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PODCAST

Switched on Pop

Switched on Pop

A podcast about the making and meaning of popular music hosted by musicologist Nate Sloan and songwriter Charlie Harding. Episodes every other Wednesday.

music

All Episodes

56:34

How Charlie Puth honored Whitney Houston for 125...

Switched on Pop ·

2026/04/03

Charlie Puth joins Switched On Pop in Studio A at Power Station at Berklee NYC, live before a room of current students, ten days after performing the national anthem at Super Bowl 60 and weeks before releasing his fourth album, Whatever's Clever. The conversation is grounded in one question: how do you absorb the music you love and turn it into something that actually sounds like you?Puth traces his national anthem arrangement through a lineage running from Jose Feliciano's 1968 World Series

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42:49

RAYE’s maximalist masterpiece is the hope we need

Switched on Pop ·

2026/03/31

RAYE names Amy Winehouse and Edith Piaf as her artistic predecessors on the opening tracks of new album This Music May Contain Hope. Both died young, undone by the same darkness they sang about, and placing them there reads as a dare to herself. The album that follows is her attempt to find a different ending: a 17-track, 75-minute work featuring Al Green, Hans Zimmer, the London Symphony Orchestra, and over 80 collaborators, structured around the four seasons as a journey from autumn despair toward

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56:02

Jacob Collier can make anyone sing

Switched on Pop ·

2026/03/17

Jacob Collier is a rare musician: an expert in so many musical languages (western harmony, negative harmony, microtonalism) and a phenomenal communicator about music. He's something like an Ambassador for Music, traveling the world and getting thousands of people, musicians and non-musicians alike, to sing in his audience choirs.Live at On Air Fest, this conversation, catches Jacob between projects. Last year he released The Light for Days, a comparatively minimalist collection of songs written on

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42:53

Harry Styles loses himself to dance

Switched on Pop ·

2026/03/10

The dance floor is where Harry Styles does his therapy, and this album is the session notes. Four years after Harry's House, Styles returns with Kiss All the Time, Disco Occasionally, a record built from minimal ingredients: live drums, Moog bass, nylon guitar, and synth sequences that stretch across entire songs without a drop in sight. This is Styles' anti-drop album. Where classic disco era dance celebrated collective joy, Styles uses the dance floor as a stage for self-examination.Links:

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48:12

Charli XCX’s "Wuthering Heights" fever dream

Switched on Pop ·

2026/02/24

Emerald Fennell's new adaptation of Emily Brontë's 1847 gothic romance "Wuthering Heights" is the most talked-about film of the year. But for pop lovers, the soundtrack is the real event: Charli xcx, asked to write one song, ended up recording an entire album for the movie while in the middle of the BRAT tour. If BRAT gave people permission to be messy on the dance floor, this score gives permission to be messy in your souls. But Charli isn't the first artist to channel "Wuthering Heights" into

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36:12

Jazz is A$AP Rocky’s secret weapon

Switched on Pop ·

2026/02/10

A$AP Rocky’s latest album, Don’t Be Dumb, is a wild ride through a cacophony of sounds — punk, industrial, drum ‘n’ bass, indie rock, and of course, hip hop. But on one track, “Robbery,” he and the rising superstar Doechii sample the world of jazz, specifically Thelonious Monk’s 1955 cover of Duke Ellington’s “Caravan.” In the process, Rocky and Doechii don’t just loop and flow, they create a whole narrative of jazz age victors and villains inspired by the rhythms and harmonies of jazz greats. The

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49:22

Does humor belong in music?

Switched on Pop ·

2026/02/03

What makes Weird Al songs so indelible? Why is Bo Burnham more than just a comic? How do the biggest pop hits make us crack up in the middle of a somber ballad? Humor is always present in music, but we rarely confront it head on. Until now. With the help of Comedian Chris Duffy, author of the book Humor Me: How Laughing Can Make You More Connected, Present, and Happy, and a series of lyrical submission from our listeners, we try to answer the question once posed by Frank Zappa, once and for all:

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54:37

Audrey Hobert says the quiet part out loud

Switched on Pop ·

2026/01/13

Two years ago, Audrey Hobert had never written a song. She was a staff writer on a Nickelodeon series and had recently moved in with her childhood friend Gracie Abrams in Los Angeles. About six months later, a phrase spoken by a heartbroken acquaintance caught their attention; Hobert and Abrams sang it back to each other and wrote a complete song that night. Within the following year, Hobert co-wrote songs including “I Love You, I’m Sorry” and “Risk” for Abrams’s number-two album The Secret of Us

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57:25

2026 Pop Predictions: big beat, animated avatars, and...

Switched on Pop ·

2026/01/06

It’s a brand new year, and what better way to ring it in than with the second annual Switched On Pop bingo? Like last year, Charlie, Nate, and Reanna polish their crystal balls and play Popstradamus, each throwing out eight outlandish pop predictions for the coming months. This time, there’s piano ballads, cover songs, and what Charlie calls the impending “death of auto-tune.” Get your own bingo card to play along through our ⁠Newsletter⁠! Find us on YouTube! Songs discussed: The Prodigy –

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48:32

The year that killed music

Switched on Pop ·

2025/12/16

From big-ticket albums by Taylor and Gaga, to a revival of the stomp-clap revival – 2025 had it all, for better and for worse. Now that the year has come to a close, it's time to take a look back at the past twelve months: what happened in the zeitgeist, what we loved listening to, and what we missed here on the show. Reanna, Charlie, and Nate talk about it all, including a look back at our predictions from January to check off boxes for Switched On Pop bingo.Songs discussed: Taylor Swift – The

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56:46

Why pop songwriters break the rules ft. Amy Allen

Switched on Pop ·

2025/12/12

Grammy-winning songwriter Amy Allen joins NYU Steinhardt students live to trace her path from early pitch songs to co-writing some of the decade's defining hits. She explains why Halsey's "Without Me" needed an extended chorus but no pre-made chord loops, how Harry Styles' "Matilda" required character-driven writing for emotional safety, and what made the hypnotic groove of Tate McRae's "Greedy" demand a rare third verse. Allen also unpacks the spoken hook in Rosé and Bruno Mars' "APT" and the

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40:26

How Sombr’s bedroom recordings became his biggest hits

Switched on Pop ·

2025/12/09

Sombr went from crafting raw, reverb soaked songs alone in his Lower East Side bedroom to finding his life shifting in ways he never could have predicted across 2024 and 2025. His biggest tracks kept their imperfections even as world class players at Sound City added new layers, and a disco groove he began as a late night joke transformed into a breakout moment that changed his career’s trajectory. He explains how he writes, why distortion carries emotional weight for him, how he navigates the pull

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45:17

Quitting Spotify (ft Deerhoof)

Switched on Pop ·

2025/11/25

In June 2025, indie veterans Deerhoof scrubbed their entire catalog from the world’s dominant streaming platform. The catalyst wasn't low royalties, but Spotify co-founder Daniel Ek’s investment in AI military technology through his investment firm Prima Materia. Greg Saunier and Satomi Matsuzaka explain why they are prioritizing their ethics over exposure. They argue that the "convenience" of streaming traps us in harmful systems. They’d prefer listeners explore alternative paths to hear their

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45:07

Rosalía's new album brings the symphony to the club

Switched on Pop ·

2025/11/11

Spanish pop star Rosalía is back with her new album, Lux. Over eighteen tracks, she trades in the dembow beats that filled her last record Motomami for maximalist orchestral sounds more in line with Björk than Bad Bunny. The album is dense: there's four movements, thirteen languages, arrangements by Caroline Shaw, and a wide breadth of influences – from Benedictine saints to Patti Smith. But despite (or because) all of this, Rosalía has gone on record referring to Lux as, ultimately, a pop

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39:17

Can “professor” Charlie Puth pass our qualifying exam?

Switched on Pop ·

2025/10/28

Charlie Puth breaks down his new single "Changes," a maximalist eighties production hiding a melancholy story about drifting friendships. As he prepares for fatherhood, the singer-songwriter reflects on how relationships evolve from deep conversations to small talk, why he listens to lyrics last, and his belief that music should offer a three-minute escape from life's exhaustion. Between demonstrating vocal techniques, championing forgotten producer Rod Temperton, and turning "You Are My Sunshine"

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36:36

Remembering D'Angelo

Switched on Pop ·

2025/10/21

On October 14th, the visionary musician D’Angelo passed away at 51 years old. Only releasing three albums during his lifetime, he synthesized influences from gospel, jazz, rock, and hip-hop to create a singular and transcendent sound artists still try – and fail – to emulate today. On this special episode of Switched On Pop, Charlie and Nate are joined by producer Reanna and engineer Brandon to celebrate D’Angelo through his music, discussing one song from each of his albums and highlighting his

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56:18

What do John C. Reilly and Taylor Swift have in...

Switched on Pop ·

2025/10/14

John C. Reilly joins to discuss Mr. Romantic, his theatrical tribute to the Great American Songbook that treats Irving Berlin and Tom Waits as equals in the canon of timeless American song. Reilly recorded live in one room with his band using vintage ribbon microphones, embracing the squeaks and imperfections while layering in cinematic sound effects—crickets outside a lover's window, a collect call from prison—to transform each standard into an immersive scene. But what makes a song from the 1920s

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69:02

Taylor Swift’s Showgirl Sound: How to actually listen...

Switched on Pop ·

2025/10/07

Taylor Swift's twelfth album has sparked endless speculation about who each song is "really about," but that might be the wrong question entirely. The Life of a Showgirl isn’t biography, it’s polyphonic auto-fiction, where Swift writes from multiple character perspectives while blurring the lines between autobiography and theatrical performance. The album's "showgirl sound" traces from Shakespearean tragedy (Ophelia's drowning rewritten as salvation) through Golden Age Hollywood orchestration to

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47:56

The Power of the Trio (ft. Trousdale live at USC)

Switched on Pop ·

2025/10/03

There's no lead singer in Trousdale. The trio of Quinn D'Andrea, Georgia Greene, and Lauren Jones, has shared vocal duties equally since they started singing together as students at the University of Southern California's Thornton School of Music. Since then, they've touring the world and released a sophomore album, Growing Pains, that features the trio's impeccable harmonies over 70s-inflected country-rock grooves. In this episode, Trousdale returns to their alma mater to play acoustic versions of

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34:45

Doja Cat is the new Janet

Switched on Pop ·

2025/09/30

This summer, one singular artist could be heard everywhere from the new Cardi B album to the TikTok charts: Janet Jackson. The incomparable Queen of Pop has had her fingerprints all over pop music for the past few months, and it’s never been more apparent than on Doja Cat’s “Jealous Type.” The lead single from Doja’s new album Vie has all the hallmarks of the Janet Jackson sound, from breathy and percussive vocals to nods to iconic production from Jimmy Jam and Terry Lewis.This episode of Switched

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319 results

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