The Reality Machine

It’s time! We’re pulling back the curtain to reveal how the reality TV machine actually works behind closed doors. We look at the art of story production and the (dark?) art post-production, where hundreds of hours of raw footage get condensed into 23- or 45-minutes of tight, emotional primetime television.The Traitors NZ series producer Sarah Hadfield demystifies some of the terms and technique, while we explore the controversial technique of the "frankenbite" (splicing audio together to

We’re heading back to the late 1990s and early 2000s, when shows like Flatmates, Treasure Island, and The $20 Challenge first hit Kiwi screens. It was the wild west of local television, where ambitious producers and crew were basically inventing the rules as they went along, driven in part by the sudden arrival of lightweight digital video cameras and computer-based video editing.Cameraman Craig Wright talks about being both on-screen and behind the camera for Flatmates, while producer Amanda Evans

It’s time to take a hard look at what happens when the relentless drive for high ratings pushes reality TV over the line. From the notorious live-broadcast bullying on The X Factor NZ to catastrophic pyrotechnic mishap on Going Straight, we explore the infamous moments when production decisions have crashed into ethical, physical, and psychological safety boundaries.Producer Bailey Mackey talks about his controversial creation, The GC, and how the series came to be.Go to this episode on rnz.co.nz

Mediawatch host Colin Peacock chats with Dylan Reeve and Phil Vine, host and producer of the new RNZ podcast series The Reality Machine.Go to this episode on rnz.co.nz for more details

We’re unpacking why so many Kiwis love, and sometimes love to hate, unscripted TV. We look at the disconnection in calling the genre "junk food television" while also tuning in by the hundreds of thousands. And looking at how these series do far more than just generate ad revenue; they actively shape our cultural conversations, push representation forward, and mirror who we are as a nation.Comedian Chris Parker tells us how winning Celebrity Treasure Island transformed his career, while writer Alex

Dylan Reeve dives into the fuzzy origins of reality TV in Aotearoa to try and figure out what we even mean when we say ‘Reality’. He looks at our local shows, ranging from fly-on-the-wall docuseries like Motorway Patrol into heavily constructed social strategy games like Treasure Island and The Traitors, exploring how a format with almost no fixed rules managed to grow into one of our biggest pop-cultural touchstones.Greenstone’s Rachel Antony and The Spinoff founder Duncan Grieve help us unpack

Television insider Dylan Reeve dives into the history of Reality TV in Aotearoa. From Popstars to The Block, The Traitors and NZ’s Got Talent to Dream Home and Treasure Island, Dylan is pulling back the curtain on what makes Reality TV what it is.Go to this episode on rnz.co.nz for more details