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PODCAST

Close Readings

London Review of Books

Close Readings is a new multi-series podcast subscription from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series. How To Subscribe In Apple Podcasts, click "subscribe" at the top of this podcast feed to unlock the full episodes. Or for other podcast apps, sign up here:

arts books

All Episodes

12:54

Nature in Crisis: ‘The Burning Earth’ by Sunil Amrith

Close Readings ·

2026/04/06

The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.In ‘The

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23:50

Who’s afraid of realism? Three stories by Anton Chekhov

Close Readings ·

2026/03/30

‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial

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24:29

London Revisited: The Medieval Capital

Close Readings ·

2026/03/23

When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to

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16:26

Narrative Poems: ‘Paradise Lost’ (Book 9) by John Milton

Close Readings ·

2026/03/16

When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will

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15:11

Nature in Crisis: ‘Blue Machine’ by Helen Czerski

Close Readings ·

2026/03/09

In Blue Machine (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible.In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy. Non-subscribers will only

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20:17

Who’s afraid of realism? ‘Notes from Underground’ by...

Close Readings ·

2026/03/02

Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of

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18:43

London Revisited: Mosaics, Archers and a Walled Garden

Close Readings ·

2026/02/23

After Roman London was hit by a catastrophic fire in about 125 AD, perhaps the result of another local revolt, it entered a new period of sophistication which saw the emergence of elaborate townhouses for its mercantile and administrative elite, richly embellished with mosaics and wall paintings. But the city had stopped growing, and when a devastating plague arrived in about 165 AD, which may well have been Europe’s first encounter with smallpox, it was probably already on a long slow decline

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19:10

Narrative Poems: 'Venus and Adonis' and 'The Rape of...

Close Readings ·

2026/02/16

Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the

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15:38

Nature in Crisis: ‘The Light Eaters’ by Zoë Schlanger

Close Readings ·

2026/02/09

In The Light Eaters (2024), Zoë Schlanger reports from the frontiers of botany, where researchers are discovering forms of sensing, signalling and responding that challenge our ideas of plants as passive life forms. Meehan Crist and Peter Godfrey-Smith explore Schlanger’s account of new research into plant behaviour. They examine the case for plant agency – and the far more speculative claims for plant consciousness – and attempt to make sense of some astonishing discoveries.Non-subscribers will

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10:27

Who's afraid of realism? 'Madame Bovary' by Gustave...

Close Readings ·

2026/02/02

‘He opened him up and found nothing.’ These are the doctor’s findings at Charles Bovary’s autopsy near the end of 'Madame Bovary'. Taken on its own, it’s a simple medical observation. In the context of Emma Bovary’s tragic story, it serves as a condemnation not just of Charles’s emptiness but the whole provincial world Flaubert has been describing.In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma’s death and argues that what made

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22:41

London Revisited: Roman Beginnings

Close Readings ·

2026/01/26

The year London was founded will always be disputed, but the most recent archaeological evidence suggests the Romans had created the first settlement on the north bank of the Thames by 48 AD, five years after their invasion. That early military encampment expanded to become a busy, cosmopolitan supply base until it was burned down in the Boudican revolt of 60 AD. In the first episode of her series tracing the history of London, Rosemary Hill is joined by Dominic Perring, archaeologist and author of

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16:49

Narrative Poems: 'Hero and Leander' by Christopher...

Close Readings ·

2026/01/19

'Hero and Leander' was published in 1598, and anyone who came across it in a stationer’s shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe’s sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid’s myth, based on a sixth-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire

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15:36

Nature in Crisis: ‘Silent Spring’ by Rachel Carson

Close Readings ·

2026/01/12

After following up a lead from a birdwatcher, Rachel Carson drew a web of connections that led to one of the most influential books of the 20th century. Silent Spring (1962) investigated the synthetic pesticides that proliferated after the Second World War, which were assiduously defended by overconfident policymakers, industrial chemists and agribusiness. The book quickly became a bestseller and kickstarted the establishment of the Environmental Protection Agency. In the first episode of Nature

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21:11

Who's afraid of realism?: 'Madame Bovary' by Gustave...

Close Readings ·

2026/01/06

Gustave Flaubert recalled in a letter that the critic Sainte-Beuve compared his style to a surgeon’s scalpel, an image taken from 'Madame Bovary'. This was not a compliment: Sainte-Beuve was anxious about the ambition of Flaubert’s ‘realism’ to cut to the bone of its characters and society at large. Karl Marx, on the other hand, praised realist writers who ‘issued to the world more political and social truths than have been uttered by all the professional politicians, publicists, and moralists put

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64:10

The Man Behind the Curtain: ‘Don Quixote’ by Miguel...

Close Readings ·

2025/12/31

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea

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17:23

Novel Approaches: ‘New Grub Street’ by George Gissing

Close Readings ·

2025/12/29

George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace. In the final episode of Novel Approaches, Clare

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17:23

Novel Approaches: ‘New Grub Street’ by George Gissing

Close Readings ·

2025/12/29

George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace.In the final episode of Novel Approaches, Clare

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34:09

Novel Approaches: 'A Christmas Carol' by Charles Dickens

Close Readings ·

2025/12/24

Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers

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34:09

Novel Approaches: ‘A Christmas Carol’ by Charles Dickens

Close Readings ·

2025/12/24

Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers

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16:55

Love and Death: Samuel Johnson, Gerard Manley Hopkins...

Close Readings ·

2025/12/22

Samuel Johnson’s doctor, Robert Levet, had piecemeal medical knowledge at best, was described as an ‘an obscure practiser in physick’ by James Boswell and was only paid for his work with gin. Yet for Johnson this eccentric man deserved a poetic tribute for demonstrating ‘the power of the art without show’, a phrase that could as much describe the poem itself. In this episode, Seamus and Mark close their series by looking at the ways in which Johnson’s elegy, 'On the Death of Dr Robert Levet',

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