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PODCAST

Cities and Memory - remixing the world

Cities and Memory

Cities and Memory remixes the world, one sound at a time - a global collaboration between artists and sound recordists all over the world. The project presents an amazingly-diverse array of field recordings from all over the world, but also reimagined, recomposed versions of those recordings as we go on a mission to remix the world. What you"ll hear in the podcast are our latest sounds - either a field recording from somewhere in the world, or a remixed new composition based solely on those

arts places & travel

All Episodes

6:15

Geedal in the forest with male voices

Cities and Memory - remixing the world ·

2026/02/22

Geedal (bow harp) played in the forest with male voices accompanying.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.Recorded by Louis Sarno.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds,

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2:37

Lozorüü - Angami Naga love song

Cities and Memory - remixing the world ·

2026/02/22

"Lozorüü" (tune: "Hoiyi Olle"): an Angami Naga love song performed by two men and two young women ("Though the villages are separated the herds graze together./ Upon the ridge there is a great stone to sit on").From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.Recorded by John Henry

en

27:48

Likimbi forest camp late at night

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of cassette tape and digital audio tape recordings of Bayaka music and soundscapes made by ethnomusicologist Louis Sarno mainly in the Central African Republic (and the Republic of Congo) between 1986 and 2009.Recorded by Louis Sarno.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of

en

6:21

For the sun

Cities and Memory - remixing the world ·

2026/02/22

Researching this sound and the U’wa people gave me an opportunity to scratch the surface of their deeply complex seasonal customs, involving dance, storytelling and performance. Ann Osborn (the sound recordist) documents this in her study "The Four Seasons of the U'wa: A Chibcha Ritual Ecology in the Colombian Andes".What I learned inspired me to tell a new story. In this piece you hear about Ray Collective, a dance group who couldn't be more culturally, temporally or geographically removed from

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2:06

A Vanuata hymn

Cities and Memory - remixing the world ·

2026/02/22

I heard the piece, which is a Vanuata hymn called 'You say you no want ’im married long me,' and connected with it immediately. Despite not knowing what the lyrics were about the singing was filled with emotion and a kind of melancholy that I often bring to my own work. I contacted Pitt Rivers for details on the lyrics, as I thought I would like to add my own singing to the piece, but unfortunately the sound recordist Raymond Clausen published little on his fieldwork. It turned out to be quite a

en

3:31

Mekana discussing a case of adultery

Cities and Memory - remixing the world ·

2026/02/22

Spoken word recording of Mekana discussing a case of adultery.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.Recorded by Edward Evan Evans-Pritchard.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from

en

1:27

Merer Pake: nDavu trumpet signal

Cities and Memory - remixing the world ·

2026/02/22

"Merer Pake": an nDavu trumpet signal for a full circle tusked boar.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100

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1:09

U'wa drones

Cities and Memory - remixing the world ·

2026/02/22

U'wa drones from the Andes in north-east Colombia.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of reel-to-reel recordings of U'wa songs and stories made by anthropologist Ann Osborn in the Northern Andes (Sierra Nevada del Cocuy region) in Colombia between 1969 and 1977.Recorded by Ann Osborn.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the

en

1:58

"You say you no want 'im married long me"

Cities and Memory - remixing the world ·

2026/02/22

"You say you no want 'im married long me" (song performed by men, women and children).From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of

en

5:09

On the tide

Cities and Memory - remixing the world ·

2026/02/22

I haven’t sung professionally in over 21 years and had long stopped writing and recording music. I am trying to return to it but these things are easier said than done. I was immediately drawn to this 1987 recording of a woman singing with harmonium recorded by David Mowat in the town of Mahalingapur, in the Indian state of Karnataka. It was perfect as it was – and in choosing it I knew I would be setting myself up to fail. Something about it spoke to me, though, and I felt hopeful that perhaps

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3:52

Narel (song)

Cities and Memory - remixing the world ·

2026/02/22

Narel (song) performed by Peter, Sali and Mal Sekini.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a large collection of reel-to-reel tape recordings of music and soundscapes made by ethnomusicologist Raymond Clausen mainly on the island of Malekula (Malampa Province) in Vanuatu between 1960 and 1979.Recorded by Raymond Ernst Clausen.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering

en

7:40

Narel

Cities and Memory - remixing the world ·

2026/02/22

The song "Narel" made me think about the power of separate and unique voices working together. The name Narel in Hebrew also mean "singing". I was inspired to use the field recording to make new voices that I could remix in different ways and recombine to form a new whole. In my version of "Narel", the field recording is manipulated in various ways to create different instruments - choirs, guitars, strings - upon which a new composition is built.Narel (song) reimagined by Kid Kin.———Part of the

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5:07

Woman singing with harmonium

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of songs and instruments made by playwright David Mowat across several different states in India during 1987.Recorded by David Mowat.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at

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8:50

We dance, we dream, we love (for Timon Beri)

Cities and Memory - remixing the world ·

2026/02/22

This has been the most difficult piece I have ever written for Cities and Memory. What could I add to a recording made by Patti Langton of a young Moru man - Timon Beri? The recording was of Timon singing and playing a lamellophone. Whatever I ever I did, it felt like cheap exploitation. The recording was beautiful, authentic and real.In my research I came across a paper by Patti Langton called Personal Reflections on Fieldwork: A Moral Dilemma and it resonated and hit hard with how I was feeling

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10:00

Forever lost

Cities and Memory - remixing the world ·

2026/02/22

I saw this recording before I heard it. At the Pitt Rivers Museum at the start of the project. The physical object: an original Edison wax phonograph cylinder from 1914. I was struck by how modern it seemed in some ways; the corporate branding on the label. I imagined it being purchased from a shop. Then I saw it was a recording made in Nagaland and I thought of my friend, Temsu, an artist from Nagaland. I thought of Nagaland: such a fascinating place, so rich in tradition and culture; megaliths,

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3:16

Int. exteriors (day)

Cities and Memory - remixing the world ·

2026/02/22

The field recording that I worked with was a wax cylinder recording of a Zande funeral song. One of the things that really struck me when I first listened to it was how this funeral song is buried beneath the imperfections of its recording medium – you just hear this single impassioned, grieving voice breaking out through layers of noise and obfuscation. I thought there was something strangely poignant about hearing this almost century-old funeral song, originally intended to memorialise a lost

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5:40

The land is our mother

Cities and Memory - remixing the world ·

2026/02/22

The Land is Our Mother is based on a collection of field recordings of digeridoos made for the Australian Institute of Aboriginal Studies from the archive of the Pitts River Museum. Information about the recordings is limited but they were originally recorded on reel to reel tape.The recordings are rich and varied, some including song, but I eventually had to choose some of my favourites to build the piece. I was particularly interested in using the rhythms as these are such a key aspect in the

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2:55

Ishi no ghi sholu: agricultural work song

Cities and Memory - remixing the world ·

2026/02/22

"Ishi no ghi sholu": an agricultural work song performed by a group of Sümi Naga male singers.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Naga (Angami, Sümi, Lotha, Chang and Sangtam) songs made by administrator and anthropologist John Hutton in India between 1915 and 1919.Recorded by John Henry Hutton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100

en

3:33

Zande funeral song for a woman

Cities and Memory - remixing the world ·

2026/02/22

From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of wax cylinder recordings of Zande songs, dances and spoken language made by social anthropologist Edward Evans-Pritchard in South Sudan between 1928 and 1930.Recorded by Edward Evan Evans-Pritchard.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University

en

2:36

Sanza (lamellophone) music

Cities and Memory - remixing the world ·

2026/02/22

Sanza (lamellophone) music performed by young Moru man Timon Beri.From the sound collections of the Pitt Rivers Museum, University of Oxford, being from a collection of cassette tape recordings of music and spoken language (principally Laarim) made by anthropologist Patti Langton in South Sudan during 1979 and 1980.Recorded by Patti Langton.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of

en

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