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PODCAST

The Beatles: Note By Note

Note By Note Series

A Beatles podcast that goes song-by-song through every Beatles release in chronological order. We focus on the music itself, breaking down what you’re hearing and why it works.Website: https://www.notebynoteseries.comPatreon: https://www.patreon.com/cw/NoteByNoteSeriesInstagram: https://www.instagram.com/notebynoteseries Hosted on Acast. See acast.com/privacy for more information.

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All Episodes

41:21

LS031 - Don't Bother Me - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/02/23

In this lecture, Kenyon takes a detailed look at George Harrison’s songwriting debut with "Don’t Bother Me," from With the Beatles. Written during a bout of illness in a Bournemouth hotel room, the track showcases Harrison’s unique perspective, focusing less on heartbreak and more on isolation and frustration. Kenyon examines the song’s harmonic ambiguity, highlighting its blend of Dorian and Aeolian modes, and how its use of unconventional chord choices reflects Harrison’s experimentation. The

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1:28:10

EP030 - All My Loving

The Beatles: Note By Note ·

2025/02/15

What makes “All My Loving” the song that signaled a shift in the Beatles' dynamic? In this episode, Peter and Kenyon dive into Paul McCartney’s first major contribution to the Beatles’ catalog, written during a tour bus ride in 1963. The song marked a turning point as McCartney's melodic genius began to rival Lennon’s dominance. With influences ranging from country and western to pop balladry, the track introduced signature elements like John Lennon’s relentless triplet rhythm guitar and George

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47:12

LS030 - All My Loving - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/02/15

In this lecture, Kenyon explores "All My Loving," one of Paul McCartney’s standout tracks from With the Beatles. The session delves into the song’s unique blend of emotional resonance and technical sophistication, beginning with its 32-bar form and seamless integration of A and B sections. Kenyon highlights McCartney’s innovative bassline, which employs a walking pattern to create dynamic counterpoint with the melody, and examines John Lennon’s relentless triplet rhythm guitar, which lends the song

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1:07:39

EP029 - All I've Got To Do

The Beatles: Note By Note ·

2025/02/09

Although "It Won’t Be Long" kicks off With the Beatles with a jolt of energy and ambition, "All I’ve Got to Do" takes a quieter, more introspective approach, marking a surprising tonal shift. Written by John Lennon and inspired by Smokey Robinson and the Miracles, this track was one of the earliest Beatles songs to experiment with emotional vulnerability and minimalistic arrangements. Peter and Kenyon explore the song's sparse yet impactful instrumentation, Lennon's unadorned vocal delivery, and the

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34:18

LS029 - All I've Got To Do - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/02/09

In this lecture, Kenyon explores "All I’ve Got to Do," an introspective track from With the Beatles. Written by John Lennon, the song combines soulful simplicity with sophisticated musical elements, revealing the Beatles’ growing artistic depth. Kenyon examines its unique structural features, such as the interplay between a darker, introspective A section and an uplifting middle eight, each representing contrasting emotional states. He delves into the song’s harmonic shifts between E major and

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1:17:12

EP028 - It Won't Be Long

The Beatles: Note By Note ·

2025/02/02

What if the Beatles had chosen "It Won't Be Long" as a single instead of "I Want to Hold Your Hand"? Peter and Kenyon dive into this electrifying album opener, examining its sophisticated use of unusual chord progressions, lyrical wordplay, and high-energy performance. The song captures a transitional moment for the Beatles as they began blending rock and roll vigor with more nuanced compositional techniques. The hosts explore the challenges of its recording process, including John Lennon’s vocal

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40:39

LS028 - It Won't Be Long - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/02/02

In this lecture, Kenyon unpacks "It Won’t Be Long," the electrifying opening track of With the Beatles. The session explores the song’s innovative structural ambiguity, examining how Lennon and McCartney blend elements of 32-bar form with distinct sections to craft a high-energy narrative. Kenyon highlights the song’s harmonic complexity, from its surprising use of C major and chromatic descents to its playful exploration of appoggiaturas—a Lennon hallmark. The lecture dives into the lyrical

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59:04

EP027 - I'm In Love

The Beatles: Note By Note ·

2025/01/25

John Lennon believed "I'm in Love" could be a hit—but not for the Beatles. Instead, the 1963 track was handed off to the Fourmost, offering a glimpse into the Lennon-McCartney machine’s remarkable output during their peak years. Peter and Kenyon explore the song’s bittersweet lyrics, unusual rhythmic phrasing, and its distinctive descending chord sequence, which hints at the Beatles’ early flirtation with complexity. The hosts discuss the differences between Lennon’s original piano demo—raw and

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38:11

LS027 - I'm In Love - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/01/25

In this lecture, Kenyon examines "I'm in Love," a 1963 John Lennon composition that was given to the Fourmost rather than being recorded by the Beatles themselves. The session explores the song’s lyrical evolution, including its original refrain “I’m So Glad,” and how the eventual lyric choices deepened its emotional impact. Kenyon delves into the song’s harmonic structure, with its ambiguous tonal centers and progressive ostinato, illustrating how Lennon used repetitive melodic lines to create

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1:09:20

EP026 - I Wanna Be Your Man

The Beatles: Note By Note ·

2025/01/19

Peter and Kenyon explore "I Wanna Be Your Man," a pivotal 1963 Beatles song co-written by Lennon and McCartney and famously recorded by both the Beatles and the Rolling Stones. Written in just minutes to fulfill a request from the Stones for a new single, the song marked an important collaboration and rivalry between the two bands. The hosts dive into the Beatles’ version, sung by Ringo Starr, with its distinctive bluesy drive and layered production. They also examine how the Rolling Stones made the

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31:21

LS026 - I Wanna Be Your Man - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/01/19

In this lecture, Kenyon dives into "I Wanna Be Your Man," the Beatles track written by Lennon and McCartney and performed by both the Beatles and the Rolling Stones in 1963. The session explores the song’s simple, blues-inspired structure and its playful approach to romantic lyrics. Kenyon dissects the unique musical features, including its circular chord progressions and chromatic slides, and highlights how Ringo Starr’s energetic vocal performance sets the tone for the Beatles’ version. The

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53:13

EP025 - I'll Keep You Satisfied

The Beatles: Note By Note ·

2025/01/12

Peter and Kenyon dive into "I'll Keep You Satisfied," a song written by Paul McCartney in 1963 for Billy J. Kramer with the Dakotas. The track showcases McCartney’s melodic craftsmanship during the Beatles’ peak songwriting era, blending heartfelt lyrics with catchy hooks and a lively rhythm. The hosts discuss the song’s origins, written as part of Lennon and McCartney’s efforts to provide hits for other artists managed by Brian Epstein. They analyze its dynamic chord progressions, uplifting

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39:31

LS025 - I'll Keep You Satisfied - Lecture Series (bonus)

The Beatles: Note By Note ·

2025/01/12

In this lecture, Kenyon examines "I'll Keep You Satisfied," a 1963 song written by Paul McCartney for Billy J. Kramer with the Dakotas. Exploring the lyrics, Kenyon describes the song as a confident yet straightforward romantic pitch, with simple rhymes and repetitive phrasing that reflect McCartney’s early pop sensibilities. The analysis dives into the harmonic structure, emphasizing its jazz-influenced ii-V-I progressions and a ragtime-inspired four-to-minor-four progression. Kenyon also

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1:09:31

EP024 - Love Of The Loved

The Beatles: Note By Note ·

2024/12/08

Peter and Kenyon dive into "Love of the Loved," a song written by Paul McCartney in 1959 during his Quarrymen days and later performed at the Beatles’ Decca audition in 1962. The track reflects McCartney’s early compositional style, blending melodic sophistication with heartfelt emotion. The hosts discuss the song’s journey, from an unreleased Beatles recording to a 1963 single by Liverpool’s own Cilla Black, produced by George Martin. They explore the song’s unique musical elements, such as its

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22:30

LS024 - Love Of The Loved - Lecture Series (bonus)

The Beatles: Note By Note ·

2024/12/08

In this lecture, Kenyon delves into "Love of the Loved," a Paul McCartney composition written during the pre-Beatles Quarrymen days. The session examines how McCartney’s early songwriting instincts blend heartfelt lyrics with sophisticated harmonic techniques. Kenyon explores the song’s structure, highlighting its dynamic interplay between the keys of E and G, a progressive ostinato that evolves through the melody, and the use of chromatic shifts to add emotional depth. The analysis compares the

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58:25

EP023 - Hello Little Girl

The Beatles: Note By Note ·

2024/12/01

Peter and Kenyon analyze "Hello Little Girl," the first song John Lennon ever wrote, penned at age 16 in 1957. Originally inspired by his mother’s favorite 1930s tune, the song reflects Lennon’s early melodic instincts and storytelling abilities. The hosts explore its journey from a home demo with Stu Sutcliffe on bass to the Beatles’ Decca audition and its eventual release by the Fourmost in 1963. They delve into the song’s unconventional structure, including its unique dual middle-eight sections,

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27:22

LS023 - Hello Little Girl - Lecture Series (bonus)

The Beatles: Note By Note ·

2024/12/01

In this lecture, Kenyon examines "Hello Little Girl," the first song John Lennon ever wrote, composed at age 16 in 1957. The discussion focuses on the song's lyrical simplicity, centered around themes of unrequited young love, and its unique melodic features, such as the use of a progressive ostinato and a symmetrical chord structure. Kenyon explores how Lennon’s early songwriting tendencies—playful rhymes, chromatic shifts, and repetitive phrases—reflect his youthful creativity but also his lack of

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1:04:19

EP022 - I'll Get You

The Beatles: Note By Note ·

2024/11/24

In this episode, Peter and Kenyon dive into "I'll Get You," the B-side to the Beatles' iconic 1963 hit "She Loves You." Originally titled "Get You in the End," the song showcases Lennon and McCartney's collaborative process and knack for crafting engaging melodies. The hosts explore the song's folk-inspired roots, including its connection to Joan Baez’s “All My Trials,” and how its unusual chord progressions add depth to the composition. They also discuss the recording session, produced by George

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1:01:07

LS022 - I'll Get You - Lecture Series (bonus)

The Beatles: Note By Note ·

2024/11/24

In this lecture, Kenyon explores "I'll Get You," a fascinating early Beatles track co-written by Lennon and McCartney. As the B-side to "She Loves You," this song offers a unique glimpse into the band's evolving songwriting techniques. Kenyon examines the track's lyrical themes, which blend imaginative visualization with a persistent declaration of affection, revealing John Lennon’s influence through its introspective tone and unconventional phrasing. The analysis highlights the song’s harmonic

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1:15:17

EP021 - She Loves You

The Beatles: Note By Note ·

2024/11/17

Peter and Kenyon break down "She Loves You," the Beatles' groundbreaking 1963 hit that became their best-selling single in the UK and a defining moment in their early career. They explore its origins, written "eyeball to eyeball" by Lennon and McCartney in a Newcastle hotel room, inspired by Bobby Rydell’s “Forget Him.” The hosts discuss its innovative structure, including its use of a refrain, a rare Beatles first, and George Harrison’s influential sixth chord contribution. They also delve into the

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135 results

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