Op een regenachtige middag in stond Laura in het Superkilen Park in Kopenhagen. Een dame fotografeerde haar vriendin, die met een rode paraplu poseerde - inclusief zo'n typisch Instagramloopje, zodat het er "spontaan" uit zou zien. De wind bemoeide zich er vervolgens meermaals mee, en Laura stond er als stiekeme toeschouwer naast mee te fotograferen.En omdat de foto bij Sofie thuis aan de muur hangt, bespreken ze de foto samen. (Sofie was eerder te gast in aflevering 3 van Vink

Episode 113: A Cacophony of Deep QuestionsPrompts: List, Ocean Blue, Memory, 4823 Neal is riding solo this week, and not only is he riding solo, the first segment is literally riding, in his new car, recording on a highway. Talk about dedication. This week Neal, like LT, takes inspiration from LIST and also MEMORY to give us a list of 5 films worth checking out that deal with memory and all its themes. This episode explores memory not as a perfect record of the past, but as something we

Today the Panelists discuss a book that is more of a collection of Instagram posts than a narrative. We discuss our love for Mackesy’s finished but unfinished-looking art and our mixed opinions on the words and narrative in this book. And at the end, there is a reveal that changes everything.(00:00) - “The Boy, the Mole, the Fox and the Horse” by Charlie Mackesy(01:03) - Front Matter (01:59) - Impressions (08:14) - Kids don’t talk like this (08:54) - The art style (13:19) - The

Created during her traumatic divorce from Diego Rivera, this is one of the most recognisable of Kahlo's 50+ self-portraits, capturing vitality and endurance rather than despair at a time of great pain... Support the show

This week, Gilbert and Frank welcome one of the most visible and popular TV actors of the 1970s, 80s and 90s, former heartthrob and “B.J. and the Bear” and “My Two Dads” star Greg Evigan, who shares memorable anecdotes about everyone from Burt Reynolds to William Shatner to simian TV sidekick Sam (AKA “The Bear”). Also, Greg shares the stage with Ben Vereen AND John Travolta, jams with Paul Shaffer and lends his car to Ringo Starr! PLUS: Don Kirshner! The strange genius of Glen A. Larson! “Pink Lady

This episode, we return to Earth-616 and travel back to WW2.The King's life is threatened and only the Crusaders can save him! But, are the Crusaders the heroes they seem to be? Find out as David, Peter and some returning guest voices cover Invaders #14. Kelly “Ghost Girl” Blair's peek into the Paris Metro can be found at https://taplink.cc/metrostoppodcast You can find Martin (Lord Falsworth) Gray's comic review blog at https://dangermart.blog/ Kirby (Toro) Evans is a regular on

Garrett Chaffin-Quiray and Ed Rosa talk through divergent feelings about a master’s lasterpiece. This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace”...

Emillio RodriguezSpeaker & Strategic Communications Leader on Trust, Human Connection, Resilience, and the People Who Change What We Believe is PossibleEmillio Rodriguez is a speaker and strategic communications leader whose work is built around a powerful idea: the way we see people can change what they believe is possible.At 16, Emillio survived an 80-mph rollover crash. The vehicle rolled three times, and metal tore through the center of his seat, missing him by inches. In the years that

Hey! I'd love to hear your thoughts, send me a voice note.Herzlich Willkommen zu dieser magischen Ausgabe von Out of Frame! Wir sprechen über Hexen in Film und Fernsehen, unterdrückende Schönheitsideale und schlechtes Product Placement im Film. Zusammengefasst: Zauberhafte Schwestern 2.Hex Hex! 00:00:00 Welcher Musiker hat unser Leben gerettet?00:02:35 Erste Narnia Bilder00:06:10 Top und Flops00:15:21 Hexen Exkurs00:23:59 Zauberhafte Schwestern 100:31:02 Zauberhafte Schwestern 200:44:30

Garrett Chaffin-Quiray and Chris Metzler think fondly about late 1990s movie experimentation that formed the basis for streaming procedurals. This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star ...

“I don’t know enough people” might be one of the most convenient lies artists tell themselves. And before you get cross with me, hear me out. If you tell yourself, you don’t know the right curators, collectors, commissioners, gallerists, or writers, you get to keep believing the problem is your network. You don’t have to risk contacting somebody. You don’t have to hear no. And you get to keep hoping that one day somebody might discover you. But hope is protecting you from the very thing your work

This week, we have founding artistic director of Bearded Ladies, Rose Jarboe, and grief coach, Naila Francis.Tickets: https://phillyfringe.org/events/priority-hoarding-a-retro-spectacle/Instagram: https://www.instagram.com/johnjarbeaux/ | https://www.instagram.com/thishallowedwilderness/ | https://www.instagram.com/disarmingdarling/Websites: https://www.johnjarboe.org/ | https://beardedladiescabaret.com/ | https://www.thishallowedwilderness.com/// Show Notes:Contribute to the Philadelphia Ballet

This week, the siblings break down one of Ross's favorite cult classics, Horror Express (1972). Following the story of a geologist who digs a fossilized missing link out of a cave in Manchuria, Horror Express is a  melting pot of ideological concepts from evolutionism to religion to sexuality. What Carie initially dismissed as a cheesy B-movie has actually turned out to have some good meat on its bones. Ross can't get over the movie's haunting score, Carie is in love with all the women in the movie,

Eugène Delacroix, French Romanticism, the French Revolution, Iran, Persia, Farsi, the Ayatollah, Napoleon, Lord Byron, and one very famous painting where everybody is apparently staring at the same thing.This week on We Like Art, Tommy Mavra and Manny dive into the art and life of Eugène Delacroix, one of the most important painters of the French Romantic movement. With Hesam Torr joining the conversation, we explore Delacroix, his paintings, French history, revolution, and the surprisingly

La mia filosofia nel creare contenuti per i prossimi mesi.

Trevor, Paul and David discuss video games adapted into Hollywood movies, and why some work and some don't. Music: Andre Jetson - Bipolar (Original Mix)

Annabelle Selldorf spricht mit Johann König darüber, wie Räume für Kunst zu Räumen für Menschen werden, wie die Verbindung zur Kunstwelt ihre Karriere geprägt hat und was sie an New York fasziniert.

Matt and Talor are joined by guest host Wayne Suggs, filling in for DT, for a wide-ranging episode covering public lands policy, gear rumors, and three spicy hot takes on workshops, sky as subject, and crop mode.NEWS TOPICS Talor breaks down what's at stake in the USDA and Forest Service's proposal to rescind the 25 year old Roadless Rule, which protects 44.7 million acres of national forest from road construction and timber harvesting, and what it could mean for wildlife corridors, water quality,

Youtube Podcast channel https://www.youtube.com/channel/UCxKRciYLnoJ20Kq-klz70oA YouTube Channel https://www.youtube.com/@PeterCoulsonPhotographer/featured Online tutorials: https://inspire.peter-coulson.com.au Worldwide Photography Workshops: https://workshops.peter-coulson.com.au​ Website http://www.peter-coulson.com.au Social media https://twitter.com/_petercoulson https://www.instagram.com/petercoulson/ https://www.facebook.com/petercoulsonphotogr...

Amanda Rosso e Carlo Martello parlano di Amarga Navidad, il nuovo film di Pedro Almodóvar, che Amanda ha visto ma Martello no, e che come sempre fa partire delle pippe infinite sull'autofiction, i registi imborghesiti, l'analfabetismo funzionale e...Boris. Perché non c'é puntata in cui non si parli di Boris.