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PODCAST

Hrkn to .. Share Radio"s Film Review

Covering both current releases and the all-time best movies, James Cameron-Wilson discusses the former with Simon Rose in a weekly update and, selecting the top ten movies by genre, he discusses these with Vicky Sayers. You really need this kind of insight when provided with the huge range of streaming choices! If you"re planning to commit a couple of hours to watching a movie, spend a few minutes here to choose what"s best to watch. Hrkn to www.shareradio.co.uk for more ..

tv & film film reviews

All Episodes

27:16

The Business of Film: Dune 2, Mea Culpa, the SAG...

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2024/03/07

James Cameron-Wilson assesses Dune: Part Two at #1, which boosted the UK box office by taking £9.3m with almost £13,000 per screen. While critics love it and James was impressed by it visually, he found the film confusing and ponderous and admired it rather than enjoyed it. He looks ahead to the Oscars which, for the first time in 20 years, can be seen on terrestrial TV. He gives his predictions for the main prizes and discusses the recent star-studded luvviefest, the SAG Awards, watchable on

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25:40

The Business of Film: Wicked Little Letters, NT Live...

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2024/02/29

James Cameron-Wilson on the UK cinema scene, still dominated by Bob Marley: One Love at #1 with a total of £11.3m in 2 weeks. He was disappointed by Wicked Little Letters at #2. Set in a 20s village, it sees the like of Olivia Colman and Timothy Spall overacting and overswearing in a piece of annoying whimsy. At #6 is the NT Live production of Vanya, with Andrew Scott playing multiple characters. Without boning up beforehand, James found it somewhat baffling. He loved the beautifully-restored home

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26:01

The Business of Film: Bob Marley One Love, Madame...

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2024/02/22

James Cameron-Wilson celebrates UK box office up 89% with Bob Marley: One Love #1 racking up £6.9m. But James was disappointed, finding the biopic a hagiography, a series of vignettes rather than a gripping story. He much preferred Madame Web at #3 with Dakota Johnson in a well-engineered and much more believable and human superhero story than we've been used to of late. Despite other critics, James couldn't recommend it more. Not so Players, an unoriginal romcom on Netflix about playing the field,

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26:12

The Business of Film: The Iron Claw, Upgraded & How...

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2024/02/15

James Cameron-Wilson reports that 2023's box office was up 9% at £978m. This week, though, it's down 25% with no new big films. True-life wrestling pic The Iron Claw, with Zac Efron, made only £750,000 at #3 but nothing rings true and James found it dull. With no other new releases other than Peppa's Cinema Party, James turned to Amazon Prime for the romcom Upgraded which, while hardly a true original, he found smart, savvy and very funny. The dialogue zings and he was left with a stupid smile on

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26:04

The Business of Film: Migration, Argylle, The Zone of...

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2024/02/08

While UK box office rose 25%, James Cameron-Wilson found the animated Migration, #1, as processed as American cheese. #2 spy spoof Argylle from Matthew Vaughn he found over-familiar, over-long, unbelievable and lazy filmmaking. #5 is The Zone of Interest which, despite its 5 Oscar nominations, can be hard to see in cinemas. James, however, heartily recommends American Fiction at #10, also garnering 5 Oscar nominations, with Jeffrey Wright as a multi-faceted writer trying to break down

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25:43

The Business of Film: All Of Us Strangers, The Color...

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2024/02/05

James Cameron-Wilson says UK box office is down another 21%. While Mean Girls is #1 but fading, garlanded UK low-budget 4-hander All Of Us Strangers from Andrew Haigh is #2 with £1.1m. Andrew Scott is outstanding in a mesmerising, original film about a gay writer. He was less complimentary about the musical version of The Color Purple at #8, with the showstopping tunes at odds with the dark underlying material. Restored for home video, 1960's Peeping Tom, a voyeuristic film from Michael Powell about

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28:36

The Business of Film: Mean Girls, Poor Things, The...

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2024/01/25

In a bumper box office week, James Cameron-Wilson finds the musical reboot of 2004's Mean Girls (#1), dull and lacking fizz, despite Tina Fey's script. Like Simon Rose, he adores Poor Things (#3) from The Favourite director Yorgos Lanthimos, with Emma Stone getting one of 11 Oscar nominations. It's odd, extraordinarily original and visually and aurally glorious. Simon praised The Holdovers, with Paul Giamatti one of 5 nominees, at #6 from Sideways director. #7 is so-bad-it's-good thriller The

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24:31

The Business of Film: One Life, Priscilla & Good Grief

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2024/01/11

James Cameron-Wilson marvels that Wonka is still #1 after 5 weeks, with total of £53m at the UK box office. Anthony Hopkins stars in One Life, the true story of stockbroker Nicholas Winton's extraordinary wartime rescue of hundreds of Jewish children. James found it beautifully realised and hugely affecting. He was less impressed with Priscilla, about the spouse of Elvis Presley. Written and directed by Sofia Coppola, which he found unimaginative. He admired the decor and scenery more than the plot

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26:30

The Business of Film: Ferrari, Aquaman and the Lost...

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2024/01/04

James Cameron-Wilson explains that UK box office is up 14% YoY. Wonka is still #1 with £45m total. Michael Mann's Ferrari is #2; though interesting, it is slow and not energising. Aquaman and the Lost Kingdom #3 is exhausting, all CGI and endless violence. Studio Ghibli's The Boy and the Heron is #4 while Anyone But You at #5 is an ludicrous and nonsensical romcom. Next Goal Wins about the infamous American Samoan football team is not a patch on the documentary on which it is based. However, Bradley

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25:57

The Business of Film: Review of 2023. What's biggest?...

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2023/12/28

James Cameron-Wilson looks back at the cinematic world in 2023, counting the top grossing films worldwide from 10 to 1, with Barbie coming out on top with $1.4 billion. He discusses the female directors of the year as well as the best female performances. And, with awards season almost upon us, he explains what he voted for in the London Film Critics Circle Awards and the films he thinks will be nominated, and possibly win, at the Oscars.Learn more about your ad choices. Visit

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26:43

The Business of Film: Godzilla Minus One, Rustin &...

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2023/12/21

James Cameron-Wilson reports on the UK box office. Takings have dropped 25% but Wonka still rules. Godzilla Minus One is #2, a rare foreign language subtitled movie to ride high in the charts, though taking only £817,000. James found it a decent monster movie but no more. On Netflix, he thought Rustin, the real story of the gay civil rights activist, interesting despite much overacting. He was delighted, however, by Chicken Run: Dawn of the Nugget, which he reckoned not just the best animated movie

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26:08

The Business of Film: Wonka & Leave The World Behind

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2023/12/14

James Cameron-Wilson celebrates UK box office +43% WoW and +173% YoY. It's the prequel Wonka that's responsible which, while a little woke and lightening Roald Dahl's dark world, is nonetheless great fun, somewhat in the moud of Mary Poppins. While Timothy Chalamet doesn't have the requisite magic, Hugh Grant excels. The music (there should be more) and dialogue is delicious and the young audience when James saw it forgot all about toilet breaks. James also saw Leave The World Behind on Netflix

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27:20

The Business of FIlm: May December, She Came To Me &...

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2023/12/07

James Cameron-Wilson takes Simon Rose through the box office chart, with takings down 25% WoW but up 43% YoY. With nothing new in the chart, still led by Napoleon, he sought out Todd Haynes's Oscar contender May December, starring Natalie Portman and Julianne Moore. About celebrity, James was enthralled, without ever feeling it quite ignited. He was more enthusiastic about Rebecca Miller's She Came To Me on Sky Cinema. With Peter Dinklage, Anne Hathaway and Marisa Tomei, it's about an opera composer

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25:54

The Business of Film: Napoleon, Wish & Nyad

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2023/11/30

James Cameron-Wilson assesses Ridley Scott's Napoleon, #1 with a take of £5.2m. Despite being 158m, he felt it cantered too rapidly through 32 years of Napoleon's life, as played by Joaquin Phoenix. However, the battle scenes are amazing, if gory, and he loved Martin Phipps's score. Shame about the longueurs. Disney's new U-certificate animation, Wish, is #3 with only £2.4m but such things are often slow starts and around for a long time. James also discussed true story Nyad, on Netflix, about a

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26:33

The Business of Film: Hunger Games 5, Saltburn,...

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2023/11/23

James Cameron-Wilson found Hunger Games: The Ballad of Songbirds & Snakes confusing and poorly made, though the new #1 helped box office rise 54% with a £5.4m take. Nor was he as enthusiastic as many critics about Saltburn, Emerald Fennell's darkly comic tale of aristocratic mayhem, though he did like Rosamund Pike's and Richard E Grant's performances, as well as the score. However, he loved the new NT Live screening of David Hare's play Skylight with Carey Mulligan and Bill Nighy, which he found

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26:14

The Business of Film: The Marvels, Anatomy of a Fall...

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2023/11/16

James Cameron-Wilson laments another weak week at the UK box office where The Marvels took only £3.5m, the lowest per screen average of all 33 films in the Marvel universe. He found it a total mess with annoying tonal shifts and no emotional traction. He admired the filmmaking in Cannes' Palme D'Or winner Anatomy of a Fall, which took £413,000 at #5 but, while critics love it, he felt at over two and a half hours, it was overlong for what is a fairly ordinary court case drama. He was much more

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26:01

The Business of Film: Fingernails, Quiz Lady &...

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2023/11/09

James Cameron-Wilson laments a box office down 44% with no new films other than high school sex comedy Bottoms. He was unimpressed by Apple TV's Fingernails with Jesse Buckley, a sci-fi romance he found weird without being funny or moving. He was, however, a fan of Disney+'s Quiz Lady, an enjoyable farce with Awkwafina, Sandra Oh & Will Ferrell which he thought great fun. He was most taken, however, by the beautifully-restored release of the 1929 Pandora's Box, starring Louise Brooks. This

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26:18

The Business of Film: Five Nights at Freddy's, Cat...

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2023/11/02

James Cameron-Wilson laments a limp box office dominated by video game spinoff Five Nights at Freddy's which took a robust £5.3m. James found it ridiculous and repetitive. He still recommends the Scorsese (#3) and The Creator (#9). On in relatively few cinemas, he's glad he sought out Cat Person, which took just £79,000. A drama about the horrors of dating, he found it funny and intentionally excruciating. He also admires Pain Hustlers on Netflix with Emily Blunt. Although not a true story as such,

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25:31

The Business of Film: Trolls Band Together, Killers...

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2023/10/26

James Cameron-Wilson takes Simon Rose through the latest UK box office chart, with takings down 9%. Trolls Band Together, the third in the series, is the new #1 with a take of £3m. Martin Scorsese's Killers of the Flower Moon took £2.5m at #2. Majestic, brutal and based on a true story, James found Robert de Niro and Leonardo DiCaprio's acting overshadowed by Lily Gladstone, who is favourite to pick up the Best Actress Oscar. Impressive though the film is he thought it too long at three and a half

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25:48

The Business of Film: Taylor Swift's The Eras Tour,...

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2023/10/19

James Cameron-Wilson reviews the latest UK box office where the Taylor Swift concert film, The Eras Tour, sweeps everything before it with a massive £5.7m take, making it the highest-ever event release in the UK, just on its first weekend. James was disappointed by The Miracle Club (#9) despite Laura Linney and Maggie Smith. Simon Rose caught up with Blackberry, finding it one of the best business movies he's seen. On Netflix, James was full of praise for hedge-fund-set Fair Play, an intense and

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