The ocean has always felt spiritual to me — vast, healing, infinite. Through my Marine Life series, I’ve tried to capture that energy on canvas, painting whales, dolphins, sharks, and turtles as symbols of wisdom, joy, power, and patience. In this episode, I take you into the emotions and process behind this series, and why these works feel like portals to the ocean’s strength. → My Website : https://www.krititiwariart.com

Podcast ingles

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~ In this gripping chapter of “The Tyrant Boss,” I recount my rise through federal ranks, and the fearsome boss who nearly broke me. But after a life-changing baptism, a divine twist turned workplace torment into an unexpected breakthrough.~ Image generated by Canva AI.

В этом выпуске рубрики «Мир в красках» Анна Сергеева рассказала, через сколько лет после создания «Сказки о Царе Салтане» художник написал к ней иллюстрации и как сюжет рисунков переплетается с его жизнью. Любопытно, что живописец первоначально получил юридическое образование, как же тогда он стал художником? Ответы найдете в подкасте.Материал опубликован в ВК на радио "Пульс": https://vk.com/wall-131344103_13894

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A new exhibition at Monique Meloche Gallery in Chicago conveys the universal human act of grasping at wisps, distilled through a palette of earthy colors. https://art.newcity.com/2025/10/20/luke-agadas-paintings-are-spectral-depictions-of-time/

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I once earned a steady salary in IT, but felt my soul was restless. In this episode, I share why I left corporate comfort to follow the uncertain but fulfilling path of art. It’s a story of risk, freedom, and choosing passion over predictability. → My Website : https://www.krititiwariart.com

Creality Slicer is a powerful and user-friendly 3D printing software designed to optimize print quality and efficiency for Creality printers. This slicing tool converts 3D models into precise G-code instructions, ensuring flawless layer-by-layer printing. With the latest version of Creality Slicer, users can easily adjust print settings, infill density, and supports for better customization. Whether you’re a beginner or a professional, Creality Slicer software offers advanced features, seamless

Welcome to “Equilibrium is a Process” — a new section for Bitcoin wavelength analysis.You’re receiving this introduction via email. Future weekly posts will live in a dedicated section (linked from main feed updates), so your inbox stays clear. 🌊📊 INTRODUCTORY POST → BITCOIN TECHNICAL ANALYSISMY WHY:Why I study Bitcoin through Ichimoku, Gann, Fibonacci, and pattern recognition:It’s all about vibration, movement, and frequencies within wavelengths.OBSERVE + CORRELATE:When I step back and observe

Teenage Mutant Ninja Turtles #13 sells over 100,000 copies. Humanoids files for bankruptcy. Psylocke takes on Elektra in new miniseries.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

You are invited to a “Red Thread Cafe Pop In” to have Tea with The Muse with Shiloh Sophia on Saturday, October 11 at 10am pst/1 pm estBring a cuppa something good and your journal.* Opening Prayers + Poetry: Add your voices* Stardust and Soil: Full Body Heart Coherence Meditation* Share about Stardust Bones : Why this, Why now* Share from a community member about their work with IC* Highlight stories from my pilgrimage: Portugal, Malta, Paris, Miami* Mother Mary Oracle card pull* Invitation to take

Dans le cadre de l’exposition Andrea Fraser : visites de musée, les co-commissaires Mélanie Boucher et Marie-Hélène Leblanc adoptent une approche dialogique du récit se concrétisant pas une lecture différenciée de quatre œuvres connues : Museum Highlights: A Gallery Talk (1989), Welcome to the Wadsworth: A Museum Tour (1991), Little Frank and His Carp (2001) et A Visit to the Sistine Chapel (2005). Chacune des commissaires a rédigé un cartel pour l’ensemble des œuvres réunies au sein de

Dans le cadre de l’exposition Andrea Fraser : visites de musée, les co-commissaires Mélanie Boucher et Marie-Hélène Leblanc adoptent une approche dialogique du récit se concrétisant pas une lecture différenciée de quatre œuvres connues : Museum Highlights: A Gallery Talk (1989), Welcome to the Wadsworth: A Museum Tour (1991), Little Frank and His Carp (2001) et A Visit to the Sistine Chapel (2005). Chacune des commissaires a rédigé un cartel pour l’ensemble des œuvres réunies au sein de

Dans le cadre de l’exposition Andrea Fraser : visites de musée, les co-commissaires Mélanie Boucher et Marie-Hélène Leblanc adoptent une approche dialogique du récit se concrétisant pas une lecture différenciée de quatre œuvres connues : Museum Highlights: A Gallery Talk (1989), Welcome to the Wadsworth: A Museum Tour (1991), Little Frank and His Carp (2001) et A Visit to the Sistine Chapel (2005). Chacune des commissaires a rédigé un cartel pour l’ensemble des œuvres réunies au sein de

Dans le cadre de l’exposition Andrea Fraser : visites de musée, les co-commissaires Mélanie Boucher et Marie-Hélène Leblanc adoptent une approche dialogique du récit se concrétisant pas une lecture différenciée de quatre œuvres connues : Museum Highlights: A Gallery Talk (1989), Welcome to the Wadsworth: A Museum Tour (1991), Little Frank and His Carp (2001) et A Visit to the Sistine Chapel (2005). Chacune des commissaires a rédigé un cartel pour l’ensemble des œuvres réunies au sein de