OZ Film Files

Bill Mousoulis is an unsung legend of Australian independent cinema on many levels. Though many know him as an Greek-Australian independent filmmaker he is also the co-founder of several Australian film cultural institutions such as the Melbourne Super 8 Film Group (1985) and the online journal Senses of Cinema (1999). In this chat Bill also tells Steve why film co-ops remain crucial in building film collectives and why filmmakers are becoming too precious in holding their films back from public

Steve Gaunson never had the opportunity to meet Alan Hopgood, the writer of Alvin Purple. However, with the donation of several of Alan's files to the Australian Screen Research Collection, it seemed an ideal opportunity to invite his daughter, renowned film academic Fincina Hopgood, for a discussion. She will share insights she gained about her father from reviewing his archives and how this process helped her navigate her grief after his passing. Hosted on Acast. See acast.com/privacy for more

Tim Chappel began his career with hand-painted costumes at Sydney's Paddington Markets. He quickly advanced to become a renowned costume designer, winning an Academy Award, BAFTA, and AFI Award. In this high-energy chat, Tim shares his experiences working between Australia and Hollywood, along with fascinating stories, including his friendship with Madonna. Hosted on Acast. See acast.com/privacy for more information.

Deb Verhoeven has long been a leading advocate for Australian film heritage. In this episode, she discusses her pivotal role in transferring the AFI Research Collection to RMIT University. Additionally, Steve and Deb explore her ongoing efforts to build and unlock archives for public access. Hosted on Acast. See acast.com/privacy for more information.

Antony Ginnane has been a prominent and influential figure in the Australian film industry since the 1970s. Steve and Tony discuss the establishment of a small distribution company, Studio Films, which imported international films. This venture marked the beginning of Tony's long and successful career as a leading film producer in Australia. He reflects on significant industry changes and his experiences working with renowned directors such as Richard Franklin, Brian Trenchard-Smith, Simon Wincer,