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PODCAST

Cinema60

Cinema60 is a podcast all about 1960"s cinema. Join Bart & Jenna as they examine the decade where modern cinema was born. More at: www.cinema-60.com

tv & film history

All Episodes

1:24:00

Ep #11 - Agnes Varda in the 60s

Cinema60 ·

2019/07/23

Agnès Varda was known as the “Grandmother of the French New Wave,” but really she should be known as The Queen. Not only was she the first female filmmaker to pioneer the style, but she went on to have a long and storied career, full of interesting and unique offerings. She made films right up until her death in early 2019. During the 1960s, Varda was not only breaking down barriers of film and gender, but she was coming into her own style as one of the true auteurs. She focused primarily on telling

en-US

01:29:01

Ep #10 - Kiss, Marry, Kill in the 60s: 1961

Cinema60 ·

2019/07/02

Bart and Jenna play Kiss Marry Kill with the year 1961. The following films are discussed:• Wise Guys (1961) Les godelureaux Directed by Claude Chabrol Starring Jean-Claude Brialy, Bernadette Lafont, Jean Tissier• Girl with a Suitcase (1961) La ragazza con la valigia Directed by Valerio Zurlini Starring Claudia Cardinale, Jacques Perrin, Luciana Angiolillo• The Innocents (1961) Directed by Jack Clayton Starring Deborah Kerr, Peter Wyngarde, Megs Jenkins• Splendor in the Grass (1961) Directed

en-US

01:35:04

Ep #9 - Polish Arthouse Cinema in the 60s

Cinema60 ·

2019/06/11

Poland has produced countless under-seen masterpieces since the rise of the Łódź Film School in the ‘50s. If you don’t believe us, just ask Martin Scorsese, who lent his name and energy to a 21-film restoration project because he loves Polish movies so much.Part of the reason Polish cinema remains relatively unknown is that during the ‘60s, the government kept careful watch on the content and distribution of films; it squashed any portrayals of youthful discontent and personal expression that could

en-US

01:56:00

Ep #8 - Musicals in 1964

Cinema60 ·

2019/05/21

1964 was the year that Rock’n’Roll decided it was here to stay, at least in America’s cinemas. It was a year that represented a real turning point for movie musicals, with enduring classics of both the old style and the new style making their premieres, as well as a great number of notable others from a variety of cinematic and musical approaches. Join Jenna and Bart as they traverse the entire spectrum of ‘60s musicals in a single year–including some of their all-time favorites, a few guilty

en-US

01:09:00

Ep #007 - James Bond in the 60s

Cinema60 ·

2019/04/30

Bart and Jenna get drunk in order to talk about the cultural impact that James Bond had in the 1960s, their love/hate relationship with the series, and of course their opinions on every Bond movie from the decade.

en-US

01:20:52

Ep #6 - Albert Finney in the 60s

Cinema60 ·

2019/04/09

All Albert Finney ever wanted was to be a great character actor. As one of youngest actors to gain his success through Britain’s “angry young men” movement, his stage and film career quickly helped to define it. He actively rebelled against his boyish good looks; the idea of selling of an image of celebrity to the public, positive or not, made him deeply uncomfortable. To Albert Finney, acting was always “work," and he constantly worked against being typecast. Within the ‘60s alone he landed a

en-US

01:37:39

Ep #5 - Kiss, Marry, Kill in the 60s: 1960

Cinema60 ·

2019/03/19

Bart and Jenna challenge each other to choose one film from the year 1960 that they love (“Marry”), one film they want to see (“Kiss”), and one film they hate (“Kill”).The following films are discussed:• Rocco and His Brothers (1960) Directed by Luchino Visconti Starring Alain Delon, Renato Salvatori, Annie Girardot• Strangers When We Meet (1960) Directed by Richard Quine Starring Kirk Douglas, Kim Novak, Ernie Kovacs, Barbara Rush• The Sundowners (1960) Directed by Fred Zinnemann

en-US

01:42:00

Ep #4 - Cold War Comedies in the 60s

Cinema60 ·

2019/02/26

By the 1960s, the Cold War really started to heat up. Berlin became a divided city, the space race was in full swing, the war in Vietnam was escalating, children across America were made numb to “duck and cover” drills, and the Cuban Missile Crisis practically gave the world a heart attack. You’d think with the ever-looming threat of nuclear annihilation, the subject of two headstrong superpowers bent on world supremacy would be addressed in movies of the era with only the utmost seriousness, but

en-US

01:40:00

Ep #3 - Anna Karina With Godard in the 60s

Cinema60 ·

2019/02/05

Any discussion of modernism in ‘60s films has to begin with Jean-Luc Godard, the era’s single-most important innovator in the language of popular cinema. But because the mere mention of his name can cause certain movie lovers to bristle and run as far away as possible, we decided to tackle his occasionally difficult output in the most approachable way possible. So in this episode, we focus on the films Godard made with his greatest star and muse: Anna Karina.No matter how discursive and inscrutable

en-US

01:27:00

Ep #2 - Clint Eastwood in the 60s

Cinema60 ·

2019/01/14

For our second episode, we’re focusing on one actor’s career through the decade: Clint Eastwood. Despite the fact that he got his start in 1950s television serials, the Clint Eastwood we all know and love was ‘born’ in 1964. His persona as a grimacing badass gunslinger was a carefully constructed character written by Sergio Leone for his distinctive Man With No Name series. Bart and Jenna watch every film Clint Eastwood made in the 1960s, investigating the triumphs and stumbles he took trying to

en-US

01:22:00

Ep #1 - Everybody's Talkin' in the 60s

Cinema60 ·

2019/01/01

Welcome to Cinema60, a podcast about the wild and wonderful world of 1960s cinema brought to you by two people who were born over a decade after the fact. Our first episode is a bit of a getting to know you episode, as Bart and Jenna speak for the first time about why they’re taking the plunge into making this podcast in the first place. They discuss everything from their own personal backgrounds with cinema, what it is they want from a movie, and how to approach older cinema while not betraying

en-US

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