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PODCAST

The Bulwark Goes to Hollywood

Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.

tv & film film interviews

All Episodes

42:35

The Eternal Relevance of 'Network'

The Bulwark Goes to Hollywood ·

2025/11/07

I’m joined by Dave Itzkoff on this week’s episode to discuss Paddy Chayefsky’s classic film, Network. Dave literally wrote the book on Network in his history of the film, Mad As Hell, and had lots to say about the making of the movie, the minds behind it, and its ongoing relevance to our daily lives. I know what you’re thinking, I can practically hear your thoughts: A movie about corporations taking over news divisions and fearing problems from the FCC holding up mergers because they don’t like

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52:05

What 'A House of Dynamite' Gets Right About Nuclear War

The Bulwark Goes to Hollywood ·

2025/10/31

On this week’s episode, I’m joined by Tom Nichols—staff writer at the Atlantic, professor emeritus at the U.S. Naval War College, and all-around nuclear arms expert—to discuss Kathryn Bigelow’s new nuclear war film A House of Dynamite. On this episode, we discuss how his students reacted to previous nuclear panic films like The Day After and Threads, what the new film from Bigelow and writer Noah Oppenheim gets right about the current state of our nuclear preparedness, and what keeps Tom up at night

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55:36

Delroy Lindo Deserves a Dang Oscar

The Bulwark Goes to Hollywood ·

2025/10/24

On this week’s episode, I’m joined by Katey Rich and Christopher Rosen of The Ankler to preview the awards season and give you tips on what to check out (spoiler: Hamnet’s gonna be a big one this year) and discuss the exquisite art of Oscar prognostication. (If you enjoy this episode, make sure to check out The Ankler’s Prestige Junkie newsletter and show.) For the record, you can see my nomination guesses here at the Ankler Pundits site.One of the things we delve into is the weird position Oscar

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36:36

Crafting an Iconic Horror Movie Mask

The Bulwark Goes to Hollywood ·

2025/10/17

Hey, so, I wanted to pull an episode from the archive this week because it’s relevant to the big movie hitting theaters this weekend: Black Phone 2 follows up the surprise 2022 hit, The Black Phone, resurrecting The Grabber (Ethan Hawke) and his iconic mask. Back before that movie came out, I talked to Jason Baker of Callosum FX Studios about helping design the mask for that movie (as well as for WWE stars and the band, Slipknot) and his work with the legendary Tom Savini. We also discussed Jason’s

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32:14

How Orwell Helps Us Remember Truth

The Bulwark Goes to Hollywood ·

2025/10/10

On this week’s episode, I’m joined by Raoul Peck (I Am Not Your Negro) to discuss his new documentary, Orwell: 2+2=5. We talked about his upbringing in Haiti and having to flee a dictatorial regime there, how social media and AI manipulations help degrade the idea of objective truth, and what can be done to combat this scourge. If you enjoyed the episode, I hope you check out his documentary: it’s playing in New York City and Los Angeles now, and you can find showtimes here. It should be expanding

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47:37

How an MTV Prank Helps Explain the Internet

The Bulwark Goes to Hollywood ·

2025/10/03

Hey, before you listen to this week’s episode, do me a favor and watch the short film we’re going to be discussing. It’s only 17 minutes long, and if you’re between the age of 31 and 45 or so, I think it’ll trip a lot of your nostalgia circuits. (It’s fun for all ages, but Yourgo said this was the age range that best responded to the movie.) Here's a link: https://www.youtube.com/watch?v=snpT2i7B6MkFun right? OK, now you can listen to the episode. It’s a good chat about the nature of online

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53:27

How Movies Can Better Prep Us for the AI Threat

The Bulwark Goes to Hollywood ·

2025/09/26

On this week’s episode, I’m joined by Nate Soares to talk about his new book, cowritten with Eliezer Yudkowsky, If Anyone Builds It, Everyone Dies: Why Superhuman AI Would Kill Us All. It’s a fascinating book—some will say fearmongering and sensationalist; I, frankly, think they’re overly optimistic about our ability to constrain the development of general intelligence in AI—in large part because of how it’s structured. Each chapter is preceded by a fable of sorts about the nature of intelligence

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53:41

Why 'Haunted Hotel' Is the Perfect Spooky Season Show

The Bulwark Goes to Hollywood ·

2025/09/19

On this week’s episode, I’m joined by Matt Roller, the creator and showrunner of the new Netflix animated show Haunted Hotel. We discussed his background in television, how it helped prepare him for the long (shockingly long!) process of creating a full season of animated television, and why he is reading the comments. The show is live on Netflix now and I hope you check it out … and give it the preferred two (not one!) thumbs up, for the reasons Roller laid out in this episode. And if you enjoyed

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46:59

'Andor' and the Accelerationist Moment

The Bulwark Goes to Hollywood ·

2025/09/11

On this week’s episode, I’m joined by Tony Gilroy to discuss his work on Andor, the hit Disney+ series that’s a prequel to Rogue One but has ambitions beyond telling the backstory of the Death Star. It is, in a very real way, a TV show about our moment and the mounting tension felt throughout the political order: from Imperial troops on the streets of civilian cities attempting to provoke conflict to Luthen Rael’s (Stellan Skarsgård) campaign of violent resistance, one can’t help but draw parallels

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40:41

Does America Need a Film Tax Credit?

The Bulwark Goes to Hollywood ·

2025/09/05

On this week’s episode, I’m joined by Rep. Laura Friedman, the congresswoman from the area we colloquially refer to as “Hollywood,” to discuss her push for a national film tax credit of the sort used by the United Kingdom and other countries to lure production of movies back to the United States. We discuss her career in the TV and film industry before her move into politics, how DC is not unlike Los Angeles, and why the U.S. needs a national film tax credit more than a cost-increasing tariff on

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39:41

How an Alamo Founder Is Reinventing Theaters—Again

The Bulwark Goes to Hollywood ·

2025/08/29

On this week’s episode, I’m joined by Tim League, one of the founders of the Alamo Drafthouse and the man behind Metro Private Cinemas in New York’s Chelsea neighborhood. It’s a pretty cool concept—half fine dining, half private cinema auditorium—and I was excited to discuss the evolution of movie theaters as both viewing and gastronomic experiences. League is planning to open the theater in a few weeks, and they’re accepting reservations now; you can check out the offerings here. If you go, let me

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62:41

The Wild Career of 'Weapons' Star Toby Huss

The Bulwark Goes to Hollywood ·

2025/08/22

On this week’s episode, I’m thrilled to be joined by Toby Huss, star of the summer’s most surprising smash hit, Weapons, as well as the rebooted King of the Hill on Hulu and Americana, in theaters and VOD now. We talked about all those, plus his weird and lovely photography book, American Sugargristle, which you can (and should!) order here. Toward the end of the episode, I went full Chris Farley and did a “Hey, remember The Adventures of Pete and Pete and Carnivale? You were awesome in those”

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53:57

Ron Howard: The Most Underrated Major Director?

The Bulwark Goes to Hollywood ·

2025/08/15

On this week’s episode, I’m joined by New York Magazine’s Bilge Ebiri, who has an enormous, career-spanning interview with Ron Howard in the latest issue. We discussed what makes a Ron Howard movie a “Ron Howard Movie,” the incredibly under-appreciated Thirteen Lives, and that movie about J.D. Vance. And then we talked a bit about his fascinating history of a key element of film technology in the latest issues of Mubi’s quarterly film journal, Notebook. Why is 24 frames per second the accepted frame

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46:02

Can 'The Naked Gun' Save Hollywood Comedies?

The Bulwark Goes to Hollywood ·

2025/08/01

I asked David Poland (read his Substack!) to come on this week to pick his brain about the state of the big studio comedy, a genre that has diminished in recent years as international grosses became more important and a lot of comedy releases shifted to streaming in an effort to reduce advertising costs. Which led to us talking about the states of various genres (including horror and superhero pictures) as well as the state of play around the world. If you learned something this week, I hope you

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50:07

The Society-Deforming Spectacle of Jubilee

The Bulwark Goes to Hollywood ·

2025/07/25

On this week’s episode, I’m rejoined by Puck media correspondent Julia Alexander to discuss the absurdities of Jubilee. You might not recognize the name of the company but you’ve probably seen some of their clips; most recently, Mehdi Hasan went up against 20 self-described far-right conservatives that resulted in at least one of the participants losing his job after he proudly declared himself an autocrat and downplayed Nazi crimes during the Holocaust. Is this brand of debate spectacle lucrative

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42:31

Why Anime Is Taking Over Pop Culture

The Bulwark Goes to Hollywood ·

2025/07/18

On this week’s episode, I’m rejoined by Crunchyroll EVP Mitchel Berger to talk about anime’s increasing popularity with those yearning for community. We reference a report on the state of anime several times; you can read it here. The long and the short of it, though, is that anime is increasingly popular with Gen Z and Gen Alpha, which will likely come as no surprise to anyone who has seen the wall of manga in their local Barnes and Noble. From theatrical rollouts in the United States and around

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35:33

How 'Sovereign' Tackles a Cult with Compassion

The Bulwark Goes to Hollywood ·

2025/07/11

On this week’s episode, I talked to Christian Swegal, the writer-director of the new film Sovereign, about his new film and its focus on the cult-like behavior of the Sovereign Citizen movement. We discussed Nick Offerman’s commanding lead performance, how you adapt a movie with an ending and setting as tragic as this one, and the difficulty of finding compassion even for those who seem to deserve it least. If you enjoyed this episode, make sure to check out Sovereign, which is in theaters and on

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46:02

Is 'F1' a Hit? How Do We Even Judge That?

The Bulwark Goes to Hollywood ·

2025/07/03

Always glad to talk to the Entertainment Strategy Guy (read him here!) about the state of play in the world of streaming and beyond. Among the topics discussed this week: Whether or not F1: The Movie is a hit (and what being a “hit” means for a $200 million original for Apple as opposed to a different type of movie for a different type of studio); whether F1, the sport, is a butts-in-seats phenomenon in the United States; why the streaming wars are tightening and other streaming services are closing

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13:55

How Zombies Can Help Explain Political Theory

The Bulwark Goes to Hollywood ·

2025/06/27

On this week’s episode, I’m joined by Daniel Drezner—cohost of the Space the Nation podcast with Ana Marie Cox and proprietor of the Drezner’s World Substack—to discuss the eternal popularity of zombies (most recently via the hit movie 28 Years Later, which I reviewed here) and the continued relevance of his book, Theories of International Politics and Zombies, which is now in its third edition. We chatted about the ways different political theories might confront waves of the undead and discussed

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43:14

You Can Make a Movie with Your Phone

The Bulwark Goes to Hollywood ·

2025/06/20

On this week’s episode, I’m rejoined by Bart Weiss to discuss the evolution of the iPhone-shot movie from Tangerine to 28 Years Later and his recent book, Smartphone Cinema: Making Great Films with Your Mobile Phone. You have the power to make a movie in the palm of your hand: will you use it? If you enjoyed this episode, please share it with a friend!

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97 results

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