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PODCAST

Story Nerd

Melanie Hill, Valerie Francis

For novelists, memoirists and screenwriters who want to write stories their readers will love. Each week literary editors, Valerie Francis and Melanie Hill, use films to explain how to craft a story that hooks the reader on page one and holds their attention all the way to the end. The goal is simple: to learn from writers who have come before us...what worked well and what didn"t work so well. If you"re a writer who loves to write, this podcast is for you! "The only thing that matters, and that

arts books

All Episodes

00:23:37

Our Best Advice: left-brained stories

Story Nerd ·

2024/04/17

Left-brained stories (mysteries, crime thrillers, spy stories) are among the highest selling books on the market today. Readers can't get enough of them, and that means the bar for authors is really high because we have to create a puzzle that our readers haven't seen before. Add to this the fact that the fundamentals of storytelling work in a slightly different way than they do with other stories. In this episode, Melanie and I summarize all the lessons we've learned over the past 10 episodes and

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00:36:43

The Sixth Sense: the art of the gotcha ending

Story Nerd ·

2024/04/10

Are you planning to use a twist at the end of your story? Have you ever wondered how M. Night Shyamalan pulled off this famous gotcha ending? If so, this episode is for you! Melanie does a deep dive into story twists and surprises so that you can craft an ending that delights your reader. I focused on the Central Dramatic Question which is a key part of creating Narrative Drive (and you must have brilliant Narrative Drive if your reader is going to get all the way to the end of your

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00:06:39

Breakout Books v. Words on a Page

Story Nerd ·

2024/04/06

To be a career author, you must have a breakout book. And, a breakout book is one that contains a story that works. In this episode, I tell you the story of an author who didn't know the difference between a breakout book and words on a page. What happened to him will make your jaw drop.REGISTER FOR THE 2024 SPRING WEBINAR SERIESFor access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit

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00:02:27

How to Write a Breakout Book

Story Nerd ·

2024/04/03

I just attended a training session with a literary agent who said that failure to write a breakout book is one of the most common mistakes writers make. Well sure, that's fine to say, but (1) what is a breakout book and (2) how do you write one? Well, believe it or not, that's exactly what I'm covering in the How Stories Work webinar on April 9. Maybe I should have called the webinar How to Write a Breakout Book! The important point here is that there's a tried-and-true way to do it, and those who

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00:44:15

The Last of Sheila: soooo good

Story Nerd ·

2024/04/03

Now this is the epitome of a left-brained story. THE LAST OF SHEILA has puzzles within puzzles, an intricate plot that has been expertly set up, and a cast of characters who aren't who they seem to me. There are so many amazing things about it, I hardly know which of them to highlight for you here so I'll give you a bit of trivia: this movie was Rian Johnson's inspiration for THE GLASS ONION. Oh, and if you solved the mystery before the murderer was revealed, tag me on IG/Threads and let me know. I

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00:05:11

How do stories work?

Story Nerd ·

2024/04/01

If you're writing a novel or memoir, you're writing a story. Sounds obvious, right? That may be, but most authors don't know how to tell a story that works. If you don't believe me check out the stats: 97% of the books sent to literary agents are rejected, of the books that get published 0.08% hit a bestseller list. Those who choose to self-publish can expect to pour thousands of dollars into advertising and sales dry up the second they stop promoting. But what if you knew how to write a story that

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00:35:04

Gosford Park: did he deserve it?

Story Nerd ·

2024/03/27

This film offers two hugely valuable lessons to writers of all genres. The first is about the inciting incident and when it needs to happen. The second is about unlikeable characters and how to handle them. In Gosford Park, it's the victim who is unlikeable and that adds an interesting dimension to the murder mystery storyline.-V."Notice where your sympathy and empathy lie. And ask yourselves, how does the writer create this? And most importantly, does it work in the context of what they're trying

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00:08:51

One Line Writing Secret You Need to Know

Story Nerd ·

2024/03/26

In our last episode about our most embarrassing literary moments, Melanie and I said that line writing (or prose writing) means learning to write a narrative. We also said that there are specific techniques involved in writing a narrative, but we didn't say what any of them are. So that's the purpose of this little mini episode. We reveal a line writing secret about one of the most valuable narrative techniques available to us as authors and storytellers.-V REGISTER FOR THE 2024 SPRING WEBINAR

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00:29:17

Our Most Embarrassing Literary Moments

Story Nerd ·

2024/03/23

No one is born knowing how to write great prose. Like any other kind of specialized writing (ex., newspapers, academia, web, etc.), writing prose is a particular skill that can, and must, be learned. While Melanie and I were meeting to discuss our upcoming webinar about line writing, we started to share (horror) stories from the early days of our own literary careers and boy, are they doozies! Hoping that our mistakes might help you avoid the same pitfalls (or maybe just give you a good laugh) we

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00:35:25

A Most Wanted Man: why now?

Story Nerd ·

2024/03/20

Readers are on a need to know basis. That means that, as storytellers, we only tell them what they need to know, and only when they need to know it. In this adaptation of John le Carre's novel, the filmmakers could have told us everything we needed to know about Issa in the first few minutes. Instead, they sprinkled the details a little bit at a time, and as a result, the audience's curiosity goes into overdrive.Melanie and I still think the book is better (shocker, right?), but this is a great

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00:06:02

THIS is how your novel gets noticed!

Story Nerd ·

2024/03/18

There are two ways to write great stories. The first involves at least 20 years of reading, writing and being rejected. The second, which is much faster, involves learning story theory. (Big shocker that I'm saying that, right?) If option number two sounds good to you, then check out the Story Nerd Spring Webinar Series, which kicks off on March 28. Melanie and I will teach you the concepts you need to know, in a way that you can use, so you can craft better stories right away.For more information,

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00:41:57

The Good Liar: surprise v twist

Story Nerd ·

2024/03/13

The movie had both me and Valerie on the edge of our seats. When we come across a masterful movie we pull out as much as we can for you. This episode is chock-a-block full of info about point of view, narrative drive, clues, and liars. We also examine how the twist in The Good Liar is set up and pulled off. I continue to track the clues and motives this week...or should we say I track the lies. Valerie discusses how point of view and narrative drive work together to create this exciting thriller.If

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00:39:44

See How They Run: wasted potential

Story Nerd ·

2024/03/06

A comedic take on a murder mystery had so much potential, but unfortunately, the creators of SEE HOW THEY RUN wasted it with what can only be described as lazy writing and lazy editing. This is what happens when the writers of murder mysteries aren't also superfans of the genre, or when they try to cut corners. This week, Valerie discusses the unfortunate skinny wrist reveal, and Melanie walks us through all the clues and red herrings. Do you agree with their analysis?"If you're serious about

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00:57:08

Tinker Tailor Soldier Spy: when did Smiley know?

Story Nerd ·

2024/02/28

It's a long episode this week because there's a whole lot to talk about in this excellent adaptation of John le Carre's bestselling novel. Melanie gives her top tips for writing mysteries and Valerie discusses the type of protagonist we usually find in left-brained stories. One question lingered for them both: When did George Smiley discover who the mole was?"Your opinion of George Smiley will change if you read THE SPY WHO CAME IN FROM THE COLD, because there his morality is laid bare. His duality,

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00:38:22

The Game: why endings are important

Story Nerd ·

2024/02/21

By the time we get to the end of our manuscript, we can feel drained creatively. The temptation to phone it in looms large. But be careful. No matter how good the rest of your story is, if the ending is weak, the novel/film will fail to impress. This is just one of the lessons that Valerie and Melanie learned this week."What I mean by a left-brained story is basically a story that appeals to our heads more than our hearts. It has to hook the reader intellectually." - Valerie FrancisRELATED STORY

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00:37:06

The Dry: an introduction to outback noir

Story Nerd ·

2024/02/14

This week Valerie and Melanie continue their study of left-brained stories. They step into the outback to discover how Australian crime writers create an atmosphere of isolation by combining plot and setting. Melanie is tracking clues, motives, and murderers' actions to discover the techniques used to raise questions and divert attention in the story – and there are many! Valerie investigates the Central Dramatic Question and Character Archetypes.For information about Valerie's upcoming webinars,

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00:40:51

Crooked House: left-brained stories

Story Nerd ·

2024/02/07

It's time for a brand new season of the show and this time around, Valerie and Melanie are studying the same topic: left-brained stories. Never heard of it before? Don't worry. Valerie made up the term to describe any story that has a puzzle of some kind and invites the reader/audience to try to solve the puzzle before the author reveals the solution. Left-brained stories tend to be mysteries/crime stories, thrillers, and spy stories but they can show up in any genre.In left-brained stories,

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00:10:47

Character Lessons from an Actor

Story Nerd ·

2024/02/05

For the past two seasons Valerie has been talking about character dimension and cast design. The key to understanding both concepts is to recognize that a person isn't a uniform, constant creature. A person's behaviour changes depending on the situation she finds herself in and the people she finds herself interacting with.In this brief bonus episode, Valerie's daughter Avery (a theatre student at the York University Acting Conservatory) illustrates how this character shift plays out in real time

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00:25:35

Our Best Advice: conflict + cast design

Story Nerd ·

2024/01/31

This week Valerie and Melanie round up their a-ha moments and the lessons they've learned over the past ten episodes. What are their key takeaways wrt creating conflict in a story? How can you design a cast that supports both the main character's development and the plot? Tune in to find out!For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircleFor information about Valerie's upcoming

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00:48:19

The Lost Daughter: fisticuffs

Story Nerd ·

2024/01/24

The one thing Valerie and Melanie agree on this week is that the execution of this film isn't as good as it could, or should, have been. They disagreed on just about everything else and they each have a strong case for why they've come to the conclusions they've come to. The main points of disagreement? The protagonist's object of desire (want) and whether the protagonist was empathetic or not.What do you think? Do you agree with Melanie or Valerie?For access to writing templates and worksheets, and

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