and Encounters

The Projection Booth ·

2026/05/18

Mike talks with filmmaker Kimi Takesue, whose work — spanning documentary, fiction, and experimental forms — is now collected on the Criterion Channel. Takesue grew up shuttling between Honolulu and Massachusetts, and that cross-cultural, biracial upbringing informs every frame she has made, from early shorts rooted in identity politics to acclaimed features documenting cross-cultural encounters in Uganda, Laos, and Hawaiʻi.Her films, including Where Are You Taking Me?, 95 and 6 to Go, and

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118:57

Episode 800: Chimes at Midnight (1965)

The Projection Booth ·

2026/05/14

Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted

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183:27

Episode 799: The Toxic Avenger (2023)

The Projection Booth ·

2026/05/12

In 2025, New Jersey's favorite hideously deformed creature of superhuman size and strength returned — twice. Writer/director Macon Blair's big-budget reimagining, The Toxic Avenger (2023), finally received a wide theatrical release in August 2025. Peter Dinklage voices Winston, a terminally ill janitor at a corrupt pharmaceutical company who falls into a vat of toxic chemicals and emerges as Toxie — a mop-wielding mutant vigilante. Kevin Bacon stars as the company's scheming CEO and Elijah Wood as

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45:25

Special Report: Mye Hoang on 25 Cats from Qatar (2025)

The Projection Booth ·

2026/05/05

From indie narratives to deeply personal documentaries, filmmaker Mye Hoang has built a career around stories about identity, community, and unexpected connections. On this episode of *The Projection Booth*, Mike sits down with Hoang to trace her creative journey—from her early work to her breakout documentary Cat Daddies—before diving into her latest film, 25 Cats from Qatar.The new documentary follows an extraordinary rescue effort as a network of volunteers races to save stray cats living on the

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25:20

Special Report: Simon Glassman on Buffet Infinity (2025)

The Projection Booth ·

2026/05/04

Mike talks with Simon Glassman, the writer-director of the 2025 Canadian horror-comedy Buffet Infinity, a feature debut that premiered at the Fantasia International Film Festival to instant cult acclaim.Buffet Infinity takes place in the fictional Alberta town of Westridge County, where an all-you-can-eat restaurant chain arrives alongside a mysterious sinkhole and begins swallowing the local community whole — literally and figuratively. The film is constructed almost entirely from mock television

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133:55

Episode 798: Freddy Got Fingered (2001)

The Projection Booth ·

2026/04/29

Comedy Month wraps up as Mike talks with Rob St. Mary and Heather Drain about Tom Green's Freddy Got Fingered (2001) and Producer Lauren Lloyd joins Mike for an interview about working on the film that was almost universally trashed on release. Green wrote, directed, and stars as Gord Brody, an aspiring cartoonist who heads to Hollywood to sell his drawings as an animated series. After a catastrophic pitch meeting, Gord retreats to live with his parents—long-suffering father Jim (Rip Torn), mother

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34:09

Special Report: Drift (2026)

The Projection Booth ·

2026/04/27

Mike talks with editors Martin Biehn and Kevin Hibbard about their work on Drift (2026), directed by Deon Taylor.Isaac "Drift" Wright is an Army veteran and self-taught photographer whose trauma finds an outlet in illegal high-rise climbing — scaling some of the world's tallest structures to capture images from vantage points no permit would allow. The film documents his pursuit of art and healing while tracking an escalating confrontation with law enforcement that puts his freedom at risk. It

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