Podcast Episodes - Cam Noir - Podcasts

1:11:12

Bringing indie instincts to Voicemails for Isabelle

Podcast Episodes - Cam Noir ·

2026/08/22

DP Julia Swain on faking the Golden Gate Bridge, rigging a real tour bus, and bringing indie instincts to Netflix's Voicemails for IsabellePodcast highlights include: -How Julia shot the film's pivotal Golden Gate Bridge overlook scenes without using a stage. The team scouted the real Marin Headlands, built a 3D map of the exact sightline, then recreated the spot in a Vancouver park at night, using blue screen only where the bridge needed to be. -How Julia pulled off shooting the most difficult

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1:11:12

Michael Bauman on building horror for Monster: The Ed...

Podcast Episodes - Cam Noir ·

2026/08/14

DP Michael Bauman, ASC on shooting Monster: The Ed Gein Story, building a visual language with period lenses, and lighting with just reflectors and flashlights.Podcast highlights include: -How Michael built a distinct visual language for each era with lensing shifting from period to period. Color and texture gave the digital image a weathered, film-period feel. -Lighting the Emmy-nominated Episode 6 sequence almost entirely with reflected and practical light. Rather than lighting the set

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1:11:12

Eben Bolter, ASC, BSC reimagines a noir classic in...

Podcast Episodes - Cam Noir ·

2026/07/17

DP Eben Bolter, ASC, BSC breaks down the watery, noir lighting, anamorphic lenses, and practical tricks behind Apple TV's Cape Fear.Podcast highlights include: -How Eben built Cape Fear's look around the theatrical expressionism of the 1991 Scorsese film. He used the same 2.35 aspect ratio as the Scorsese film, rather than a more conventional widescreen frame. -Working with the production design team to capture the southern humidity and watery themes. Eben chose Atlas Mercury anamorphic lenses with

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1:11:12

Lyle Vincent on lighting the darkness of The Beast in Me

Podcast Episodes - Cam Noir ·

2026/07/11

Cinematographer Lyle Vincent on shooting the Netflix series The Beast in Me with Panavision lenses and hard lighting that allow deep shadows to fall into black. Vincent's work is a continuation of his collaboration with director Antonio Campos after the HBO Max drama, The Staircase. The eight-episode limited series, shot entirely by Vincent, was approached less like television and more like one very long feature film. Podcast highlights include: -Lyle's long-running collaboration with

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1:11:12

Christian Sprenger on building the horror-comedy...

Podcast Episodes - Cam Noir ·

2026/07/01

Christian Sprenger, ASC on balancing horror and comedy in Widow's Bay with lighting, practical effects, and years of trust built with producer Hiro Murai. Podcast highlights include: -How Christian's 11-year creative partnership with executive producer and director Hiro Murai has built a shared shorthand, allowing him to pitch unconventional ideas with total trust. -Why the team resisted moody, shadow-heavy horror lighting in favor of bright, high-key images inspired by Jaws and The Shining

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1:11:12

Smoke, spotlights, Silicon Valley secrets in The...

Podcast Episodes - Cam Noir ·

2026/06/13

The Audacity DP Richard Rutkowski, ASC made Vancouver look like Palo Alto, used lens filters instead of special effects to create wildfires, and dramatized the themes of the show with spotlights and framing. Podcast highlights include: -How Richard and his crew made Vancouver look convincingly like Silicon Valley and why establishing a sense of place was a creative priority from day one. -Why glass filtration is still one of the most powerful tools in a DP's kit. -Richard breaks down exactly how he

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1:11:12

Bonus Episode: Peter Deming, ASC

Podcast Episodes - Cam Noir ·

2026/06/05

Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks. Find Peter Deming: Instagram @peter_deming Spider Noir is now streaming on MGM Plus and Amazon Prime. The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social The post Bonus Episode: Peter Deming, ASC first appeared on Cam Noir.

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1:11:12

Shooting in the dark: the making of Spider Noir

Podcast Episodes - Cam Noir ·

2026/06/05

Cinematographers Darren Tiernan, ISC and Peter Deming, ASC are the DPs of Spider Noir, the new MGM Plus and Amazon Prime series starring Nicolas Cage as the hard-boiled 1930s New York detective version of Spider-Man. The character is based on Marvel Comics featuring Spiderman Noir, and first introduced in Spider-Man: Into the Spider-Verse. Tiernan and Deming created a series that looks like a classic film noir using vintage lights, custom LUTs and a “noir vocabulary.” We dive into: -How the

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1:11:12

Evoking dread in Something Very Bad is Going to Happen

Podcast Episodes - Cam Noir ·

2026/05/23

Krzysztof Trojnar is the cinematographer of the Netflix series, Something Very Bad is Going to Happen. It’s a genuinely unsettling horror show about a woman whose anxiety about an upcoming family wedding spirals into something far darker, with Krzysztof's camera work enhancing the feeling of dread. Key Podcast Highlights: -How the visual language of the show deliberately evolves across episodes, moving from Steadicam to gimbal to handheld to body rig, mirroring the protagonist's psychological

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1:11:12

The scrappy, indie production of Hunting Matthew Nichols

Podcast Episodes - Cam Noir ·

2026/04/24

Hunting Matthew Nichols is an indie horror film that’s shot as a mockumentary/found-footage movie about a documentary filmmaker investigating her brother's disappearance 20 years earlier on Vancouver Island. Writer/producer Sean Harris Oliver and DP Justin Sebastian shot the horror film in 12 days, then independently released it into theaters.Key Podcast Highlights: -How cinematographer Justin Sebastian used Sony FX9 cameras on autofocus, shot archival footage scenes on period-correct cameras, and

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1:11:12

Two DPs, one vision: creating the look of Pluribus

Podcast Episodes - Cam Noir ·

2026/04/03

The Cinematography Podcast Episode 351: Marshall Adams, ASC and Paul DonachiePluribus DPs Marshall Adams and Paul Donachie share a visual shorthand, love of wide shots, and creative freedom to craft inventive techniques using LED panels. Key Podcast Highlights: -Marshall and Paul’s collaboration as DPs, and how their shared aesthetic vision strengthens the show. -Getting absolute top-down permission from producer/director Vince Gilligan to take creative risks. -The importance of prep, rehearsal

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1:11:12

Lawrence Sher, ASC reimagines Frankenstein for The...

Podcast Episodes - Cam Noir ·

2026/03/20

The Cinematography Podcast Episode 350: Lawrence Sher, ASCDP Lawrence Sher felt creatively challenged on The Bride! The "everything burger" movie combines many film techniques and influences, 1930's and contemporary lighting, contemporary actors dropped into archival movie footage, and practical makeup effects. Key Podcast Highlights: -Creating a stylized movie with director Maggie Gyllenhaal using multiple techniques and film influences -Honoring 1930’s filmmaking with longer lenses, and using

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1:11:12

Into the Dark Ages: the gothic vision of The Dreadful

Podcast Episodes - Cam Noir ·

2026/02/20

The Cinematography Podcast Episode 347: director Natasha Kermani and DP Julia SwainIn the medieval horror film The Dreadful, director Natasha Kermani and cinematographer Julia Swain transport audiences to the brutal landscapes of the Dark Ages. The independent film shot in Cornwall, England over 17 winter days. Key Podcast Highlights: -Development: Kermani spent years crafting the folkloric tale, prioritizing a "gothic storybook" aesthetic that blends historical iconography with psychological

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52:37

BONUS EPISODE: Sinners DP Autumn Durald Arkapaw, ASC

Podcast Episodes - Cam Noir ·

2025/12/27

The Cinematography Podcast Episode 339: Autumn Durald Arkapaw, ASCCinematographer Autumn Durald Arkapaw, ASC was first introduced to director Ryan Coogler through fellow DPs Bradford Young and Rachel Morrison. After their successful collaboration on Black Panther: Wakanda Forever, Coogler sent her the script for Sinners, a supernatural horror-action film. The film tells the story of twin brothers who return home in the 1930's to open a juke joint, only to encounter the ancient evil of the undead

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1:15:17

Bryan Fuller and Nicole Whitaker: Dust Bunny’s...

Podcast Episodes - Cam Noir ·

2025/12/20

The Cinematography Podcast Episode 338: Bryan Fuller and Nicole Hirsch WhitakerBryan Fuller has one of the most recognizable visual signatures in modern television. Whether he’s dealing with a forensic pathologist who bakes pies (Pushing Daisies) or a sophisticated cannibal (Hannibal), his work consistently balances the grotesque with the gorgeous. His style of hyper-stylized morbid surrealism was influenced by French maximalism in the 90's, such as Jean-Pierre Jeunet (Delicatessen, Amelie)

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1:15:26

Jeff Cutter: melding the alien worlds of Predator:...

Podcast Episodes - Cam Noir ·

2025/11/21

The Cinematography Podcast Episode 334: Jeff CutterCinematographer Jeff Cutter first collaborated with director Dan Trachtenberg on 10 Cloverfield Lane. Their successful partnership continued on the Predator prequel, Prey, which became Hulu's most-watched streaming premiere. Jeff and Trachtenberg found they had a strong bond over their mutual interests, such as films like Die Hard with “muscular” camerawork. As gamers, the two often use cinematic moments and cutscenes from both videogames and

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1:12:40

Pål Ulvik Rokseth: forging the fiery world of The...

Podcast Episodes - Cam Noir ·

2025/10/24

The Cinematography Podcast Episode 330: Pål Ulvik RoksethPål Ulvik Rokseth, the Norwegian cinematographer behind director Paul Greengrass's gripping drama The Lost Bus, faced a singular challenge: how to transform one of the deadliest wildfires in California history into a visceral, cinematic character. The film dramatizes the true story of bus driver Kevin McKay and schoolteacher Mary Ludwig. The two heroically navigated 22 schoolchildren to safety during the devastating 2018 Camp Fire in

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1:12:47

Matty Libatique: the NY of Highest 2 Lowest, Caught...

Podcast Episodes - Cam Noir ·

2025/09/26

The Cinematography Podcast Episode 326: Matthew Libatique, ASCCinematographer Matty Libatique, ASC, has had a productive year. Shortly after moving to New York, he began work on Spike Lee's film, Highest 2 Lowest. Immediately after wrapping that project, Matty prepped for Darren Aronofsky's Caught Stealing, and then, following a short break, he collaborated with Bradley Cooper on Is This Thing On? (which releases in December.) He found it fascinating to explore New York City through the lenses of

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57:54

Art of the one shot: Adolescence cinematographer Matt...

Podcast Episodes - Cam Noir ·

2025/08/21

The Cinematography Podcast Episode 321: Cinematographer Matt LewisIn the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediately immerses viewers in the unfolding drama. This ambitious format was a deliberate artistic choice. Both cinematographer Matt Lewis and series director Philip Barantini had previously collaborated on the independent feature Boiling Point, which also followed the one-shot format. This shared experience

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1:17:28

Luke Cormack’s unseen magic on David Blaine: Do Not...

Podcast Episodes - Cam Noir ·

2025/06/12

The Cinematography Podcast Episode 314: Luke CormackFor cinematographer Luke Cormack, filming the National Geographic series David Blaine: Do Not Attempt was an exercise in capturing the raw, unscripted moments of human connection and extraordinary feats. Luke leaned into his experience as a wildlife documentarian to patiently wait for the perfect, instinctual moments to unfold. The goal was not to capture polished performances, but the raw, visceral reactions from Blaine and the people he

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