Psychic Shirley with Golden Bachelor predictions! Followed by a chat with Cat & Nat unfiltered, bringing sexy back. Gobble gobble. Spoiler free* Hosted on Acast. See acast.com/privacy for more information.

Hey guys, Broc West (Video Editor Extraordinaire) is here in Japan helping me film some stuff so there will be no new videos for the next several days. If you haven't checked out my recent JFK Lancer presentation, now would be an ideal time to do so! See you soon!

On today's episode I share a true crime story about a 19 year old kid that loved 80's horror movies so much that he decided to dress up as the most notorious killer in film history, Jason Vorhees. I HOPE YOU GUYS HAD A WONDERFUL WEEKEND!!!! NOW LETS GRIND THROUGH THIS WEEKEND SO WE CAN PARTY AND GO SHOPPING AGAIN NEXT WEEKEND!!!! REMEMBER STAY FROSTY, STAY FOXY, AND MOST IMPORTANTLY STAY SAFE YOU BEAUTIFUL PEACOCKS!!!! I LOVE Y'ALL, DEUCES!!!!

Powell Robinson is an award-winning narrative and commercial Cinematographer based out of Los Angeles, represented by Zero Gravity Management.While his clientele for music video and commercial work includes world-renowned talent such as Doja Cat, The Weeknd, Jack White, Pedro Pascal, and Megan Fox – his main passion lives in feature filmmaking. Over the last two years, Powell has shot two horror films for Hulu and Worthenbrooks (previously 20th Digital). The first of which, Appendage, premiered at

On this week's Reel Talk: The New Yorker short story Cat Person has been made into a feature film - do Honey and Jonathan agree that this is a good idea? The two discuss bad fringes in Netflix's latest murder mystery Bodies, and the pressure of the hollandaise sauce is just too much for Honey watching BBC's new series, Boiling Point. Remember, if you want to get involved you can email us at reeltalk@global.comListen and subscribe to Reel Talk on Global Player or wherever you get your podcasts.

We've got our cat ears on as we begin Note-vember and our series on music movies with Josie and the Pussycats! What does Michelle think of DuJour? Which worldwide musical sensation almost played Val? Why is Seth obsessed with this movie and which real life supervillain does he compare Fiona to? All these questions and more are answered when you press play right.... now!  Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast Website

Sometimes dead is better. For this week’s episode we’re continuing our dalliance with the undead as we peak from behind our hands (at least, the more squeamish of us did) at the 1989 version of Stephen King’s most horrifying novel… Pet Sematary. Featuring terrible parenting, inevitable roadkill and the most adorable zombie in cinema history. Also Killers of the Flower Moon The joys of film festivals Gould has an idea for a cosy mystery “The cat comes back with big yellow eyes, which means it’s evil

For the eleventh month of 1993, two titan directors team up to act in a cat and mouse thriller!When career criminal Butch Haynes (Kevin Costner) escapes from prison, he haphazardly finds himself on the run with a child hostage (TJ Lowther) named Phillip. With Texas Ranger Red Garnett (Clint Eastwood) hot on his heels, Butch expounds life lessons on his captive cohort. Will the trio make it out of this sensitive situation alive and intact? Only in….A Perfect World!

Sofia and Manny talk The Marvels without giving away critical plot points. We discuss the new characters, the old relationships, and of course, Goose the alien cat! Loki Finale this week and a longer Spoiler Full episode in the feed too. Support the pod at www.patreon.com/delfinpod Follow us @DelfinPod www.patreon.com/delfinpod

James and Kevin discuss "Banana Breath" with Alison Martin. PINKY THE CAT! Aunt Infestation Restricted Bling with Drake and Brian Huskey --- Support this podcast: https://podcasters.spotify.com/pod/show/thats-a-chunky/support

Back in 2015, a young Romanian filmmaker revived an all but dead genre of filmmaking with his ultimate cult film, “Be My Cat: A Film For Anne.” I stumbled upon this flick while scrolling through Tubi and I am thrilled I did! It is such a rollercoaster of great filmmaking and, honestly, I couldn’t tell if Adrian was acting or not. His wife, Duru, an accomplished singer and actress from Turkey, have been putting their next masterpiece together for the last seven years, “We Put the World To Sleep” and

We're back with our first post-hiatus numbered episode and what a show we've got for you. Today we welcome actor, comedian, podcaster and our good friend Griffin Newman to the study group. Griffin walks us through his process as an actor, and what he calls behavioral acting—the use of secondary actions, latent desires, and bottled-up nervous energy to shape a performance and create a character that feels real. It's all about doing two or more things at once, and being as interesting as a cat. On

This is a rambling affair. You see, I was talking with this guy about midlife crisises. And then I saw this meme about The Matrix. And then I hit record, and this podcast is the result. Is life an illusion. What is real? If you could know what is real, would you? Let's find out the lessons of life, now that it's half over.

I take a bunch of detours through my first listen through of the first half of the new Blin 182 album. Hear what makes them great. Hear examples of their greatness from other albums. And find out which songs are bangers according to Hella Meh. At least on the first half of the album.

"Real life screened more daringly than it's ever been before!" One of the few films whose reputation is based as much on what isn't onscreen as what is, writer Cat Bowen joins us to talk about Orson Welles' famously interfered-with follow-up to Citizen Kane, The Magnificent Ambersons. We talk what works, what's missing, and what made Francois Truffaut call the film a "mutilated masterpiece." Hosts:Michael NataleTwitterLetterboxd Tom LorenzoTwitterLetterboxd Producer:Kyle LamparTwitter Guest:Cat

The fat orange cat finally got his big screen debut in 2004 with Garfield the Movie, the culmination of Jim Davis' long-time dream to see Garfield in theaters. Was it everything that it was cracked up to be? Why on earth did they CG Garfield but not Odie? We answer the big questions as we try to wrap our heads around the dumbest studio decision in film history.

On this episode, we’re going to do something we haven’t done in nearly a year and a half. Dedicate a show to films for whom their release was the only release ever done by a particular distributor. The Orphans. Since it’s very hard to do a full show on a distributor that only ever released one movie, I collect these orphans like a crazy cat person collects felines, and every so often unleash them grouped together so they can have their moment in the spotlight. Would you like to know

Sometimes dead is better than straight-to-streaming Look what the cat dragged into Paramount Plus: a 2023 prequel to Stephen King’s beloved 1983 novel Pet Sematary.  Long before the infamous Indian burial site brought back dead pets and run over children as flesh-eating zombies, grieving father David Duchovny dug a hole to reanimate the son he lost in Vietnam. Can longtime resident Judson Crandall justify staying on these sour grounds after tracing his hometown carnage back through the Bloodlines

Sometimes dead is better than straight-to-streaming Look what the cat dragged into Paramount Plus: a 2023 prequel to Stephen King’s beloved 1983 novel Pet Sematary.  Long before the infamous Indian burial site brought back dead pets and run over children as flesh-eating zombies, grieving father David Duchovny dug a hole to reanimate the son he lost in Vietnam. Can longtime resident Judson Crandall justify staying on these sour grounds after tracing his hometown carnage back through the Bloodlines

The fat orange cat finally got his big screen debut in 2004 with Garfield the Movie, the culmination of Jim Davis' long-time dream to see Garfield in theaters. Was it everything that it was cracked up to be? Why on earth did they CG Garfield but not Odie? We answer the big questions as we try to wrap our heads around the dumbest studio decision in film history.