We are going to take another venture into the past and look at how politics, greed and power was the cause of destroying pagan societies, accusing them as witches. We will of course draw comparison to current political situations. So if you're cemented into a belief and you want to see paganism as demons, this might not be the show for you. You might find it's your own system that is the monster. FOLLOW ME OVER ON SUBSTACK! Don't forget to check out the free content over at Substack and

Are you a Morticia, or are you a Lily? That's a question that has plagued TV views since a single autumn week in 1964 that featured two seismic TV debuts—"The Addams Family" and one week later, "The Munsters". In this two-part episode, we answer it for ourselves. We also zoom in on why audiences were ready for supernatural comfort, how the networks raced to premiere first, and what made these two “normal” families feel so different once the front door swung open. Think urban...

*Trigger Warning for discussions of addiction, alcohol and drug abuse, child exploitation, and language* Happy Halloween!!! Wyatt's back after a brief hiatus and joined by friend Frankie Sparks (@shoottheflick) to talk Dumbo. We try to bring some levity to an otherwise depressing, but insightful subject. "I'm afraid, need your aid, pink elephants on parade." Opening Music: "Dreams from Yesteryear" by Ankari References: Brogan, Scott. “The Pirate.” The Judy Room, www.thejudyroom.com/filmograph...

Regional DIY SOV horror at its finest: BMX kids dig up a cursed gargoyle, a mullet brigade faces demonic puberty, and a new Movie Melt Saint ascends. Plus: we uncover what nobody else has about director Chuck Lang's secret Vegas empire. ALSO: Battle of the Bands and lost films from Down Under.Join our Patreon if you can! ollow Cory's Self-Help Youtube Mixtapes Hope This Helps Hey, why not call us on our hotline? (724) 246-4669!

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Wes Craven's New Nightmare opens October 14, 1994. It's my first semester at NYU Film School and my favorite academic class ever, 'The Horror Film.'Objectively speaking, the film is ahead of its time, yet I walked out of the theater as angry as I've ever been after a movie, because it should have been an all-timer, as opposed to a frustrating miss.