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Latest Posts - Cam Noir

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1:14:54

Tobias Datum: creating the sci-fi world of Murderbot

Latest Posts - Cam Noir ·

2025/11/01

The Cinematography Podcast Episode 331: Tobias DatumMurderbot is the story of a security unit, part-human and part-machine, that has hacked its governing module to act in its own free will: mainly to be left alone to watch TV shows. Cinematographer Tobias Datum views the Apple TV+ series as a visual exploration of a synthetic being's journey toward humanity and self-discovery. Tobias worked closely with show creator and director Paul Weitz, continuing a collaboration that spans over ten years with

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1:06:35

Ula Pontikos, BSC captures unease in The Man in My...

Latest Posts - Cam Noir ·

2025/10/17

The Cinematography Podcast Episode 329: Ula Pontikos, BSCThe psychological thriller The Man in My Basement is about Charles Blakey (Corey Hawkins), a Black man in Sag Harbor, New York, who is down on his luck, unemployed, and facing foreclosure on his ancestral family home. In a desperate financial situation, Charles accepts a bizarre and extremely lucrative offer from a mysterious, wealthy white businessman named Anniston Bennet (Willem Dafoe). Bennet proposes to rent Charles's basement for a

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1:03:16

Cinematographer Kira Kelly, ASC on the unique visuals...

Latest Posts - Cam Noir ·

2025/10/11

The Cinematography Podcast Episode 328: Kira Kelly, ASC Cinematographer Kira Kelly, ASC, had a rare opportunity in the movie HIM: exploring the genres of horror and sports, which are not usually combined. She and director Justin Tipping focused their discussions on Chronic Traumatic Encephalopathy (CTE), specifically how football-related brain injuries often cause hallucinations. This condition was central to building the feeling of surrealism for the main character, Cam. Before beginning the 8

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1:27:47

Bryn Mooser and Paul Trillo of Asteria on AI in...

Latest Posts - Cam Noir ·

2025/10/03

The Cinematography Podcast Episode 327: Bryn Mooser and Paul TrilloBryn Mooser and Paul Trillo of Asteria on AI in filmmaking Asteria, an AI-driven film and animation studio, recently merged with Moonvalley, an AI research firm, to create generative video technology for filmmakers. Their AI model, Marey, is a visual intelligence model trained only on data that is fully licensed by the company. Unlike other AI companies that use large language models (LLMs) that process text, Marey is designed to

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1:20:23

John Conroy on grounding the political thriller Zero Day

Latest Posts - Cam Noir ·

2025/09/19

The Cinematography Podcast Episode 325: John Conroy, ASC, ISCFor the Netflix six-part political thriller, Zero Day, cinematographer John Conroy, ASC, ISC worked with director Lesli Linka Glatter to create a visual style that felt grounded in reality. Their goal was to make the story, which follows a cyberterrorist attack, feel like it could happen tomorrow. This approach allowed them to focus on the human element and the psychological impact of the events rather than sensationalized drama or

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1:22:35

Alien: Earth director/DP Dana Gonzales reimagines a...

Latest Posts - Cam Noir ·

2025/09/11

The Cinematography Podcast Episode 324: Producer, Director, DP Dana Gonzales, ASCDana Gonzales, ASC is a producer, director, and cinematographer known for his collaborations with visionary showrunner Noah Hawley on projects like Fargo and Legion. Dana has once again partnered with Hawley to bring the iconic sci-fi horror franchise to television with FX's Alien: Earth. Dana shares insights on his creative process, the challenges of honoring a cinematic legacy, his career path and the future of the

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1:08:56

Matthew Chuang: bringing an authentic look to Chief...

Latest Posts - Cam Noir ·

2025/08/27

The Cinematography Podcast Episode 322: Matthew Chuang, ACSChief of War is a historical drama series from Apple TV+ co-created by and starring Jason Momoa. The show features a primarily Pacific Islander cast speaking Hawaiian, and is the first program to tell the story of the brutal and unprecedented unification of the Hawaiian islands in the late 18th century. Cinematographer Matthew Chuang, ACS shot episodes 1, 2, 5, 8 and 9 of Chief of War. He teamed up with director Justin Chon, his friend and

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57:01

Cinematographer Matt Ball’s recipe for Tucci in Italy

Latest Posts - Cam Noir ·

2025/08/12

The Cinematography Podcast Episode 320: Cinematographer Matt BallFor cinematographer Matt Ball, shooting the National Geographic five part documentary series Tucci in Italy was a delightful experience. Tucci in Italy follows actor Stanley Tucci as he explores his Italian heritage, delving into regions rich in food and culture. “A big part of the success of the show is obviously Stan, but Stan wants to do it,” says Matt of Stanley Tucci. “Nobody necessarily loves getting up for work on a Monday

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1:12:35

Art of Deception: DP Christopher Ross, The Day of the...

Latest Posts - Cam Noir ·

2025/08/08

The Cinematography Podcast Episode 319: Christopher Ross, BSC The Peacock series The Day of the Jackal, a modern update of the film and novel, is an exhilarating cat-and-mouse thriller. It follows a charismatic, lethal assassin known only as the Jackal (Eddie Redmayne) and the determined MI6 agent, Bianca Pullman (Lashana Lynch), who is on his trail. Cinematographer Christopher Ross, BSC, has earned an Emmy nomination for the show's first episode. He collaborated with director Brian Kirk to craft

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1:14:27

Michael Dallatorre: creating claustrophobia in Locked

Latest Posts - Cam Noir ·

2025/07/17

The Cinematography Podcast Episode 318: Michael DallatorreIn the film Locked, cinematographer Michael Dallatorre faced a unique challenge: how to make a story primarily set inside a luxury SUV visually compelling. The plot follows small-time criminal Eddie (Bill Skarsgård) as he breaks into a high-tech vehicle, only to find himself trapped in an elaborate psychological game orchestrated by the car's vengeful owner, William (Anthony Hopkins). Mike collaborated closely with director David Yarovesky,

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1:32:04

Adam Newport-Berra on capturing chaos in The Studio

Latest Posts - Cam Noir ·

2025/06/25

The Cinematography Podcast Episode 316: Adam Newport-BerraThe Studio creators Seth Rogen and Evan Goldberg exploited every part of their knowledge and experience in the film industry to find the show's humor. Cinematographer Adam Newport-Berra worked closely with Rogen and Goldberg to achieve the show's signature style. They found the most dynamic ways to shoot scenes, with camera movements that immerse the audience in the characters' anxiety and panic. “It meant moving with the characters, moving

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29:19

Color, light and menace: DP Kim Ji-yong, Squid Game...

Latest Posts - Cam Noir ·

2025/06/16

As a huge fan of the original Squid Game, cinematographer Kim Ji-yong jumped at the opportunity to shape the visual language for the show's second and third seasons. Ji-yong has masterfully evolved the show's aesthetic, continuing to play with jarring camera perspectives. He uses disorienting low angles looking up and god-like high angles looking down to immerse the viewer in the drama. For him, color and light are the key to unlocking the show's central theme: the tension between childlike

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1:21:20

The Last of Us Season 2 DPs Ksenia Sereda & Catherine...

Latest Posts - Cam Noir ·

2025/05/28

The Cinematography Podcast Episode 312: Ksenia Sereda & Catherine GoldschmidtSeason 2 of HBO's acclaimed series The Last of Us sees a shift not only in its narrative focus but also behind the camera, with cinematographers Ksenia Sereda and Catherine Goldschmidt, ASC, BSC, taking the visual reins. The season quickly evolves from Joel and Ellie's shared journey into a harrowing exploration of Ellie's relentless pursuit of revenge following Joel's brutal death. This quest is deeply colored by her

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1:15:09

Johanna Coelho: creating intense ER reality on The Pitt

Latest Posts - Cam Noir ·

2025/04/16

The Cinematography Podcast Episode 307: Johanna CoelhoAs the cinematographer of all 15 episodes of The Pitt, Johanna Coelho helped create a fresh take on the medical genre's visual style. Executive producer John Wells wanted a feeling of constant urgency and realism to the hospital drama. They chose to treat The Pitt as if it were live theater, meticulously choreographing and blocking every action and movement within the bustling emergency room setting. Most of the episodes of The Pitt were shot in

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1:13:50

Last Take: Rust and the Story of Halyna director...

Latest Posts - Cam Noir ·

2025/03/27

Rachel Mason's documentary, Last Take: Rust and the Story of Halyna, is not a sensationalist recounting of tragedy. It's a deeply personal exploration of the life and untimely death of cinematographer Halyna Hutchins, whose life was tragically cut short on the set of Rust. Rachel, a friend and fellow filmmaker, centers the narrative on Halyna herself, weaving together interviews with her friends and colleagues to illuminate her legacy beyond the sensationalized headlines.Rachel and Halyna became

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1:20:17

Grace Point indie film director Rory Karpf & DP Al...

Latest Posts - Cam Noir ·

2025/03/19

For director Rory Karpf, a core philosophy is that things are going to change- a lesson learned from years of documentary filmmaking. This flexibility proved invaluable when crafting his indie feature, Grace Point. Adapted from a larger, more ambitious script, Grace Point tells the story of a young man on his way to a remote drug rehab. His journey takes a dark and unexpected turn when he finds himself in a strange town being chased by the locals and his own personal demons.The genesis of Grace

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1:13:02

Stephen Murphy, BSC: balancing love and terror in...

Latest Posts - Cam Noir ·

2025/03/12

Heart Eyes isn't your typical horror film or romantic comedy. It's a genre-bending fusion of sweet romance and chilling slasher horror. Cinematographer Stephen Murphy, BSC, ISC has crafted a film that authentically captures the tone of both genres. This ambitious goal required a nuanced approach to lighting and color, a visual language that could seamlessly transition between heartwarming romance and heart-pounding terror.Director Josh Ruben “was very clear from the beginning that he wanted to make

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59:45

Paul Guilhaume, AFC: opera and realism in Emilia Pérez

Latest Posts - Cam Noir ·

2025/02/19

Emilia Pérez is about a Mexican cartel leader, Manitas Del Monte (Karla Sofía Gascón) who hires a lawyer (Zoe Saldaña) to help him disappear, undergo gender affirming surgery, and transition into a woman. But even as Emilia Pérez, she is unable to fully leave her dark criminal past behind. Director Jacques Audiard saw the film as a unique blend of gritty drama like Amores Perros and an opera. He approached cinematographer Paul Guilhaume, AFC to collaborate on his vision.With a combination of

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57:34

Sugarcane filmmakers Emily Kassie and Christopher...

Latest Posts - Cam Noir ·

2025/02/12

Sugarcane is a powerful documentary film that delves into the dark history of abuse and murder at a Canadian residential school. These Catholic boarding schools in North America and Canada have caused lasting trauma across Indigenous communities. The film centers around the Williams Lake First Nation in British Columbia, where a ground-breaking investigation into the St. Joseph's Mission residential school is underway. Sugarcane is Oscar-nominated for Best Documentary Feature.Director Emily Kassie

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1:21:37

The beauty of The Brutalist: Lol Crawley, BSC

Latest Posts - Cam Noir ·

2025/01/29

The Brutalist tells the story of László Tóth (Adrian Brody) a Hungarian-Jewish architect who survives the Holocaust and emigrates to the United States. He meets a wealthy industrialist, Harrison Lee Van Buren (Guy Pierce), who recognizes his talent, and commissions him to design a grand community center. The opportunity presents both a chance for redemption and a descent into a dangerous power dynamic.Cinematographer Lol Crawley, BSC is currently nominated for an Academy Award for his stunning work

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