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PODCAST

The Creative Process · Arts, Culture & Society: Books, Film, Music, TV, Art, Writing, Creativity, Education, Environment, Theatre, Dance, LGBTQ, Climate Change, Social Justice, Spirituality, Feminism, Tech, Sustainability

Exploring the fascinating minds of creative people. Conversations with writers, artists and creative thinkers across the Arts and STEM. We discuss their life, work and artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, Nobel Prize, leaders and public figures share real experiences and offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts and Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso,

arts performing arts

All Episodes

62:34

AI & The Future of Life with RISTO UUK, Head of EU...

The Creative Process · Arts, Culture & Society:... ·

2025/10/02

“The Future of Life Institute has been working on AI governance-related issues for the last decade. We're already over 10 years old, and our mission is to steer very powerful technology away from large-scale harm and toward very beneficial outcomes. You could think about any kind of extreme risks from AI, all the way to existential or extinction risk, the worst kinds of risks and the benefits. You can think about any kind of large benefits that humans could achieve from technology, all the way

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12:25

Nordic Art & Contemporary Perspectives at the ARKEN...

The Creative Process · Arts, Culture & Society:... ·

2025/09/25

“This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices

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69:12

The Future of Museums with MARIE NIPPER, Director of...

The Creative Process · Arts, Culture & Society:... ·

2025/09/25

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio,

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34:58

Art is a Fundamental Element of Life - Gallerist...

The Creative Process · Arts, Culture & Society:... ·

2025/09/21

“There's something fundamental about the value of art and culture. Not just being integrated for vocational reasons, but because the experience of art and having a cultural element in one's life brings enjoyment, learning, relief, or any of the many experiences and feelings that art provides. I think this is quite fundamental as an element of life. Creativity is key in any career and also in personal life, especially in terms of problem-solving, relationships, kindness, compassion, and empathy. The

en-US

38:26

How to Make an Algorithm in the Microwave with Poet...

The Creative Process · Arts, Culture & Society:... ·

2025/09/19

“Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for

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43:40

Empire of AI: Dreams and Nightmares in Sam Altman's...

The Creative Process · Arts, Culture & Society:... ·

2025/09/16

“My book is called Empire of AI because I'm trying to articulate this argument and illustrate that these companies operate exactly like empires of old. I highlight four features that essentially encapsulate the three things you read. However, I started talking about it in a different way after writing the book.The four features are: they lay claim to resources that are not their own, which is the centralization of resources; they exploit an extraordinary amount of labor, both in the development of

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19:13

Why We Need Stories in Times of Crisis: ETGAR KERET...

The Creative Process · Arts, Culture & Society:... ·

2025/09/10

“I feel that when you don't tell your story, it's as if you have a limited existence. We can always have some kind of choice, but I'm saying that the story we choose may be the most crucial choice that we make, because this story will affect all the other choices.”Etgar Keret is one of the most inventive and celebrated short story writers of his generation, a voice that captures the absurdities and profound loneliness of modern life with a deceptive, almost casual wit. His work, translated into

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68:23

Finding Humanity Through Storytelling with Author &...

The Creative Process · Arts, Culture & Society:... ·

2025/09/10

“When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at

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45:47

Arabic Literature, Palestine & The Art of Translation...

The Creative Process · Arts, Culture & Society:... ·

2025/09/03

“I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk,

en-US

46:32

Building a Vital Earth for Everyone with President of...

The Creative Process · Arts, Culture & Society:... ·

2025/08/26

“I think my role and where I'm most comfortable is focusing on the economic harms that the choices this administration is making will limit access to affordable, clean energy. Affordable energy overall, and that they will wind up harming the American people. EDF is standing up and fighting the Trump administration in court every single day. We believe, based on the facts and the law, that we have very good cases and expect to see more wins than not. When the government sets aside all of the things

en-US

42:56

The Poetics & Pedagogy of Toni Cade Bambara, June...

The Creative Process · Arts, Culture & Society:... ·

2025/08/26

“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms

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46:31

Art Without Borders - RAJIV MENON'S Vision for South...

The Creative Process · Arts, Culture & Society:... ·

2025/08/20

“I want people to understand South Asian art as broader than a single gallery or a single artist, but as a larger cultural movement. I want people to encounter art in all parts of their lives, and I’m constantly thinking about new ways to achieve that. I was very aware, as someone launching a South Asia-focused gallery, that this was the cultural dynamic that undergirded the way that most people in the West were thinking about art from the region. Taking that on directly and inviting artists to work

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16:09

What Do We Do with the One Life We’re Given? -...

The Creative Process · Arts, Culture & Society:... ·

2025/08/13

In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?PAUL SHRIVASTAVA (Co-President, The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He shares

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51:26

Creative Ireland: How Ireland Is Harnessing...

The Creative Process · Arts, Culture & Society:... ·

2025/08/12

Today, we talk about creativity—not as a luxury, but as a national strategy. Sheila Deegan is one of Ireland’s leading cultural architects. Over three decades, she’s shaped the artistic life of Limerick and helped reimagine the role of creativity in civic life. She now serves in the Creative Ireland Programme, a bold cross-government initiative that sees culture as a force for personal and national wellbeing. From children’s creative freedom to climate action, from local festivals to cross-border

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55:59

Every Monument Will Fall - DAN HICKS Explores...

The Creative Process · Arts, Culture & Society:... ·

2025/08/11

“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of

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15:03

From 'Bee: Wild' to the 'Kiss the Ground'...

The Creative Process · Arts, Culture & Society:... ·

2025/08/10

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and

en-US

60:46

All About Bees, Soil & Regeneration with Documentary...

The Creative Process · Arts, Culture & Society:... ·

2025/08/05

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.Soil has the power, through photosynthesis, to draw down

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14:14

AI, UFOs, Perception & Reality with Artist,...

The Creative Process · Arts, Culture & Society:... ·

2025/08/03

“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense

en-US

55:26

How AI is Shaping Perception, How Deception is...

The Creative Process · Arts, Culture & Society:... ·

2025/08/02

“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there’s also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data

en-US

11:20

Art, Empathy & Resilience with CADY McCLAIN, Actor,...

The Creative Process · Arts, Culture & Society:... ·

2025/08/01

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what

en-US

1,299 results

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