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PODCAST

Celebrate Creativity

This podcast is a deep dive into the world of creativity - from Edgar Allan Poe and Walt Whitman to understanding the use of basic AI principles in a fun and practical way.

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All Episodes

14:24

A Day in Stratford

Celebrate Creativity ·

2026/01/18

Send us a text GEORGE: Close your eyes and stand with me in Stratford-upon-Avon—an English market town of roughly fifteen hundred souls, ringed by fields, sheep, mud, and gossip. No phones. No streetlights. No “I’ll do it tomorrow” the way we mean it. And today, we’re not going to London. We’re not going to the Globe. We’re going to spend one ordinary day in Stratford— and watch how an ordinary day can build an extraordinary mind. SFX: Footsteps on packed earth. A door opens. GEORGE...

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24:37

Rhetorical Triangle, Part 2

Celebrate Creativity ·

2026/01/15

Send us a text Welcome to celebrate creativity - and this series is Conversations with Shakespeare. Rhetorical triangle - part two In the previous podcast we talked about the three central parts of a rhetorical triangle - think of the rock group ELP or Emerson Lake and Palmer from the 70s and you have E for ethos P and L for logos. Hope you've got that down Now the three aspects of rhetoric shown on the sides of the triangle are: -and stay with me Purpose Purpose is the author's reas...

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19:23

The Rhetorical Triangle, Part 1

Celebrate Creativity ·

2026/01/15

Send us a text I have decided to call a slight halt to episodes regarding Shakespeare's initial exposure to rhetorical devices for several reasons. I wanted to concentrate on a few of the major rhetorical devices, and I have done so in the past few episodes. And I certainly will talk about some of the rhetorical devices that were most important to Shakespeare during future episodes. And no, this is not the last time that I will mention rhetorical devices. But ultimately, th...

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14:42

Aporia: The Art of Uncertainty

Celebrate Creativity ·

2026/01/13

Send us a text Tonight’s device is one I love because it feels human. It’s called aporia. GEORGE: Master Shakespeare, I’m going to pronounce it and then stare at you like a student: uh-PORE-ee-uh. SHAKESPEARE (approving): Aye. A word that already sounds uncertain—fit for its purpose. GEORGE: Listeners—plain definition: Aporia is when a speaker expresses doubt or uncertainty—real or performed—often as a way to think out loud, invite the audience in, or make a point feel more honest. In o...

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11:57

Tricolon: List of Three

Celebrate Creativity ·

2026/01/04

Send us a text SHAKESPEARE: Aye. The mind loves threes. Beginning, middle, end. Birth, life, death. Knock, knock, knock. GEORGE: I knew you’d do that—three examples to explain the “rule of three.” SHAKESPEARE: Would you have me offer four? That way lies chaos. GEORGE: So why does three work so well? What’s the magic? SHAKESPEARE: Because one is a point. Two is a choice. Three is a pattern. GEORGE: That is… annoyingly perfect. SHAKESPEARE: I have practiced. GEORGE: Okay—if ...

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18:50

Opposites Attract: Antithesis

Celebrate Creativity ·

2026/01/04

Send us a text GEORGE: All right, for the listener who doesn’t want a grammar lecture: antithesis is when you place two opposing ideas side by side—often in a balanced structure—so the contrast hits hard. Like: light and darkness, love and hate, life and death. Well let me see let's say give me a famous example one that listeners will recognize SHAKESPEARE: Aye. Two wrestlers in one ring. The mind loves a contest. GEORGE: Now—here’s my big question. Why does antithesis feel so S...

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19:01

Say It Again, Will: Anaphora

Celebrate Creativity ·

2026/01/04

Send us a text GEORGE: Master Shakespeare, are you with us? SHAKESPEARE (warm, amused): Indeed, sir. I am ever at your elbow—though I confess, your age is wondrous. In mine own day, men grew old chiefly by avoiding theaters. GEORGE: Ha! We’ll take the win where we can. All right—anaphora. I’m going to pronounce it slowly so I don’t embarrass myself: a-NA-pho-ra. SHAKESPEARE: A fair stumbling, sweetly done. And what think you it means? GEORGE: Here’s my best “general adult” definition: ana...

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21:53

Rhetoric Gym

Celebrate Creativity ·

2026/01/04

Send us a text GEORGE (to mic, playful): All right. Confession Some people hear the phrase “rhetorical devices” and immediately reach for the nearest exit sign. But over the years I have learned that rhetorical devices are not decorations. They’re not lace on the edge of language. They’re engines. They’re how a speaker makes an audience feel the truth— even when the truth is… being negotiated. And Shakespeare? Shakespeare wasn’t born with a quill in his hand. He was trained. Today we wa...

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22:05

Shakespeare's First Home

Celebrate Creativity ·

2026/01/03

Send us a text George: Stratford-upon-Avon is not London. Not even close. London is noise—argument, urgency, ambition. London is a place where a man can vanish into a crowd and become someone else by lunchtime. Stratford is… remembered. Stratford is: “Ah, there he goes—John Shakespeare’s boy.” Stratford is: “Did you hear what the Ardens are up to?” Stratford is: “Mind your tongue—your aunt will hear you from three streets away.” It is a market town, where your reputation is a second coat yo...

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29:47

Transitions

Celebrate Creativity ·

2026/01/02

Send us a text Welcome to Celebrate Creativity. I’m George Bartley. For the next section of this podcast, I’m beginning a new series I’m calling Conversations with Shakespeare. And tonight's episode is called get here anyone who ever try to do the right thing Transition to Shakespeare. I want to start with something simple—something honest. I’m doing this now because I’m seventy-five years old, and I have finally stopped worrying about whether I’m doing Shakespeare...

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24:34

We Need to Talk

Celebrate Creativity ·

2026/01/01

Send us a text NARRATOR: New Year’s Day. The museum is quiet the way a room gets quiet after somebody says, “We need to talk.” Last night the toys lit up the patio with fireworks— and the Director lit up the Night Watchman with consequences. And now… here is the night watchmen NIGHT WATCHMAN (low, to himself): Okay. I’m not breaking in. I’m… returning property. And maybe… returning hope. NARRATOR: He’s been fired. But he came anyway—because when you care about a place, you don’t stop cari...

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21:10

The Patio Rebellion

Celebrate Creativity ·

2025/12/31

Send us a text NARRATOR: The Night Watchman rises from his desk and follows the sound—past the exhibits, past the quiet corridors, toward the patio doors. Outside, the winter air holds that New Year’s feeling: cold, sharp, expectant. And inside the museum… something is celebrating like it has a permit. SFX: Door latch. Soft squeak. Patio door opens. SCENE 1 — THE PATIO REVEAL SFX: Outdoor patio ambience: faint wind; distant city fireworks; then—very close—party pops, tiny whistles, and to...

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20:34

Blank Slate

Celebrate Creativity ·

2025/12/30

Send us a text NARRATOR: In the museum, toys do not age the way people age. They don’t get older, exactly. They get… remembered. And on the last nights of December, the museum feels like a giant attic— full of objects that once felt brand new… and now feel like proof that time is real. NIGHT WATCHMAN (to mic, mock-host): Good evening, ladies and gentlemen, and welcome to Late Night at the Toy Museum— Tonight we’re approaching New Year’s. That magical time when everybody vows to “turn ...

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19:08

String Theory

Celebrate Creativity ·

2025/12/29

Send us a text NIGHT WATCHMAN (to mic, mock-host energy): Good evening, ladies and gentlemen, and welcome to Late Night at the Toy Museum. Tonight’s top story: New Year’s Eve is the day after tomorrow, which means the museum is preparing the traditional celebration of “fresh starts”… by using the same extension cords from 1997. And speaking of 1997—remember when our biggest problem was keeping a Tamagotchi alive? Now I can’t even keep my phone alive without carrying a charger like it’s a li...

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25:14

The Color of Thinking

Celebrate Creativity ·

2025/12/28

Send us a text NARRATOR: Welcome back to the Metropolitan Museum of Toys and Childhood Artifacts—where the lights dim, the doors lock, and the exhibits do what exhibits are not supposed to do. [SFX: A security door clicks shut.] NARRATOR (cont.): Tonight, our night watchman makes his rounds with a thermos of tea, a sensible flashlight, and the quiet confidence of a man who believes no object smaller than a breadbox could possibly ruin his evening. [SFX: Footsteps. Keys jingle softly.] NIG...

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20:40

Lite-Brite, Artist in Residence

Celebrate Creativity ·

2025/12/27

Send us a text NIGHT WATCHMAN (mildly amused, to himself): All right, Museum. Let’s see what you’ve got tonight. No stampedes. No… spontaneous karaoke from the animatronics. And if the wind-up monkey even looks like it’s planning something—no. SFX: a faint plastic “tap… tap… tap” NIGHT WATCHMAN: What was that? SFX: tiny clicks, like pegs being nudged in a bowl NIGHT WATCHMAN (approaching): Okay. Either a mouse has learned arts and crafts… or— LITE-BRITE (grand, theatrical, a...

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26:50

Furby After Dark

Celebrate Creativity ·

2025/12/26

Send us a text NIGHT WATCHMAN (EBENEZER, cheerful): All right, toys—another calm, orderly night. Nothing’s going to— SFX: A sudden electronic WHIRR from a glass case. SFX: Tiny motor clicks: eyelids opening. SFX: A bright chirp, then a giggle. FURBY (loud): KAH! DOO-AY! NOO-LAH! NOO-LAH! NIGHT WATCHMAN (startled, then amused): …And right on schedule, the museum installs a tiny chaos engine. FURBY: A-LOH! MAY-MAY! A-LOH MAY-MAY! NIGHT WATCHMAN: Hello to you too, Sir Fluffington. Let’s ke...

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20:24

More Joy

Celebrate Creativity ·

2025/12/25

Send us a text NARRATOR: It’s Christmas Eve at the Metropolitan Museum of Toys and Childhood Artifacts— after the last visitor has gone, after the gift-shop lights click off, after the lobby wreath stops smelling like “busy” and starts smelling like “quiet.” [SFX: KEY RING JINGLE. DOOR CLICKS. FOOTSTEPS ON TILE.] NIGHT WATCHMAN (GENTLE, CONTENT): All right, everybody… Merry Christmas Eve. (beat) Now… let’s have a peaceful night. No surprises. No— NIGHT WATCHMAN (LOOKING UP): …No surprise...

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15:28

Christmas Eve

Celebrate Creativity ·

2025/12/23

Send us a text NARRATOR: It’s Christmas Eve at the Metropolitan Museum of Toys and Childhood Artifacts— after the last visitor has gone, after the gift-shop lights click off, after the lobby wreath stops smelling like “busy” and starts smelling like “quiet.” [SFX: KEY RING JINGLE. DOOR CLICKS. FOOTSTEPS ON TILE.] NIGHT WATCHMAN (GENTLE, CONTENT): All right, everybody… Merry Christmas Eve. (beat) Now… let’s have a peaceful night. No surprises. No— NIGHT WATCHMAN (LOOKING UP): …No surprise...

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17:29

Man in Motion

Celebrate Creativity ·

2025/12/23

Send us a text This episode begins with the night watchmen engaged in conversation with Rubik's Cube. NIGHT WATCHMAN: Mr. cube, I want the museum-tour version of how to start. RUBIK’S CUBE: Very well. Rule one: Choose one face to become your “home.” Many begin with white—because it is easy to recognize. But any color will do. RUBIK’S CUBE: Rule two: Do not attempt to solve everything at once. Solve a layer. Then another. Then another. NIGHT WATCHMAN: So… first you build a little island of...

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