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PODCAST

The Bulwark Goes to Hollywood

Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.

tv & film film interviews

All Episodes

38:13

Lou Diamond Phillips's Riveting New Film

The Bulwark Goes to Hollywood ·

2026/04/24

On this week’s episode, I’m joined by Lou Diamond Phillips, who you know from … well, tons of stuff. La Bamba, Young Guns, Longmire, and last year’s best new TV show, The Chair Company. He’s on the show this week to discuss his new film, Keep Quiet, which is playing this Saturday evening at the Dallas International Film Festival and should hit theaters this summer. We talked about all sorts of stuff, but one thing I find really fascinating is Keep Quiet’s place in the burgeoning mini-genre we might

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64:06

What America Loses if WB and Paramount Merge

The Bulwark Goes to Hollywood ·

2026/04/17

Special two-part episode of the podcast this week! The big news in Hollywood this week has been the burgeoning effort by Hollywood creatives to fight the purchase of Warner Bros. by Paramount Skydance. Thousands of names—including some of the biggest in the business—have signed an open letter in the hopes of demonstrating that not everyone in the industry is on board with the potential deal. So I wanted to talk to some of the folks behind it.First up is an interview with Ted Hope, indie producer

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43:19

'The Christophers': Emotionally Authentic Art

The Bulwark Goes to Hollywood ·

2026/04/10

I’m joined on this week’s episode by Ed Solomon, the writer of the new Steven Soderbergh feature, The Christophers, which is in limited release this weekend and going wider next. It’s the story of an aging artist, played by Ian McKellen, and his new assistant, played by Michaela Cole, who has been hired by the artist’s son and daughter to forge a series of paintings from an earlier, more successful period in his career. The idea being that, when he dies, the kids can sell the “found” works for

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54:10

The Cross-Country Making of 'Forrest Gump'

The Bulwark Goes to Hollywood ·

2026/04/03

On this week’s episode, I’m joined by Steve Starkey to discuss his new book, On the Set of Forrest Gump. Steve won an Oscar for best picture as producer on that film, but he has a career that, as I told him, has meant a lot to me, with credits on, among other pictures, Empire Strikes Back and Return of the Jedi, Who Framed Roger Rabbit, the two Back to the Future sequels, Contact, Cast Away, and, of course, Forrest Gump.We discussed all sorts of stuff here, from the movie magician who made Lt

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51:15

How America Learned to Stop Worrying and Love Gambling

The Bulwark Goes to Hollywood ·

2026/03/27

On this week’s episode, I’m very pleased to be joined by McKay Coppins, author of April’s cover story in The Atlantic: “Sucker: My Year as a Degenerate Gambler.” We discussed the rise of sports betting apps, why his boss gave him $10,000 to lose, how the wild proliferation of sports gambling could destroy faith in the sports we watch, and why Kalshi/Polymarket could wind up getting people killed. If you enjoyed this episode, please share it with a friend! And make sure to read McKay’s story! It’s

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56:53

Can Every Movie Make Money?

The Bulwark Goes to Hollywood ·

2026/03/23

I’m very pleased to be rejoined by Kevin Goetz, who is the guru of movie testing to discuss his latest book, How to Score in Hollywood. When you spend nine figures on a film and another eight figures marketing it, you want to know what works for audiences and what doesn’t, and Kevin’s the guy who can help you do that. He believes that nearly every movie—if it’s made for the right price and marketed to the right people—should be able to make money, and he’s happy to explain how his company, Screen

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51:53

Larry McMurtry: Man of the West

The Bulwark Goes to Hollywood ·

2026/03/20

On this week’s episode, I’m very pleased to be joined by David Streitfeld to discuss his new book, Western Star: The Life and Legends of Larry McMurtry. Amongst the topics discussed: McMurtry’s obsession with book buying and selling; how his books and the films they were made from helped shape the view of the west; and why Lonesome Dove—both the book and the miniseries—endures more than 40 years later. From The Last Picture Show to Brokeback Mountain, McMurtry rests alongside Cormac McCarthy one of

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58:44

Ethan Suplee and the Challenge of Getting Nasty

The Bulwark Goes to Hollywood ·

2026/03/06

On this week’s episode, I’m very pleased to be rejoined by Rod Blackhurst (we had him on a couple of years back to discuss his indie crime drama Blood for Dust) and joined for the first time by Ethan Suplee, veteran character actor we all know and love from films like Mallrats, Remember the Titans, and The Wolf of Wall Street and TV shows like My Name Is Earl. We’re discussing their new film, Dolly, a true indie endeavor made in the spirit of American classics like The Texas Chain Saw Massacre and

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34:17

'Sirāt' and Finding Community in the End of the World

The Bulwark Goes to Hollywood ·

2026/03/04

We have a special bonus episode this week: I’m joined by Óliver Laxe, the director of the Oscar-nominated Sirāt, to discuss his film about a rave at the end of the world and how we can find community in an age of dislocation and isolation. I wanted to get this out now because a.) the film is expanding this weekend, b.) Laxe himself will be in attendance at a handful of shows across the country over the next week or two here, and c.) it really is the sort of movie you need to see in a theater. For

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37:42

How Three Friends Saved, and Destroyed, Hollywood

The Bulwark Goes to Hollywood ·

2026/02/27

I’m joined by Paul Fischer on this week’s episode to discuss his new book, The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema. It’s a fascinating look at a pivotal moment in film history, when the breakdown of the studio system gave rise to the auteurist 1970s, the first half of which was dominated by Francis Ford Coppola, only to cede the landscape to the blockbuster entertainments that George Lucas and Steven Spielberg mastered in the back half of

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53:45

Oscar-Nominated Doc Exposes Alabama's Brutal Prisons

The Bulwark Goes to Hollywood ·

2026/02/20

This week, I’m joined by Andrew Jarecki and Charlotte Kaufman to discuss their Oscar-nominated documentary, The Alabama Solution. Currently streaming on HBO, their documentary combines interviews, investigative journalism, and footage from within the prisons themselves obtained via contraband cellphones to reveal the horrible and dangerous living conditions of those serving time in the Alabama correctional system. It’s a documentary primed to shock the conscience, and I hope everyone out there

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47:57

Read All About 'The Late, Great Hannibal Lecter'

The Bulwark Goes to Hollywood ·

2026/02/13

Remember that weird moment in the 2024 campaign cycle where Donald Trump started referring to how much he loved and identified with “the late, great Hannibal Lecter”? That was odd, right? I discussed that and more with Brian Raftery, whose new book Hannibal Lecter: A Life is both the perfect Valentine’s Day gift for the love consuming your heart and a fascinating portrait of a bizarre creation from a reclusive writer. Indeed, the most interesting part of the book is the early deep dive into the life

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40:41

'Good Luck, Have Fun, Don't Die' Screenwriter on Our...

The Bulwark Goes to Hollywood ·

2026/02/06

I’m very pleased to be joined this week by Matthew Robinson, who is the screenwriter of the new film, Good Luck, Have Fun, Don’t Die. It is the rarest of things: a mid-budget, high-concept, sci-fi action-comedy. Starring Sam Rockwell as a time-traveler from a ruined future (or possibly just a bum with a fake bomb strapped to his chest), Robinson and director Gore Verbinski (The Ring, Pirates of the Caribbean) have crafted a piercingly satirical take on our obsession with screens, our inability to

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31:06

The Last Action Director

The Bulwark Goes to Hollywood ·

2026/01/29

On this week’s episode, I’m very pleased to be joined by Ric Roman Waugh, the director of the new film Shelter, starring Jason Statham. We talked a lot about making that movie and how he best utilized Statham’s skills as opposed to Dwayne Johnson’s in the movie Snitch or Gerard Butler’s in the Greenland films, Kandahar, and Angel Has Fallen. Shelter, which is in theaters now, is a little more meditative than some of Statham’s recent work, though no less effective for it. We discussed why Statham

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37:45

2026 Oscar Nominations: A 'Sinners' Paradise?

The Bulwark Goes to Hollywood ·

2026/01/23

The Oscar nominations dropped yesterday morning and I grabbed our favorite Oscar prognosticators, Katey Rich and Christopher Rosen of The Ankler’s Prestige Junkie, to chat about what it all means. Does Sinners’s 16 nominations mean it could upset One Battle After Another for best picture? What does it mean that Wicked: For Good took home zero nods? Perhaps most importantly: Will Delroy Lindo get his dang Oscar, as we demanded back in October? All that and more on this week’s episode, including a

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55:36

Chuck Klosterman on his new book, 'Football.'

The Bulwark Goes to Hollywood ·

2026/01/16

On this week’s episode, I’m joined by Chuck Klosterman to discuss all things football and his new book, aptly titled Football. (Please buy a copy for yourself and your friends; you’ll thank me, and then your friends will thank you.) We hit on an array of topics, including but not limited to the potential demise of the sport, the ways in which television and football are a perfect match, why streaming services are spending billions to acquire the rights to NFL and NCAA games, how gambling and fantasy

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54:46

An Age of Cultural Stagnation

The Bulwark Goes to Hollywood ·

2026/01/09

On this week’s episode, I’m pleased to be joined by W. David Marx, author of the new book Blank Space: A Cultural History of the Twenty-First Century. Alongside Marx’s Status and Culture, this book is one of the key texts to understanding how and why the culture has shifted so radically so quickly: the combination of “poptimism” (we discuss what, precisely, this is early on) and cultural omnivorism (the merging of all genres and all forms into a sort of equally viable mass entertainment) and the

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51:22

Sitting Shiva for Rob Reiner

The Bulwark Goes to Hollywood ·

2025/12/19

On Monday, Sam Stein DMed me and asked if we could put together a little livestream event celebrating the work of Rob Reiner; he described it as sitting shiva, and I was happy to take the lead on putting this group of mourners together. I was joined by my colleague Bill Kristol, The Ankler’s Richard Rushfield (whose great column on Reiner you can read here), and Semafor’s Dave Weigel (whose book on prog rock is a must-read for fans of the genre).

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27:55

What Might Netflix Do with WB's Live Experiences?

The Bulwark Goes to Hollywood ·

2025/12/12

On this week’s episode, I’m joined by Vulture’s Nicholas Quah to discuss his and Savannah Salazar’s piece on what Netflix might do with Warner Bros.'s tie-ins with Universal Studios and Six Flags, and then expanded the conversation to consider the vast universe of WB’s entanglements. The studio also owns an enormous video game company, the second-biggest comic book company in DC Comics, and all sorts of other stuff. What is Netflix going to do with all these disparate pieces? Who knows! But we do

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53:06

Netflix Buying WB Means Reduced Competition

The Bulwark Goes to Hollywood ·

2025/12/05

On this week’s episode, I’m rejoined by Scott Mendelson of The Outside Scoop, whom I’ve tasked with answering a very simple question: Is there a good business case to be made for rebooting the Rush Hour franchise or is it merely a (very odd) sop to Donald Trump and his wife’s chronicler, Brett Ratner? (:47). Then we discussed Zootopia’s crazy popularity in China. (14:16) We taped this episode before news broke that Netflix had completed its purchase of the studio and streaming assets of Warner

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120 results

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